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• Colonial Ports and Global History (CPAGH)
• Rebecca De Souza
• Michael Goodrum
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• Leen Van Broeck
• Documenting Trauma: Comics and the Politics of Memory
• Divided Cities; Culture, Infrastructure and the Urban Future
• Inkfish: Call for participants
• Documenting Trauma: Comics and the Politics of Memory
• Events for the Edgar Wind Society
• When We Last Left Our Heroes
• That's Oxfordshire Interview with Dominic Davies
• Article featuring Comics and Graphic Novels Network
• The Art of Bearing Witness: On Visual Narratives, Comics Form, and Trauma
• Divided Cities: Culture, Infrastructure and the Urban Future
• Documenting Trauma: Comics and the Politics of Memory
• Review of the Adventures of John Blake: Mystery of the Ghost Ship
• Annual Headline Series
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• Ancient Dance in Modern Dancers
• Becoming/Unbecoming
• Audrey Borowski
• Becoming/Unbecoming
• Early Medieval Britain and Ireland
• Crisis, Extremes, and Apocalypse
• OCCT HT 2019 Week 1 Updates
• Call for Papers: Autofiction – Theory, Practices, Cultures – A Comparative Perspective
• Vacancy for Executive Assistant
• TORCH International Fellowships guidelines
• Reni Eddo-Lodge In Conversation
• TORCH Global Visiting Professorship Scheme
• Unflattening
• Oxford Pilgrimage Studies Network
• Fairfax House Georgian Studies Symposium
• From Engagement to Empowerment: The Future of England’s Heritage Open Days
• Diplomacy in Early Modern Period 1400-1800
• 2017-18: Linguistic Fieldwork and Collective Memory
• Iberian-Habsburg Diplomatic Relations with Muslim Powers in the Sixteenth Century
• 2017-18: Words as Weapons
• 2017-18: Ageing and Creativity
• Critical Visualization
• Critical Visualization One-Day Symposium
• Making Sense of Negotiated Text at Scale: A Workshop
• Amplifying Inclusion
• 2017-18: Books Unbound
• Unflattening
• 2014-15: Celebrating 500 Years of Pregnancy and Birth
• Critical Visualization Conclusions Workshop
• Critical Visualization Lunchtime Seminar
• Critical Visualization One-Day Symposium
• Critical Visualization Lunchtime Seminar
• Critical Visualization Lunchtime Seminar
• Critical Visualization Network Launch
• Introducing the Critical Visualisation Network at TORCH
• Critical Visualization Network
• Enlightenment Correspondences
• Enlightenment Correspondences Seminar
• Enlightenment Correspondences Seminar
• What is a Letter? An Interdisciplinary Approach
• Making an Anthology of Voltaire's Letters: The Problems and the Pleasures
• Willian Godwin's Letters
• Epistolary Openings and Closings
• Correspondence of Enlightenment thinker reachers its 10th volume
• Queer Studies Network
• Is PrEP a Queer Technology?
• Enlightenment Correspondences Seminar
• Enlightenment Correspondences Seminar
• Enlightenment Correspondences Seminar
• Precious Fragments
• Enlightenment Correspondences
• The Epistolary Construction of Christian Friendships
• Cosmopolites or Nationalists?
• Enlightenment Correspondences Talk
• Enlightenment and Conservatism in the Correspondence of the Verri Brothers
• Crossing the Channel: The Love Letters of Marie Le Prince de Beaumont and Thomas Tyrrell
• The Correspondence of David Hume
• Royal Secrets: Marie-Antoinette's Exchanges with Ambassador Mercy
• War Crimes, Trials and Investigations
• War Crimes, Trials and Investigations Seminar Series
• War Crimes, Trials and Investigations Seminar Series
• War Crimes, Trials and Investigations Seminar Series
• War Crimes, Trials and Investigations Seminar Series
• War Crimes, Trial and Investigations Seminar Series
• War Crimes, Trials and Investigations Seminar Series
• War Crimes, Trials and Investigations Seminar Series
• War Crimes, Trials and Investigations Seminar Series
• Louise Bourgeois's Observations: The Earliest Printed Work by a Midwife
• Nuremberg War Crimes Trials 70 Years On: A Complex Legacy
• Global Brazil
• Pregnancy and Birth
• Brave New Books Exhibition
• After Clarice: Lispector's Legacy
• Celebrating 500 Years of Pregnancy and Birth
• Brazilian Samba and African Drumming
• Brazil Week: Concert with Lambrego
• Brazil Week: The Dusk of Writing
• Brazil Week: Film Screening of Durval Records
• ‘Using Historical Evidence of Birth to Enhance Our Cultural Sensitivities’: Seminar Report
• Brazil Week: Interdisciplinary Postgraduate Seminar
• Brazil Week: Film Screening of To The Left Hand of the Father
• Pregnancy and Birth: Insights into 500 Years of Printed Texts and Archival Photography
• Brazil Week: Round Table Discussion on Raduan Nassar
• Celebrating 500 Years of Pregnancy and Birth
• The Role of African Migrancy in Local Identities and Spatial Management in São Paulo, Brazil
• Translating Brazil: Words and Music
• Brazilian Literature: Other Voices
• Brazilian Literature: Other Voices
• Folia Voices: A Tribute to Elizabeth Travassos
• Between 'Progress' and 'Grandeur': The Circulation of Brazilian Culture during the Early Decades of the Cold War
• Brazil Week
• Changing Lives - Childhood Adversity and Lifetime Resilience
• Spatial Practices
• Global Brazil Seminar
• Changing Lives
• Debating Brazilian Development Seminar Series
• Debating Brazilian Development Seminar Series
• Global Brazil Seminar
• Global Brazil Seminar
• After Clarice: Lispector's Legacy
• Conceição Evaristo at 'Other Voices in Brazilian Literature' Seminar in London
• 2014-15: Compassion in Healthcare
• Oxford Comparative Criticism and Translation
• Compassion in Healthcare on BBC Radio 4
• Oxford-Weidenfeld Translation Prize 2019
• Winner of the Oxford-Weidenfeld Prize Announced
• Oxford-Weidenfeld Translation Prize 2018
• Oxford-Weidenfeld Translation Prize 2018
• Oxford-Weidenfeld Translation Prize 2017 Winner Announced
• Effective Altruism, Pluralism, and Singer’s Pond Example
• Oxford-Weidenfeld Translation Prize 2017
• Oxford Comparative Criticism and Translation Discussion Group
• Intelligent Technologies and Authority
• Oxford-Weidenfeld Translation Prize 2017
• Oxford Comparative Criticism and Translation Review
• The Molecularly Unstratified Patient
• Review of Oxford Translation Day
• Concepts of Disease: Dysfunction, Responsibility and Sin
• Medical Humanities Conference
• Personalised Medicine: The Promise, the Hype and the Pitfalls
• Prismatic Translation
• Prismatic Translation
• Markets, Healthcare and Professionalism
• Opportunity To Work With The Oxford Comparative Criticism and Translation Programme
• Call for Papers
• Call for Papers
• The Royal Society of Medicine Medical Humanities Conference
• Discussion Group
• An Evening with Samuel Shem
• Multilingualism and Post-Anglophone Fiction
• Discussion Group
• Discussion Group
• EMEL Workshop
• Healing, Personal Values and Narratives in Healthcare
• The World Republic of Theory: Epistemic Inequality in World Literature Studies
• Discussion Group
• Fiction and Other Minds: "Reconceiving Personhood: Cognitive Readings of Mystical Texts"
• What can policy-makers learn from the humanities?
• Educating Compassion in Healthcare: Is It Possible and What Would It Mean?
• Politics, law, leadership and compassion in healthcare
• Contexts for Compassion in Healthcare: Exploring Visions of the Good
• Poster presentation 'Compassion in Healthcare'
• Advancing ‘medical professionalism’ vital for doctor satisfaction and high-quality health care
• 2014-15: Conserving the Nabataean Temple at Khirbet et-Tannur
• A Gem of a Small Nabataean Temple
• 2014-15: Medea
• 2014-15: Mediating Modern Poetry
• 2015-16: Pharmacy as a Laboratory of Modernity
• Storming Utopia
• Storming Utopia
• FROM VENICE TO VENEZUELA: UTOPIA AND ITS TRAVELS
• Storming Utopia
• Storming Utopia
• Storming Utopia
• Storming Utopia
• Storming Utopia
• Storming Utopia
• Lucy Leave Performance
• 2015-16: Demons Land: A Poem Come True
• Exhibitions Producer/Agent: Demons Land: A Poem Come True
• Demons Land Film Screening
• Demons Land Film Screening
• Demons Land Film Screening
• Demons Land Exhibition
• Trusted Source
• Simon Palfrey on Demons Land: A Poem Come True
• Demons Land: A Poem Come True
• Reciprocity, Reputation and the Pupil-School Relationship in Letters from the École Royale Militaire Archives
• Early Mother Tongue Literacy for Sustainable Development in Sub-Saharan Africa
• Fiction and Other Minds: The Strange Redemption of William Golding's 'Pincher Martin'
• Letters of Laurence Sterne
• The Weidenfeld Visiting Professorship in Comparative European Literature Lecture Series
• Discussion Group
• ‘“All My Important Nothings”: Jane Austen and Her Letters’
• 2014-15: Eating Disorders and Real-Life Reading
• The Weidenfeld Visiting Professorship in Comparative European Literature Lecture Series
• Fiction and Human Rights
• The Weidenfeld Visiting Professorship in Comparative European Literature Lecture Series
• Fiction-reading for good or ill
• Discussion Group
• Javier Cercas & Juan Gabriel Vasquez in Conversation
• Fiction and Eating Disorders: A New Partnership
• The Tongue, That Untamed Flesh: Polish Poetry, Freedom, and Silence in Translation
• Oxford Translation Day
• Consuming Fictions: Reading and Eating Disorders
• Discussion Group
• Welcome Drinks Followed by a Conversation with Kai Aareleid and Patrick McGuinness
• Traveling, Fighting, Dancing: Illness and Recovery Metaphors
• Oxford Comparative Criticism and Translation
• Book Launch of Strange Cocktail: Translation and the Making of Modern Hebrew Poetry
• Fiction and Other Minds
• Oxford Comparative Criticism and Translation
• Watching a Play About Anorexia
• World Literatures: Multilingual Locals and Cosmopolitan Dynamics
• Prismatic Finnegans Wake
• Oxford Comparative Criticism and Translation
• Seminar: How to build a pacific relationship between two neighbours
• An Essay/Fantasy on Online Harassment, Bullying, and Surveillance Culture
• 2016-17: Exploring Sicilian Epigraphy in Sicilian Museums with Sicilian Schools
• Oxford Comparative Criticism and Translation
• Public Reading of God is Not Shy by Olga Grjasnowa
• OCCT Launch of Jamie McKendrick's New Book of Poems, Anomaly
• Exploring Sicilian Epigraphy Exhibition Opens in Italy
• Borders and Bordering Practices in Literature, Mind, Politics, and Memory
• Cold War. Dutch Public Diplomacy in the Truce Period, 1609-1621
• Discussion Group
• 2014-15: The Folio of the Future
• Modalities of Cybertext Poetry: John Cayley vs. Hsia Yu
• Iberian-Habsburg Diplomatic Relations with Muslim Powers in the Sixteenth Century
• Affective Transformations
• Discussion Group
• Journeys in Translation
• The Indian Army in the First World War: An Oxfordshire Perspective
• Discussion Group
• Close-Reading A Global Novel Across Languages
• Discussion Group
• Dr Priya Atwal on Dan Snow's History Hit Podcast
• Literature, Democracy and Transitional Justice
• Discussion Group
• Soldiers of Oxfordshire Museum: Asian Cultural Activity Day
• The Weidenfeld Visiting Professorship in Comparative European Literature Lecture Series
• Diplomatic Correspondence Networks and the Progress of Scientific Knowledge
• Soldiers of Oxfordshire Museum: Asian Cultural Activity Day
• Oxford Translation Day
• Oxford Critical Theory Network
• South Asian History Festival at Oxford Spires Academy
• OCCT Discussion Group: Reading out of Context
• Translation into Theatre and the Social Sciences
• Translation into Theatre and the Social Sciences
• East European Crossroads in English Translation
• The Jewish Country House
• Sentimental Coatings and the Subversive Pet Closet: Michael Field's Whym Chow: Flame of Love
• Welcome Drinks
• Jewish stories at our country houses
• Discussion Group
• Discussion Group
• Jewish Country Houses: exploring the world of the Anglo-Jewish aristocracy
• Translating Graphic Novels: Red Rosa by Kate Evans
• Queerying the Curriculum: Should our study of literature be more openly queer?
• FP - 5 Minute Presentations: 'Around the Table'
• Discussion Group
• Comparative History of Literatures
• Aphorism/Fragment Creative Writing Workshop
• Oxford Critical Theory Network Launch Event
• Someone Will Remember Us/I Say/Even in Another Time
• Can Reruns be Queer? Reflections on Greek Television's Alternative Programmatic Framework
• Disney's Coco and the Queer Saint
• Second discussion session: Material letters and diplomacy
• "This space is not somehow, the right space": Receptions of Queer Feminism within Dartmouth College's Women's Movement 1975-2000
• 'I wish there was a world for us': the search for utopic recognition in queer comics
• Sapphistry on the Spoil Heap: Lesbianism and Female Homosociality in Early Archaeology
• SOLVING THE PROBLEMS OF BREXIT WITH 500-YEAR-OLD WISDOM?
• Queer Modernism(s) II: Intersectional Identities
• CROSSING THE BORDERS OF UTOPIA
• ISLAND METROPOLES, OLD AND NEW
• STORMING UTOPIA
• "No Reason To Fear Her Karma": Gender Variance in Japanese History and Culture
• 2014-15: Supporting Spelling
• Review: A Fantastic Woman (2017)
• National Trust Partnership
• Call Me By Your Name, or the art of de-queering narratives for straight audiences
• Finding a feminist home in Oxford: Four reflections
• 2019-20: Understanding Postgraduate Medical Ethics Education
• Sylphs and Sylphides on the border
• 2014-15: Universal Access Remote Health Monitoring
• Fire Eating Lesbians and AIDS Activism in 1990s San Francisco
• Secretaries and the Persian Cosmopolis in the Making of an Anti-Safavid Diplomatic Discourse
• Jin Xing: Paradoxes of Queerness in Global China Today
• First discussion session: Relazioni and diplomatic reporting
• Diagnosing Speech
• Sex or Black Magic? - Mina Loy's Insel
• Diplomatic Letters as Political Literature: Copying Sir Henry Unton's Letters
• Voice Analysis for Everyone: Health Monitoring by Phone
• Gender and Authority
• 2016-17: Prince George of Denmark and his Admirals (1702-08)
• Nadezhda Durova: Nineteenth-Century Russian Queer Celebrity and Patriotic Icon
• I say viennas, you say vy-eeners: visibility and queerness in white camp drag from Atlanta to South Africa.
• Political Queerness and the Empathy Machine in God's Own Country
• Testosterone and Alchemy
• 'YAAS and...': Drag, Improv, and Play
• Elsa Gidlow: Pioneering Poet and San Franciscan Sappho
• The Activism of Black Feminism and the Aporia of Racial Grief
• A Boy and his Empire: Antinous - Last God of the Ancient World
• Big Queer Hackathon
• Queer Studies Graduate WIP
• Longing for Lesbos: Queer Women and the Classical World
• Displaying LGBTQ+ Histories in the Museum: Possible Aims and Strategies
• Decolonising Queer Geographies
• 'Ubudiyet: Edward Barton's service to the sultan'
• Visiting the Jewish gentry
• Now You See Me: Lesbian Life Stories
• 'David Hume and diplomacy, 1746-1769': Diplomacy in the Early Modern Period (1400-1800)
• Diplomacy and Gender in the Early Modern World (1400-1800)
• Villa Liebermann reports on the Jewish Country House conference
• Autism, Sexuality and Gender Dysphoria
• Diplomacy and Gender in the Early Modern World (1400-1800)
• Interview: Prof Abigail Green on the Transformative Impact of the Leadership Fellow's Scheme
• Queering Fat Queering Gender
• ‘Royal Gifts and Diplomatic Ceremonial: The Case of James VI/I’s Apologie (1609)’
• Decorative Supremacy: French Diplomatic Gifts in the 18th century
• How recognizing the “Jewish country house” expands our understanding of Jewish heritage
• Queer Studies Network Mixer
• Knowledge for Decision Makers: Austrian-Habsburg Foreign Intelligence in the Late Sixteenth Century
• Seminar: Queer Dis/Affiliations During the AIDS Crisis
• The same game, but with different rules: Western diplomats in early modern Istanbul
• 2016-17: Literature & Silence
• Marketing Death: The Troubled Production of AIDS Literature
• Trust building measures in cross-cultural settings: Diplomatic networking practices in early modern Istanbul
• Multilayered Networks, Information Gathering and Letter-Writing
• 'Europe's diplomatic culture, c.1700-1900: Continuity and change'
• Negotiating peace in early modern Europe: Diplomatic ceremonial as opportunity and obstacle in the peace process
• Being Human
• "Eventually We're All Queer": Isherwood, Identities, Legacies
• Li Maizi of China's Feminist Five
• Gender & Authority
• Victorian Light Night Competition
• 'Fabulous' by Madison Moore
• Queering the Map? Activism and the Archive Inside and Outside the Academy
• Ashmolean Project Portal event
• International Day Against Homophobia, Transphobia and Biphobia
• Lost Late: Night at the Museums
• V&A Queering the Museum Workshop for IDAHOT
• Rainbow Pilgrims Pop-Up Exhibition for IDAHOT
• Radical Photographs; Science Fiction and Alterity; Sex Assignment and Brexit
• Queerying Spaces: Transnational Perspectives
• Queer Theory Research Lunch: Nonbinary Drag; Sylphs and Sylphides; Drag, Improv, and Play.
• The Queer Studies Research Network Undergraduate Symposium
• Trans Aesthetic Activism, Drag Lip-Sync Performance and 'Bumping' in Gay Life
• Professor James McDougall
• What does it mean to be LGBT+ today?
• Queer Theory "from" Africa, Queer Memory/Lesbian Activism and the First Gay Novel in Chinese
• LGBT History Month - Oxford History Faculty LGBTQ
• Notes on Vegan Camp, Queer Representation in Dictionaries, and Queer Prisoners in Francoist Spain
• LGBTQ+ Trusted Source Writing Workshop
• Conceptualising Homophobia, Lesbian Classical Reception, and Masculinity in Joyce's Dubliners
• Lecture and Seminar on the Theories and Work of Paul B. Preciado
• The Use and Value of Camp Drag within LGBTQ Activism
• Deaundra Peek and the Atlanta Televisual Drag Scene
• Oxford Queer Studies Network Launch
• 2016-17: Recreating the Music of an Ancient Greek Chorus: Euripides' Orestes
• Rethinking the Contemporary: The World since the Cold War
• Visions of the Future in India and Pakistan
• Women in the Wake of May 68
• 'House of Government. A Saga of the Russian Revolution'
• Visions of the Future in India and Pakistan
• 'Event, Memory, Legacy'
• Populism as a Global Form: A Roundtable Conversation
• Fanon Transformed? The New Writings
• Pankaj Mishra: Age of Anger
• Are Human Rights Neoliberal?: An Historical Account
• The Inheritance of ISIS
• The Enrichment Economy: Narratives, Collectables and Heritage as Economic Resources
• Failure
• The Enrichment Economy: Narratives, Collectables and Heritage as Economic Resources
• Failure, Design and the Globalization of Risk
• 2015-16: Unlocking Late Schumann
• Unlocking Late Schumann
• 2016-17: Unsilencing the Library: An Exhibition at Compton Verney
• Dr Sophie Ratcliffe Wins University Public Engagement Award for Unsilencing the Library
• Unsilencing the Library
• 2015-16: Vehicles - Children's Opera
• 2017-18: Women and War: Female Activism During the English Civil War
• Presenting the Early Modern Period
• Women, War and Suffrage
• The Rebellious Royalist Women of the English Revolution
• 2015-16: Staging Nahum Tate's King Lear
• Rags to Riches?: Experiences of Social Mobility since 1800
• Great Expectations? Childhood and Social Mobility
• Romanticism and Eighteenth Century Studies Oxford
• Rethinking Social Mobility
• The Zouave Moment
• John, the Soldier, Jack the Tar
• A Zealous Anthropologist
• Some Empirical Worries and Uncomfortable Philosophical Possibilities
• Singer's Pond Example vs Supporting International Aid Organisations
• Forms of Service in the Long Nineteenth Century
• Effective Altruism, Pluralism, and Singer's Pond Example
• Defending the Patria
• Writing Freedom Down
• The Possibility of Witchcraft
• Honour and Class in the Post-Reform Imperial Russian Officer Corps (1861-1914)
• Women, Authorship, and Identity in the Long Eighteenth Century: New Methodologies
• Social Mobility and Wellbeing: Does 'Moving Up' Lead to Better Health?
• Call for Papers: Imagining Apocalypse
• How and Why Have Oxford Admissions Outcomes Reproduced Existing Inequalities
• Rags to Riches 2016-2017
• Call for Papers: Lines of Connection: An International Conference on Eighteenth-Century Poetry
• Great Expectations? Childhood and Social Mobility
• RECSO Funding Opportunity
• On the Move
• Call for Speakers: "Reading Images" Workshops
• The History of Social Mobility Research
• Women, Authorship, and Identity in the Long Eighteenth-Century: New Methodologies
• Social Mobility and Us
• Education and Intergenerational Mobility
• An Evening with Shelley
• Evening Talk at the Shelley Memorial
• Discussion Session
• Instruments of Status: The Flute in Eighteenth-Century Scotland
• Teachers and Social Mobility in Post-war Britain
• Discussion Session
• Instruments of Love: The Recorder as an Instrument of Love
• Riches to Rags and Education and Social Mobility in China
• Instruments of Emancipation: The Changing Uses and Roles of Keyboards in the Eighteenth-Century
• Discussion Session
• Instruments of War
• Women, Authorship, and Identity in the Long Eighteenth-Century: New Methodologies
• Cultures of Collecting in Eighteenth-Century Britain and Ireland
• Collaborative Research Projects: Challenges and Benefits
• Working with Data: Excel, XML, and Poetry
• A Life in the Past: Finding your Way Round the Archives and Libraries of France in a Pre-Digital Age
• Translation and Research in Eighteenth-Century Studies
• Gardeners’ Question Time: Capability Brown Edition
• Exhibition: The English Garden, Views and Visitors
• Imagining Apocalypse
• Capers, Crockery, and Clocks
• Lecture and Masterclass with Dame Emma Kirkby
• What Is Politics? Exploring the History of a Concept Across the Euro-Islamic World
• Reading Blake's Baptism(s)
• Pick-Pockets and Pocket-Books
• The Sublime Meets the Grotesque: Caleb Williams and Frankenstein
• Off-Stage Rules: Sarah Siddons and Satire
• 'At Home': Exploring Eighteenth-Century Domestic Space
• Objects from the Wallace Collection
• 90 Seconds, 5 Questions
• 90 Seconds, 5 Questions
• 90 Seconds, 5 Questions
• 90 Seconds, 5 Questions
• The RECSO Launch Party, Dinner, and Drinks
• Historicist Norms and the Argument for Aesthetics in Teaching the Eighteenth Century
• Eighteenth-Century History for Beginners: Teaching Challenges
• ‘Music in Context’: Studying and Teaching the Eighteenth Century
• How to Portray a Touch, a Kiss: Eye, Mouth and Breast Miniatures
• RECSO End-Of-Year Conference Competition and BSECS Panel Funding
• Ephemera: Defining, Collecting and Researching the Fragmentary Past
• Thinking with Objects: The Impact of Material Culture on Disciplinary Boundaries, Teaching Practices, and Eighteenth-Century Studies
• Constructive Chronologies? Periodisation and Disciplines
• A Life in the Past: Finding Your Way Round the Archives and Libraries of France in a Pre-Digital Age
• Alliance: Humanities & Existential Risk
• Ashmolean Project Portal
• Digital Transformation of Teaching through Objects
• Mapping Georgian Celebrity
• Bengal and Modernity: Early 20th Century Art in India
• Ashmolean Dead Friday
• The Japanese Art of Woodblock Printing
• Humanities & Performance 2019
• The Japanese Art of Woodblock Printing
• Yoshida Hiroshi: A Japanese Artist in India
• Wyndham Lewis, British Drawing, and the Art of the 1940s
• Ashmolean Project Portal Gallery Lecture
• Yoshida Hiroshi: A Japanese Artist in India
• Call for Papers: Convention, Conclusion, and the Performance of the Text c. 1050 - 1500
• New Humanities Knowledge Exchange Champion Announced
• Approaches to Femininity and Sexuality in Contemporary Indian Society
• Tom Stoppard on Text and Performance
• Famous and Forgotten: Gillray's World
• The Primitive Art Imagined: Art and Ethnography in Colonial Bengal
• Performing Dido: Exploring Early Drama in Oxford
• Clara Schumann (née Wieck) and her World
• Bengal and Modernity
• JEFF KOONS IN CONVERSATION WITH MARTIN KEMP
• Photographic Representations of 19th Century Zenana
• 2019 Spring Weekend of Song
• Song Beyond the Nation: Translation, Transnationalism and Performance
• Bengal and Modernity
• Bengal and Modernity
• Kenneth MacMillan: Making Dance Beyond the Boundaries
• Bengal and Modernity
• Reading Group: Material Culture
• Special Tour of William Blake: Apprentice and Master Exhibition
• Performance and Queer Histories: From Shakespeare to Tchaikovsky and Marc Almond
• Blake at Breakfast
• Reading Group: Spouting Clubs and Other Forms of Historical Re-Enactment
• Composing Lives, with Errollyn Wallen
• Nadine Benjamin and Nicole Panizza
• Composers' Lives: A View from the Inside, with Nicola Lefanu
• Gesture in the Theatre
• GWC Seminar: Modern Metamorphoses
• Reading Group: Hope and Utopia in Performance
• Symposium "Performance - Interpretation or Identification?"
• Book Launch and Performance
• The Oxford Song Network: Poetry and Performance Seminar
• Ancient Epic in Modern Performance
• Song as Performance
• Old Norse Poetry in Performance
• The Indian Heroine in History, Art & Performance
• "Something is Taking Its Course": A One-Day Symposium
• Theatre and Performance Studies Social
• Theatre and Performance Studies Reading Group
• Theatre and Performance Network's Event
• Theatre and Performance Studies Reading Group
• Theatre and Performance Studies Reading Group
• Old English and Performance
• Trans Aesthetic Activism, Drag Lip-Sync Performance, and 'Bumping' in Gay Life
• Theatre and Performance Studies Reading Group
• Performance: Kokoschka's Doll / The Art of Love
• Performance: Isolde (1903 / 2018)
• Using Practice as Research
• Performance and Female Preaching in Late Medieval and Early Modern Europe
• ROBERTO BOLAÑO’S NOVEL THE SKATING RINK, GARSINGTON OPERA’S NEW PRODUCTION
• Poetry Workshop with Nick Makoha
• Violence Studies Oxford
• Reading Group: Ancient Laughter
• Film Screening & Interview: Cinicos
• Notes from the Silence: Writing the Lives of Women Composers, with Anna Beer
• Sir Thomas Allen, in Conversation
• A Play After Euripides' Andromeda
• Pelicans, Shepherds & Palaces
• The Micro-Dynamics of Violence: A Violence Studies Oxford Mini-Conference
• Violence Studies
• The Wrong Kind of Genocide: Anglo-American Newspaper Coverage of Mass Violence in the 1990s
• The Micro-Dynamics of Violence
• The Subnational Links between Oil Wealth and Armed Conflict in Colombia
• British Imperial Responsibility?
• Urban Rhythms Network
• Urban Rhythms Network Launch
• Study Day on Acoustic Cities
• Theatre and Performance
• Dr Stefan Aquilina: Researching Early 20th-Century Russian Theatre
• Reading Group: Hope and Utopia in Performance
• Gesture in the Theatre
• Oscar Wilde in Vienna: Pleasing and Teasing the Audience
• Reading Group: Spouting Clubs and Other Forms of Historical Re-Enactment
• Translation Prefaces
• The Dancer and the Übermarionette: Duncan, Craig and Modernist Performance
• Reading Group: Material Culture
• Kenneth Macmillan: Making Dance beyond the Boundaries
• Reading Group: Ancient Laughter
• Diversifying Greek Tragedy on the Contemporary Us Stage
• Paul Lodge & the Food of Love Project
• Performing Pindar
• Reading Group: Theatrical Influence and Inter-Theatricality
• Blanche McIntyre - Greeks and Romans in the Rehearsal Room
• Reading Group: Adaptation
• Reading Group: Staging Violence
• Collaboration in Theatre: A One-Day Symposium
• Roberto Bolaño’s Novel the Skating Rink, Garsington Opera’s New Production
• Theatre & Performance Reading Group Branden Jacobs-Jenkins in Conversation with Dr Sos Eltis
• Theatre and Performance Studies Reading Group
• Childhood Adversity and Lifetime Resilience
• Studentships Offered
• Changing Lives
• Reflections on interdisciplinary life so far
• Constructing Scientific Communities
• Mind-Boggling Medical History
• Mind Reading: The Role of Narrative in Mental Health
• Science, Medicine and Culture in the Nineteenth Century
• Science, Medicine and Culture in the Nineteenth Century
• Science, Medicine and Culture in the Nineteenth Century
• Mind-Boggling Medical History: Launch
• Diversifying Portraiture
• The Full Picture: Oxford in Portraits
• 2018-19: Refugee Heritage: The Archaeology of the Calais 'Jungle'
• 2017-18: Tellings: Reconstructing the Repertoire of Songs used in English Lace Schools
• 2014-15: Thames Valley Country House Partnership
• Cult of Saints
• Offered to Saint Constantine: Thoughts on the Historical Significance of the Early Byzantine Silver Hoard of Karlsruhe
• ‘His Master’s Voice’: Martyrs as Teachers and Preachers in the Roman Gesta Martyrum
• The Cult of Saints and the Origins of the Constantinian Basilica
• The Syriac Life of Mar Awgen: Portraying a Monastic Holy Man in Late Antique Mesopotamia
• The Burials Ad Sanctos
• Thinking About Saints with Gregory of Tours
• Rulers and Saints
• The Cult of St Alban of Verulamium
• Text, Shrine, and Supplicant in the Eastern Cult of Saints (5th – 7th Centuries)
• Art as Evidence for the Joint Cult of Saints: John the Baptist and John the Evangelist in Early Medieval Rome and Byzantium
• King Vačagan the Pious and His Long Hunt for Relics
• Epitaph for a Saint: Considerations on the Epigraphical Aspects of the Burial of Martyrs
• Lupus of Troyes and his Vita
• Saint Anne. Another Heavenly Wife
• Sanctity and Society in Sixth-Century Antioch: The Cult of Symeon Stylites the Younger
• Saints from the Latin East: The Memory of North Illyricum in Greek Hagiography
• Cultures and Commemorations of War
• CultCommWar Workshop Four: American Wars, American Memory
• Cultures and Commemorations of War: An Interdisciplinary Seminar Series
• Costs of War – Impact, Meaning and Perceptions
• Lest We Forget? Reconsidering First World War Memory
• Why Remember? War and Memory Today
• How do we remember war?
• I wondered whether I ought to be wearing my poppy
• Diseases of Modern Life
• Germs Revisited
• Ruskin, Science and the Environment
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• Monstrous Voices: (Female) Speaking Automata, Mind Science and Mass Mediation in Late-Nineteenth-Century British Fiction
• Sleep and Stress, Past and Present
• Mind Reading: The Role of Narrative in Mental Health
• Sexo-Aesthetic Inversion
• Science, Medicine and Culture in the Nineteenth Century
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• Infectious Ideas
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• From the Andes to the Outback
• Contagion Cabaret
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• Time Tribes: How the Railways Made Communities (1840-1900)
• Talk with Theatre Director Polly Findlay
• On the Stratification of Language
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• Germs Revisited
• Medical Authority, (Pseudo)Science and the Explained Supernatural in Late Victorian Female Gothic Fiction
• Pathologies of Solitude
• Have ye ever seen a child clemmed to death?
• Fashionable Diseases of Georgian Life
• Medical & Technological Limits: Adult Hearing Loss up to the Great War
• Casting No Doubt: Plaster Heads in Victorian / Edwardian Science & Medicine
• Radical Requiems: The Return of the Past in British Agriculture, 1850-1950
• Septic Subjects: Infection and Occupational Risk in British Hospitals, 1870-1970
• Commuters: From the Nineteenth Century to Now
• For the Sake of a Dibbling Stick
• Decadents, Innocents and Medical Men: Morphine Addiction in Fin-de-Siècle France
• Across Boundaries: The Business of Scientific Periodicals in Early Nineteenth Century Europe
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• Medea
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• Life Itself in Theory and Practice
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• Empires of Faith
• Year 12s Hear Mary Beard in Conversation with Neil MacGregor
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• Religion, Art, and Community in Oxford
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• Imagining the Divine: Art and the Rise of World Religions
• Imagining the Divine: Art and the Rise of World Religions
• Images of Mithra
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• What is Materiality?
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• The Global Pursuit of Equality: Women, Networks and Networking 1800-2000
• The Global Pursuit of Equality September 2016
• The Global Pursuit of Equality: Women, Networks, and Networking 1800-2000
• Imaobong Umoren Wins British Academy Rising Star Engagement Award
• The Global Pursuit of Equality: Women, Networks, and Networking 1800-2000
• The Global Pursuit of Equality
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• Rulers and Saints
• Dynasty and Dynasticism 1400-1700
• The Mental and Material Laboratories of 13th Century Science
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• Music and Late Medieval European Court Cultures
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• The Two Gregories: Nyssen and Nazianzen
• New Romans: Gregory of Nyssa’s Life of Moses
• Why is knowledge power?
• Gregory of Nyssa on the Trinity
• Conversations on Identity, Ethnicity and Nationhood
• Towards a Neo-Aristotelian Account of Emergence
• Gregory of Nyssa and the Medical Art
• Realism and Quantum Mechanics: Methodological Lessons from Intertheory Relationships
• Aristotle on Geometry and Disposition: Metaphysics 09,1051a21-33
• Vulnerable minds and Vulnerable bodies as the Secret of Strength in Gregory of Nyssa
• Migration and Mobility
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• Predication, Metaphysics, and Divine Impassibility in Gregory of Nyssa’s Christological Exegesis
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• Women and the Politics of Representation
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• Feminist Ambivalence: Power, Gender and Collusion
• The Archaeology of Experience of Domestic Violence Against Women in Iran
• Women in the Wake of May 68
• A Political History of the Nude
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• Teena and the Musical Canon: Music in Seventeen Magazine, 1944-1953
• Language and the Problem of Female Authority
• Thinking About Religion in France around 1900
• A Friend of Tommy's: Gay Desire and Homophobia in the First World War British Military
• Gender and Authority Seminar
• HiCor: A Cross-Disciplinary Network for History and Corpus Linguistics
• "Comedy and Authority" and "Writing Female Voices"
• TORCH Gender & Authority Seminar
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• Negotiated Text Network Seminar 28 February 2018
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• Embodiment and Materiality Seminar
• Embodiment and Materiality Seminar
• Embodiment and Materiality Seminar
• Embodiment and Materiality Seminar
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• Embodiment and Materiality Seminar
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• Welfare and immigration: Evidence from Germany
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• Early Modern Catholicism
• Does it really matter how different we are? Ancestry distances and income in the United States
• The Kindertransport: contesting memory
• Affections and Ethics
• Cognition & Migration: Researching Mobile Identities
• Selective Emigration after Germany’s Failed 1848 Revolutions and the Rise of the Nazi Party
• Refugee Studies Centre, Public Seminar Series, Michaelmas Term 2018
• Speed-Geeking Migration Challenge
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• International Society and the Risk of Statelessness
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• Is it ethnicity or religion? Evidence from a cross-national field experiment on labour market discrimination
• Asylum after empire: postcolonial legacies in the politics of asylum seeking
• Annual Harrell-Bond Lecture 2018 | In a troubled and polarized Middle-East: challenges for Palestine refugees and UNRWA
• Numbers, narratives, neither, both? How different kinds of message evidence impact public perceptions about immigration in Great Britain
• Immigrant franchise and immigration policy: Evidence from the Progressive Era
• Academic Speed-Dating Network Drinks
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• Oxford Migration Conference
• God and the Migrant
• Migration and Urban Transformation in Latin America and the UK
• Book Launch: From Surviving to Living
• To be or not to be: questioning the value of refugee status
• Oxford Children's Rights and Fiction
• The International Ralph Ellison Symposium
• Tessa Roynon Wins Toni Morrison Society Book Prize
• Fiction and Human Rights: The TORCH Network Launch
• Adapting Toni Morrison's 1987 novel 'Beloved'
• Professor Joseph Slaughter to speak at Wadham College
• Fiction and Human Rights Network develops new interdisciplinary tutorials
• Review of THE SELLOUT by Paul Beatty, Oneworld Publications, 2015
• Edwidge Danticat: Creating Dangerously
• Law and Ethics in Never Let Me Go
• Imagining Refugee Journeys
• New research network explores the interaction between law and literature
• Submissions invited for Fiction and Human Rights Network Blog
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• The Death of a Pacifist?: On Akiyuki Nosaka's Death
• Preparation for the Next Life (2015), by Atticus Lish
• Beyond the Bildungsroman?: Elleke Boehmer and Irenosen Okojie
• Situational Ethics and Aesthetics: Review of Human Acts by Han Kang
• Graphic Novels, Comics and Human Rights
• Dignity in Dark Times: Dancing Arabs by Sayed Kashua
• Still Dignified
• Two Reviews of BORDERLINES by Michela Wrong
• Migrants and refugees in Germany: Go, Went, Gone
• A Discussion of Svetlana Alexievich’s Chernobyl Prayer
• A discussion of Petina Gappah's 'The Book of Memory'
• A Discussion of Margaret Atwood’s Oryx and Crake
• The International Ralph Ellison Symposium
• Great Writers Inspire at Home: M. NourbeSe Philip
• Great Writers Inspire at Home: Editors and contributors, The Cambridge History of Black and Asian British Writing
• Great Writers Inspire at Home: Aminatta Forna
• TORCH Fiction and Human Rights Network
• Great Writers Inspire at Home: Nadifa Mohamed
• Great Writers Inspire at Home: D-Empress Dianne Regisford
• Great Writers Inspire at Home: Daljit Nagra
• Beyond the Bildungsroman?
• Hijacking Human Rights: The Rise of Terrorism and the End of National Liberation
• Dignity and the Novel Since 1948
• Writers, Rights, Institutions
• Urban Comix: Collaboration, Production, Resistance
• Drawing the Line: Toward an Aesthetic of Transitional Justice
• Law and Ethics in Kazuo Ishiguro's Never Let Me Go (2005)
• Edwidge Danticat: Creating Dangerously
• Law and Aesthetics in Ian McEwan's The Children Act
• Comics and Human Rights
• TORCH Fiction and Human Rights Network
• Great Writers Inspire at Home: Readers and Readings
• Volcanoes
• Great Writers Inspire at Home: Kamila Shamsie
• Great Writers Inspire at Home: Bernardine Evaristo
• Northern Lights
• Music and the Nordic Breakthrough: Sibelius/Nielsen/Glazunov 2015
• New Generation Thinker 2016
• Dark Archives: A Conference on the Medieval Unread
• Shakespeare in Scandinavia
• Catholic Legacies, 1500-1800
• Revolving Doors? Gallicans, Dévots and Jansenists in Early Seventeenth-Century France
• Review: ‘Spoken Language is a Prison: Ways of Belonging and Speaking in North-West Greenland'
• Am I really only a “nationalistic” curiosity?
• Interdisciplinarity and co-authorship
• Baptismal Requirements and Routine Infanticide in Western Europe, 1500-1800
• "Spoken Language is a Prison": Ways of Belonging and Speaking in North-west Greenland
• The Discoveries of Portuguese Female Mystics, 1500-1755
• Nordic Architecture in Theory and Practice
• Living In ‘The Devil’s Other Hell’: A Catholic Minority in Germany C.1600
• Sibelius Symposium
• Music and the Nordic Breakthrough: Sibelius/Nielsen/Glazunov 2015
• The Latitudes of Twilight in the North
• Hunger Beyond Norway: Hamsun and Cosmopolitanism
• Catholic and Protestant Challenges to the Early Modern Papacy
• Rethinking the Nordic Fairy Tale
• Jesuits and Obedience: A Crossroads in Early Modern Cultural History
• Equality, Inequality and Aesthetics
• The Politics of Sanctity
• Re-imagining Scandinavia in the World: Colonialism and Race
• Literary and Visual Culture in Nineteenth-Century Denmark
• Sacred Kingship
• Nordic Hospitality and Comfort through the Ages
• Exploring Nordic Song
• The Material Culture of Sanctity
• Scandinavian Literature
• The Nordic Voice
• Approaches to Sanctity
• Masterclass in Conceptual Poetry
• Fields of Knowledge: Natural History, Antiquarianism and the Discovery of the Romantic North
• Early Modern Catholicism Seminar
• Empires of the Mind: explaining Charlie Hebdo, the Windrush scandal and Brexit
• The origins and characteristics of macro-nationalism
• Language and Community from the Armenian to Iranian Plateaux
• Launch Event
• Early Modern Catholicism Seminar
• Literary journals and anti-colonial struggle: the insurgent geographies of connection of the Casa Dos Estudantes do Império
• Shifting Loyalties? Basque, Catalan and Galician nationalist combatants in the Spanish Civil War (1936-39)
• Britain, Persia, and the Perils of Whig History
• Global Removal, Forced Labor, and Subjectivity in the Late Spanish Empire: The Transportation of Identity
• The Ballad, the Nation and the Uselessness of Myth: the Poetic Politics of Wagner’s Flying Dutchman
• Early Modern Catholic Life-Writing
• Early Modern Catholicism Seminar
• Early Modern Catholicism Seminar
• Early Modern Catholicism Seminar
• Early Modern Catholicism Seminar
• Early Modern Catholicism Seminar
• Early Modern Catholicism Seminar
• Early Modern Catholicism Graduate and Early Career Workshop
• Early Modern Catholicism Graduate and Early Career Workshop
• Early Modern Catholicism Seminar
• Early Modern Catholicism Seminar
• Identities in Transit
• Embracing Pluralism
• Race and Nation in Detention
• Nationalism, Ethnicity, and the Phoenicians
• Renegotiating Ethiopian Nationalism: The Solomonic Myth in the Long Twentieth Century
• Power and Resistance in Immigration Detention: Lived Experiences of Women in Italy and Portugal
• The Surveillance of Sikh Bodies in the War on Terror
• Race and Nation in Detention
• Ethnicised Religion
• Tudor Empire
• The End of Silence: Accounts of the 1965 Genocide in Indonesia
• Bigotry and Racism, From the Global to the Local
• Historicising Nationalism in Africa
• In the name of Women's Rights: The Rise of Femonationalism
• Early Career
• Early Modern Catholicism Network: Interdisciplinary Seminar, Trinity Term 2013
• Early Modern Catholicism Network: Interdisciplinary Seminar, Trinity Term 2013
• Early Modern Catholicism Network: Interdisciplinary Seminar, Trinity Term 2013
• Interracial Intimacies: Renegotiating the East African Asian Diaspora
• Kingship, Nationhood and Constructions of Political Community: Locating Colonial India in Global Intellectual History
• Redefining Ethnicity: Western Theories and Indigenous Recreations of Jati
• Theoretical, Methodological and Technical Issues
• Racism in the Body of the Academy: Statues and Classrooms
• Medieval Political Prophecy and the Limits of National Identity
• Language and Community from the Armenian to Iranian Plateaux: Armenian, Kurdish and Iranian Identities before Modernity
• Climate and History Redux
• Race and Nation in America from Obama to Trump
• ‘What is the city but the people?'
• And you shall be unto me a Kingdom of Priests, a Holy Nation
• "A Faithful Echo of Medieval Spain"
• Identity and Confessional Mobilization in Medieval Baghdad
• Revisiting Indigeneity: Ethnicity and Nationalism in Palestine
• Understanding Barbarian Migrations through Genomic Research
• Byzantinism, Hellenism, and Roman Republicanism: Byzantine Identities as Constructs of European Fantasy and Western Hegemony?
• Émigrés in Saint Petersburg: Aristocratic Cosmopolitanism and Xenophobia at the Time of the French Revolution
• The Psalms in Anglo-Saxon and Anglo-Norman England
• Eighteen Psalms
• The Psalms and Medieval English Literature From the Conversion to the Reformation
• Psalms Through the Centuries, Volume Two
• Clarke's Psalter
• Pelicans, Shepherds & Palaces
• Early Modern Catholicism Network: Interdisciplinary Seminar, Trinity Term 2013
• Early Modern Martyrdom and Martyrologies
• The Oxford Psalms Network Christmas Drinks
• Thea Gomelauri: 'The Puzzle of Psalm 30'
• Call for Participants
• Edward Clarke, 'O high tree in the ear! A Selection of Psalms'
• Recovering early modern readers through Psalm marginalia
• Domestic Devotions
• Launch of Susan Gillingham's Psalms Through the Centuries: Volume 2
• "Patristics and late antiquity": Ptarmigan Lecture in Patristics 2018
• God is in the detail
• An Introduction to St. Augustine
• Feeling for Another: The Role of Empathy in Moral Theory and Moral Psychology
• Conscience and Moral Consciousness
• An Introduction to St. Gregory
• An Introduction to St. Ambrose
• An Introduction to St. Jerome
• Feeling for Another: The Role of Empathy in Moral Theory and Moral Psychology
• Culture and Experience in the Age of the German Reformation
• The Cuddesdon Reredos
• '"So will I ever sing praises to your name" Psalms in Contemporary Music'
• The Architectural Imagination in the Early Medieval Period
• Philosophy of Action Work-In-Progress Seminar
• The Long Home in the Narrow House
• The Prophetic Word
• Writing a Reception History Commentary on the Psalms
• Philosophy of Action Work-In-Progress Seminar
• ‘Set in Stone’: Constructing Christianity in the Anglo-Saxon Crypts of Hexham and Ripon
• Affections and Ethics Seminar
• Illustrating the Psalms
• Holy Places, Holy People, and Holy Time: Sacred Space and the Medieval Social Imaginary
• Reading the Church through 12th-Century Eyes
• Philosophy of Action Work-In-Progress Seminar
• "Devotion or a language lesson? The revision of Rolle’s English Psalter’ and ‘Englished Latin or the language of love? The revision of the Wycliffite psalter’"
• Shaping buildings and society in Anglo-Saxon England
• Living the Psalms
• Affections and Ethics Seminar
• Seeing the Psalms
• Singing the Psalms in sixteenth century Germany
• Conscience and Moral Consciousness
• The Psalms and the Qur'an
• The Psalms and the Mixed Life
• Philosophy of Action Work-In-Progress Seminar
• What is reception history and how do we do it?
• Affections and Ethics Seminar
• How Shall We Sing the Lord's Song in a Strange Land?
• The Jerusalem Temple Song in the Cantillation of Psalms 136 and 137
• Correct and Incorrect Emotions
• Praying the Psalms
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• Aristotle on Skill
• Shame and Guilt
• Oxford: The War and the World, 1914-1919
• Oxford: The War and the World, 1914-1919
• 1st Joint KCL/Oxford History of War Conference
• Affections and Ethics Seminar
• Globalising and Localising the Great War Graduate Conference
• Call for Papers: Stories, Spaces, and Societies Graduate Conference 2016
• Affections and Ethics Seminar
• Affections and Ethics Seminar
• Affections and Ethics Seminar
• Affections and Ethics Seminar
• Affections and Ethics Seminar
• Affections and Ethics Seminar
• Affections and Ethics Seminar
• Affections and Ethics Seminar
• Affections and Ethics Seminar
• The Moral and Political Legacy of Bernard Williams
• Philosophy of Action Work-In-Progress Seminar
• Affections and Ethics Seminar
• Philosophy of Action Work-In-Progress Seminar
• Affections and Ethics Seminar
• Affections and Ethics Seminar
• Philosophy of Action Work-In-Progress Seminar
• Philosophy of Action Work-In-Progress Seminar
• Affections and Ethics Seminar
• Affections and Ethics Seminar
• Cultures of Lutheranism
• Early Modern German Culture Seminar
• Early Modern German Culture Seminar
• Early Modern German Culture Seminar
• Annual Special History Faculty Lecture
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• Early Modern German Culture Seminar
• Celebrity Research
• CFP: Recovering the Hidden Carlyle
• After-Image: Life-Writing and Celebrity
• Mapping Georgian Celebrity
• Call for Contributors: Mapping Georgian Fame
• Call for Papers: Autofiction – Theory, Practices, Cultures – A Comparative Perspective
• Call for Papers: Medieval Studies and the Far Right
• Lest We Forget
• Commemorating the New Zealand soldiers buried at Botley Cemetery
• Share your First World War research with an international audience
• Call for Papers
• Shakespeare and the Great War
• Wagner 1900
• Oxford Lieder Festival
• Call for Papers: Science of Magic Conference 2019
• Celebrating Song
• Nadine Benjamin and Nicole Panizza
• Call for Submissions for “Technology and People on the Move” Track
• Song Beyond the Nation: Translation, Transnationalism and Performance
• Call for Papers: The Art of the Lost: Destruction, Reconstruction and Change Conference
• 2019 Spring Weekend of Song
• Call for Papers: Engaging with Dissonance in Performance Research
• Call for Papers: Over_Seas: Melville, Whitman, and All the Intrepid Sailors
• Call for Papers: Power of the Bishop 4 Bishop as Patron
• Oxford: The War and the World, 1914-1919
• Call for Papers: Oxford Uehiro Prize in Practical Ethics
• Call for Papers: Activist Histories of Ireland
• Oxford: The War and the World, 1914-1919
• Call for Papers: Borderlines XXIII Date and Place
• Oxford: The War and the World, 1914-1919
• Call for Papers: Sensing Colonial Ports and Global History: Agency, Affect, Temporality
• Wilfred Owen and Beyond
• Making Celluloid War Memorials
• Call for Papers: Victoria’s Self-Fashioning: Curating Royal Image for Dynasty, Nation and Empire
• Civilians in ordeal: From local situations to globalised war
• Call for Submissions: Common Ground Journal
• Globalising and Localising the Great War: The view from the battlefields
• A Space of Conflict? Commemorating the First World War at London's Imperial War Museum
• Symposium: Constructing Messages of War
• Globalising and Localising the Great War
• The Nervous Flyer: Nerves, Flying and the First World War
• Oxford-Weidenfeld Translation Prize 2019
• Undergraduate Researchers and the History of London at War
• Travelling to War: Journey, Distance and Encounter in the Experiences of Troops from New Zealand, South Africa and the West Indies
• Call for Papers: Reframing Wisdom Literature Problematising Literary and Religious Interactions in Ancient Wisdom Texts
• Patriotism and Social Order: Armed Associations in Habsburg Austria, 1900-1918
• Constructing Messages of War
• Egypt in the First World War, 1911-1924
• Travelling to War: Journey, Distance and Encounter in the Experiences of Troops from New Zealand, South Africa and the West Indies
• The Role of Forensic Anthropology in Identifying the Missing
• The Health of Nation: Influenza and Nationhood in Australia at the end of the First World War
• Graduate Project Blog Posts
• Please, Sir, I Want Some More Employment
• Early Career Seminar
• Early Career Workshop in Medieval Intellectual History
• Cross-Disciplinary Approaches to the Study of Knowledge-Making in the Early Modern World (1450-1800)
• (Im)mobility: Dialectics of Movement, Power and Resistance
• Reading Images Trinity Term 2017
• Writing the History of the Raj
• AHRC-TORCH Public Engagement with Research Summer School
• How to make writing in the humanities less lonely
• Humanities Poster Competition 2017
• Oxplore Early Career Researcher Opportunity
• New Postdoctoral Researcher Opportunity
• Imaobong Umoren: Impact Story
• Digitized Rare Books and Manuscripts Survey
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• New JRF Opportunity!
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• AHRC-TORCH Public Engagement Summer School
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• Call for Papers
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• TORCH and Routledge Collaboration
• TORCH Humanities Poster Competition 2016
• Call for Participation: Thinking Colour Symposium
• Sharing Space in the Early Modern World (1450-1750)
• Digital Tech for Impact, Engagement and Outreach: #OXENGAGE
• Towards a Vegan Theory
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• Art, Science, and The Thirsty World
• Poster Competition Winners Announced!
• AHRC - TORCH Public Engagement Summer School
• Evil Conference featured on BBC Radio Oxford
• Humanities Poster Competition winners announced
• TORCH Early Career Fellow named "New Generation Thinker"
• Evil: Interdisciplinary Explorations
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• Video: Medieval Storytelling
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• Does early modern history need an ‘emotional turn’?
• Call for Papers
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• Reading Group
• Reading Group
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• Against properties: why relations are sufficient
• Actions and Achievements
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• Nietzsche's Ontic Structural Realism?
• New meditations on first philosophy in which causation’s nature and existence is demonstrated
• Power Structuralism Seminar
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• The Metaphysics of Quantum Mechanics
• The Oxford Centre for Life-Writing, OCLW
• Everyday Matters: Writing Obscure Lives
• Dr Kate Kennedy Wins University Public Engagement Award
• OCLW and TORCH Conference Grant
• Oxford DNB research bursaries in the humanities, 2016-17 ODNB
• Winners of the Life Writing and the Digital Age Conference Grant Announced
• Post-Graduate Conference Grant: Life-Writing in the Digital Age
• After-Image: Life-Writing and Celebrity
• Composing Lives, with Errollyn Wallen
• Writing Activism
• Writing an Activist Life
• Thanks for Typing: Wives, Daughters, Mothers, and Other Women Behind Famous Men CFP
• Humanities & the Public Good 2014
• In Everyone's Interests: What It Means to Invest in the Humanities
• Are the Humanities Worth Investing In?
• In Everyone's Interest: What It Means to Invest in the Humanities
• Call for Papers: The Humanities in the 21st Century
• Funding the Humanities: What Story Do We Want to Tell?
• Watch Again: Science and the Humanities
• Registration Open for "Activist Humanities in a Global Context"
• Where's the Virtue in the Humanities?
• What Have the Humanities to Teach the Modern University?
• Global Problems Can't Be Resolved Without a Humanities Perspective
• Watch Again: Activist Humanities in a Global Context
• Forgetting
• The Making of the Humanities VI
• The 42 Bedford Row Disability Law Essay Prize 2017
• The Making of the Humanities VI
• 'Yes to Europe! The 1975 Referendum and Seventies Britain' Book Presentation by Robert Saunders (QUML)
• Conference 'The Kyivian Church and the Ukrainian Nation-State'
• Why family and marriage remain so central to the Catholic Church
• TORCH hosts the first International Public Health Film Competition at Public Health Film Festival 2016
• The Public Good
• What's Wrong and What's Right With the Standard Defences for the Humanities?
• Science and the Humanities - Two Cultures or a Shared Enterprise?
• Where's the Virtue in the Humanities?
• What Have the Humanities to Teach the Modern University?
• Activist Humanities
• The Humanities in the 21st Century
• Activist Humanities in a Global Context
• Webinar: The Value of the Humanities
• State of the Art: Humanities Advocacy in a Mad-Cap Policy World
• 'Impact' and 'Value' in the Neoliberal Monoculture
• Barbara's Story Screening
• Health Film Workshop 2
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• Up For Air Screening
• Public Health Film Screening
• Cathy Come Home 50th Anniversary Screening
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• The Making of the Humanities VI
• Theology: How to be Saved in 1517
• Law: Sanctuary and the Benefit of Clergy
• Poetry: John Skelton and Evil May Day, 1517
• Art History: The Stones of St Mary's
• Music: Walter's Geystliches Gesangk Buchleyn
• Education for Practitioners
• Developing a Science around Whether, When and How International Law Can Address Global Challenges
• The Politics of Love
• Dr Victoria McGuinness
• Professor Philip Ross Bullock
• Collaborating for Academic Podcasts: Teamwork, Interviews and Publicity
• Sharing Space in the Early Modern World, 1450-1750: a two-day interdisciplinary conference
• Zero to Podcast: Turning Your Research into an Audio Programme
• Running an interdisciplinary conference: ‘Towards a Vegan Theory’
• Krisztina Lugosi
• Writing for a wider audience: ‘The Oxonian Review’, Oxford’s Graduate Literary Magazine
• Dr Hannah Coleman Manktelow
• Podcasting for Public Engagement: Why Podcast?
• Dr Justine Shaw
• Women and the Canon: An Interdisciplinary Conference
• Being a TORCH Graduate Project Coordinator
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• Lucy Busfield’s paleography project
• Collaboration with the Creative Industries: Call for Interest
• From Engagement to Empowerment: The Future of England’s Heritage Open Days
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• Oxford Research Staff Society: Call for New Representatives
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• Reni Eddo-Lodge In Conversation with Rebecca Surender
• Tales of Love and History: In Conversation with James Ivory
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• Reading Beyond the Code
• The Celebrity Interview: History, Aesthetics, Method
• Celebiography: Celebrity and Life-Writing in Dialogue
• Art & Action: The Intersections of Literary Celebrity and Politics
• After-Image: Life-Writing and Celebrity
• England's Hope: Princess Charlotte of Wales and the Hanoverian Royal Family
• The Many Lives of Benjamin Disraeli: Fame, Legacy, Representations
• Authorship, Fame, and Politics in Nineteenth-Century Britain
• Crucibles of Celebrity: Fame in the Eighteenth Century
• Celebrity Beasts 1738-1826
• New Directions in Celebrity
• The Book of Fame
• Some Origins of Celebrity Culture in Mid-Georgian England: A Microhistory
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• Lived Experience: Bergson's Radical Challenge to Philosophy and the Life Sciences
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• Art & Action: Symposium Report
• After-Image: Life-Writing and Celebrity
• Public Figures: The Invention of Celebrity in the Eighteenth-Century
• Gillray, Sarah Siddons & The History of Celebrity Backlash
• The Great Lion of the Day
• Poeting in Translation
• OCCT Discussion Group: Reading Out Of Context
• Fiction and Other Minds: Enacting Fictional Space
• Poetic Currency Symposium
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• East Asian Working Group
• OCCT Discussion Group: Reading Out Of Context
• OCCT Discussion Group: Reading Out Of Context
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• Writing an Academic Review
• Translation as Afterlife
• East Asian Working Group
• The Poetry Society Annual Lecture with Jan Wagner
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• Masterclass in Chinese to English Literary Translation
• "Forgotten Europe": Translating Marginalised Languages
• OCCT Discussion Group: What is Good Literature?
• Fiction and Other Minds
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• OCCT Discussion Group: What Is Good Literature?
• Translation: A Very Short Introduction
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• Composers’ lives: a view from the inside, with Nicola LeFanu
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• Rachel Cusk, in conversation
• Making Oscar Wilde: A Book at Lunchtime
• The Cut Out Girl with Bart Van Es
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• Everyday Matters: Writing Obscure Lives
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• Frank Ramsey: A Sheer Excess of Powers
• What counts as evidence?
• The Rhetorical Voice
• Sex, politics and selfhood: girls’ life-writing and historical change
• Not things seen, always things imagined
• Writing Women: the fourth generation
• OCLW Doctoral Students Panel
• Lives and Letters
• Oxford-Berlin Funded Projects Announced
• Kwame Dawes comes to Oxford
• Discussion Group: Multilingualism
• Looking for Langston: Art, Poetry, and the Harlem Renaissance
• Oxford Translation Day
• Stanislaw Baranczak: Poetry Saved In Translation
• Thinking Colour Symposium
• OCCT Welcome Event
• Comparative Criticism: What Is It and Why Do We Do It?
• Cognitive Scaffolding and Literary Reading
• Literature Beyond Literary Studies: Intermediality and Interdisciplinary
• Salons, Circles, Majalis: The Sociable Side of Literature
• Allegories of Comparison: Benjamin and Hölderlin
• The Politics of Prizing Translation
• Discussion Group: Multilingualism
• Embodied Spaces, Embodied Minds
• ‘The Bearer-Beings’: Portable Stories in Dislocated Times
• ‘The Bearer-Beings’: Portable Stories in Dislocated Times
• What Happens to Literature if People are Artworks?
• Discussion Group: Multilingualism
• Discussion Group: Multilingualism
• OCCT Discussion Group
• Gender and Interculturality
• Korean Literature and Translation in Dialogue with the Circulation and Translation of Indian Language Texts in South and East-Asia in the 19th Century
• OCCT Discussion Group
• OCCT Discussion Group
• The Lyric I as Other Mind
• Poetry and Translation: An Evening With Sasha Dugdale
• Translating Contemporary French Poetry
• OCCT Discussion Group
• OCCT Discussion Group
• Life in Translation: Zofia Nalkowska in English and Virginia Woolf in Polish
• Translation and Poetry Seminar
• OCCT Discussion Group
• Barbarisms: Multilingualism and Modernity in Narratives of the Spanish-Speaking World
• OCCT Discussion Group
• Fiction and Other Minds Seminar
• Paris and London 1851-1900
• OCCT Discussion Group
• OCCT Welcome Lunch
• Prismatic Translation
• A Riddle Princess: Turandot in Paris
• Landscape and Cosmos: The Imagination of the World
• Accelerationist Aesthetics
• "Bab' Aziz: Le Prince Qui Contemplait Son Âme"
• In Conversation With Antonio Armano
• Oxford Translation Day 2015
• Film Screening: 'Shéhérazade, Ou La Parole Contre La Mort'
• Extremist Translation and the Deformation of Zone
• Poetry Evening
• Hoda Barakat: 'La Narration Dangereuse: Nos Personnages et La Mise En Abîme'
• Animals and Objects: Knowledge and Visual Culture
• Relational Aesthetics
• Écrire Dans Une Langue, Vivre Dans Deux
• 'Elissa the Wanderer: Dido in Carthage'
• The Body, Representation and Sensation: Reading Image and Using Image
• Ibrahim Al-Koni: 'Vagabond Homelands'
• Anthropological Aesthetics
• Creative Multilingualism
• 'The Wondrous Flitting' of the Holy House: Mary in England
• Cognitive Futures: Forging Futures from the Past: History and Cognition
• Auto-Exoticism
• Oxford Comparative Criticism and Translation Discussion Group
• Translation and Criticism: Unbuttoning Catallus
• Oxford Comparative Criticism and Translation Discussion Group
• Other Worldling
• Oxford Comparative Criticism and Translation Discussion Group
• Schubert's Legacy
• Oxford Comparative Criticism and Translation Discussion Group
• Comparative Criticism and Translation Discussion Group
• Minding Borders
• Oxford Translation Day
• Intercultural Literary Practices: “Theorising Interculturality”
• Languages of Criticism: "Creatively Critical"
• The Novel and Other Minds: "Beckett's Trilogy"
• Philosophy of Criticism
• Translators and Writers: "Poetry and the Act of Translation"
• Ali Smith in Conversation
• Philosophy of Criticism
• Cultures of Mind-Reading
• Intercultural Literary Practices
• Philosophy of Criticism Series
• Book at Lunchtime
• Philosophy of Criticism Series
• Comparative Criticism Discussion Group
• Comparative Criticism Seminar
• Comparative Criticism Discussion Group
• Comparative Criticism Seminar
• Comparative Criticism Discussion Group
• Comparative Criticism: Histories and Methods
• OCCT HT 2019 Week 2 Updates
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• Questioning the Logic of Analogy: A Conceptual Tool for a Decolonial Curriculum
• Oxford Medieval Church Crawl
• Humanities & Science 2015
• Life-Writing Lunch: Staging Real Lives
• Ghostwriting and Biography
• Celebrity
• No-One Lies Like an Eyewitness: Uncovering Truths in Fact and Fiction
• Tennyson, Celebrity and Portraiture
• Darwin's Beard - and Other Adventures in Victorian Facial Hair
• Dancing Lives Conference
• Dancing Lives Conference
• Mark Lawson On Interviews
• Film Director Clio Barnard
• The Lives of Houses
• Life Writing Lunch
• Simon Armitage and Bernard O'Donoghue
• Global Lives and Local Perspectives
• Richard Holmes
• Nicoletta Demetriou
• Beyond the Book
• Self/Knowledge: Autobiography and Research
• Martin Luther: Difficult Hero
• 'Doors into the Dark': Seamus Heaney and his Worlds
• Nelson Mandela: A World Life
• How to Write a World Life
• The Celebrity Interview: History, Aesthetics, Method
• ODNB Discussion Panel: Constructing Lives
• Celebiography: Celebrity and Life-Writing in Dialogue
• The Private Life of the Diary
• Colloquium: Biography Beyond Borders: American and European biography
• The Truth in Fiction
• The Secret Staircase
• Philosophy and Autobiography
• Writing War, Writing Lives
• Life-Writing Lunch: Edward J. Dent - A Serpentine Life
• Tempered Lives: Weathers, Seasons, and Biography
• Against Biography
• Life-Writing Workshop: Emotional Lives
• The Life of Primes: The Biography of a Mathematical Idea
• Some of My Best Friends are Biographers
• Schubert's Winter Journey: An Illustrated Talk
• Letitia Landon: Portraiture and the Slippery Subject in Post-Byronic Literary Culture
• Intimate Archives Conference
• Silence in the Archives: Conference Report
• Science Collaboration
• Humanities-Science Knowledge Exchange Partnerships
• Narrative and Proof: Two Sides of the Same Equation?
• Narrative & Proof
• Studentships Offered
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• That Other Place
• Physics and the Great War
• Inside Animal Minds
• Watch Again
• The Mask You Live In
• The Oxford Dodo: Culture at the Crossroads
• Randomness and Order
• Call for Papers: Medicine and Modernity in the Long Nineteenth Century
• Forgetting
• What We Cannot Know Podcast Live!
• Andrew W. Mellon 'Humanities & Science' Grant
• CFP: The Thirteenth Oxford Medieval Graduate Conference
• Great Transitions
• Conscicom Launches New Podcast Series, The Conversationalist
• Artificial Lives: Imagining Life
• Fairfax House Georgian Studies Symposium
• TORCH Being Human Festival Sold Out
• Call for Collaborators on Music and AI
• Call for Papers: A Hostile Climate? Multidisciplinary Perspectives on Climate Change
• A Hostile Climate? Multidisciplinary Perspectives on Climate Change
• Oxford University Innovation Drop-In Session
• MT 2018 Week 8 Updates
• MT 2018 Week 6 Updates
• MT 2018 Week 6 Updates
• MT 2018 Week 5 Updates
• MT 2018 Week 4 Update
• MT 2018 Week 3 Updates
• MT 2018 Week 2 Updates
• MT 2018 Week 1 Updates
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• New Masters Course in Comparative Literature and Critical Translation
• Winner of the Oxford-Weidenfeld Prize Announced
• TT 2018 Week 7 Updates
• TT 2018 Week 6 Updates
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• TT 2018 Week 4 Update
• TT 2018 Week 3 Updates
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• HT 2018 Week 8 Updates
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• MT 2017 Week 9 Update
• MT 2017 Week 8 Updates
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• Thinking About the Brain
• History of Medicine Seminar Series
• Narrative & Proof
• Virtuality and Presence: Victorian Media and the Attenuation of the Self
• History of Medicine Seminar Series
• Mental Health
• Humanities and Science at the Ashmolean: Ideas and Objects
• The Stressed Sex: Uncovering the Truth about Men, Women, and Mental Health
• History of Medicine Seminar Series
• Victorian Fiction and Altered States of Consciousness
• Mermaids, Cables, and the Deep Sea: The Fin de Siècle and the Telegraphic Imaginary
• History of Medicine Seminar Series
• Randomness and Order
• Humanities and Science at the Ashmolean: Ideas and Objects
• Faith and Wisdom in Science
• History of Medicine Seminar Series
• Animal Imagery in Literature
• 'Rhythmics': The Work of Rhythm in the Nineteenth Century
• History of Medicine Seminar Series
• Representing Science
• Humanities and Science at the Ashmolean: Ideas and Objects
• Observing by Hand
• Poetry Workshop: Rewriting History
• History of Medicine Seminar Series
• Victorian Fiction and Medicine
• Lost in Translation: Scientific Naturalists and Their Language Games
• Culture and Technology
• History of Medicine Seminar Series
• Humanities and Science at the Ashmolean: Ideas and Objects
• Wayne McGregor: Neuroscience and Dance
• Innovation in Healthcare Research
• The Perfect Theory: A Century of Geniuses and the Battle over General Relativity
• The Human Brain in Action
• Cognition and Rehabilitation
• Tackling Brain Disease
• Music and the Brain
• Neuroscience in Oxford: Four Centuries of Discovery
• Inside the Brain
• Art and Your Brain Talk and Activities
• Art and Your Brain Activities
• Reading and Replicating Bodies
• That Other Place
• Treatment for Crime
• Science and Culture in Latin America: Transmission, Circulation, Exchange
• Maths and Language
• Leviathan and the Air Pump: Thirty Years On
• Poetry Workshop
• The Magnificent Services Which It Has Rendered to Science
• Maths and History
• Theatre and Evolution from Ibsen to Beckett
• Poetry Workshop
• Alchemical Melodies
• 17th Century Alchemy
• For the Sake of a Dibbling Stick
• Maths and Music
• 17th-18th Century Chemistry
• The Oxford Character Project: The Arts of Leading
• Engaging with the Humanities in Collaboration with the Oxford Character Project
• What is trust and how can leaders build it?
• Cultivating Virtue in the University
• Poetry Workshop
• Public Sex
• Biosense
• Prof. Stephen Tuck; Start Where the People Are: Leadership and the Civil Rights Movement
• 20th Century Chemistry
• Commuters: From the Nineteenth Century to Now
• Maths and Architecture
• Physics and the Great War
• The Oxford Disability Law and Policy Project
• 18th and 19th Century Chemistry
• Poetry Workshop
• The Mask You Live In
• Oxford Disability Law and Policy Conference
• Fundraising Through Digital
• Underwater Worlds: Aquatic Visions in Art, Science, and Literature
• Illegitimate Objects Exhibition
• Oxford Festival of the Arts
• Periodic Tales
• What Can Policy-Makers Learn from the Humanities?
• Healing, Personal Values and Narratives in Healthcare
• The World of Papyrology
• An Evening with Samuel Shem
• Poetry Live
• The Royal Society of Medicine Medical Humanities Conference
• Shakespeare Then and Now
• Local Connections, Global Conflict
• Wikipedia: Women in Science Transcribe-a-thon
• An Ode to Oxford
• Wikipedia: Women in Science Edit-a-thon
• Collecting Islamic Art: A Dangerous History
• Too Valuable to Die?
• Wikipedia: Women in Science Improve-a-thon
• M.C. Escher - Artist, Mathematician, Man
• Wikipedia: Women in Science Image-a-thon
• Illegitimate Objects: Poets
• A 'Heart as Hard as a Nether Millstone': The Relational Dynamics of Victorian 'Addiction'
• Septic Subjects: Infection and Occupational Risk in British Hospitals, 1870-1970
• The Oxford Dodo: Culture at the Crossroads
• A History of the Sun, Our Closest Star
• Radical Requiems: The Return of the Past in British Agriculture, 1850-1950
• The Sci-Art Business: Some Reflections
• The Modernist Making of an International Rhythmic "Race"
• The Penultimate Curiosity
• Casting No Doubt: Plaster Heads in Victorian / Edwardian Science & Medicine
• Beyond the Archive
• Medical & Technological Limits: Adult Hearing Loss Up to the Great War
• Science Overheard, Misheard and Retold
• Recycling the Astrolabe
• X&Y at the Oxford Playhouse
• John Parrington Redesigning Life
• Have Ye Ever Seen a Child Clemmed to Death?
• What does Neuroscience Tell Us about Freedom of the Will?
• Malaria and the Indus Civilisation
• Psychic Dreams and Newspapers in the Late Nineteenth Century
• Representing the Uterus in Terracotta, Metal and Fabric: Votive Wombs Revisited
• Was Acupuncture Developed by Han Dynasty Chinese Anatomists?
• Supplementary Books to Dioscorides' Materia Medica in the Arab Tradition
• Pathologies of Solitude
• Secularity vs. Religious Sentiment within Ancient Babylonian Medicine
• The Human Body and Its Spaces in Greek and Roman World: Reflexions about the Inside and the Outside
• Medical Authority, (Pseudo)Science and the Explained Supernatural in Late Victorian Female Gothic Fiction
• 'My Heart! My Heart!': Bodily Metaphor in Expressions of Mental Distress and Disorder in Akkadian
• Student Papers
• Muslim Values and End of Life Healthcare Decision-Making
• Dreams and their Interpretation
• Maqasid and Biomedicine
• Calligeofiguresques
• From Venice to Venezuela: Utopia and Its Travels
• Brazilian Samba and African Drumming
• Storming Utopia
• Paul Hobson: Art Today
• Gordon Sanghera
• Oxford Union Debate
• Iain Pears
• Vintage Dance Evening
• Game On!
• Maggi Hambling
• Poetry Live with Ben Okri
• Shakespeare's Oxford
• Test Drive the Future
• Photographic Portraiture
• Shakespeare's Sonnets
• Women: A Century of Change
• Soapbox Science
• Oxford Images of World War One
• Furious Folly
• Furious Folly
• Planned Violence
• Research Presentations
• Islamophobia
• The Hiphop Archive and Research Institute
• Planned Violence Exhibition
• August Clouds: Forensic Architecture's 2014 Gaza Investigation
• Divided Cities: Culture, Infrastructure and the Urban Future
• Interview: Planned Violence Exhibition
• Postcolonial Writers Make Worlds
• The Languages of J. M. Coetzee
• Project focuses on diversity in 'British literature'
• Reni Eddo-Lodge
• Reading bass culture: Linton Kwesi Johnson in conversation with Paul Gilroy
• Great Writers Inspire at Home: Selma Dabbagh & Courttia Newland
• Great Writers Inspire at Home: M. NourbeSe Philip
• Great Writers Inspire at Home: Editors and Contributors, The Cambridge History of Black and Asian British Writing
• Great Writers Inspire at Home: Aminatta Forna
• Great Writers Inspire at Home: Nadifa Mohamed
• Great Writers Inspire at Home: D-Empress Dianne Regisford
• Great Writers Inspire at Home: Daljit Nagra
• Literary Cosmopolitanism
• Great Writers Inspire at Home: Bernardine Evaristo
• Great Writers Inspire at Home: Kamila Shamsie
• Great Writers Inspire at Home: Readers and Readings
• Books and the postcolonial world
• Post-War: Commemoration, Reconstruction, Reconciliation
• Post-War: Remembrance
• Commemoration and Creativity
• Remembrance - Concert
• Post-War: Remembrance, Recollection, Reconciliation
• The Rest Is Silence: Panel-Led Workshop 2
• Music and Memory: Panel-Led Workshop 1
• Music and Memory: Jonathan Dove
• Postgraduate Forum
• Grave Stones: Panel-Led Workshop 2
• Museums and National Identity: Panel-Led Workshop 1
• Daniel Libeskind
• Memorable Objects: Postgraduate Training Day
• Conflict and Community: Panel-Led Workshop 2
• Poetry and Life-Writing: Panel-Led Workshop 1
• Memoir and Memory
• Last Post
• Returning from Germany, Reflections on Silence
• After atrocities: memory and the work of justice
• Whose memories? Imperial commemorations in North-East India
• Post War: Remembrance, Recollection, Reconciliation
• An interview with Professor Marita Sturken
• Giving Space to Silence
• Ignoring Silence
• Music and Memorialisation
• Can commemorative music heal? And if so, whom?
• The Rest is Silence
• ‘Finding words that move me to sing’: Jonathan Dove and the sounds of commemoration
• Yoruba Sonnets
• Imagining the abstract and non-imageable
• Professor Wes Williams
• Knowledge Exchange Support Officer
• inHabit: Text, Object and Domestic Space
• InHabit: People, Places and Possessions
• Inheritance and Cooperation
• Medieval and Early Modern Mysticism
• Unconscious Memory
• New Critical Approaches to the Byzantine World Network
• Dance Scholarship Oxford
• Dance in the Age of Forgetfulness
• Images from 'Exploring the Rhythm: the Relationship of music, dance and the practice of Choreography'
• Race and Resistance
• Planned Violence: Post/Colonial Urban Infrastructure, Literature & Culture
• Colourism: The Gendered Politics of Appearance
• Rhodes Must Fall Book Discussion
• Ushashi Dasgupta’s reflections on the 2015 Public Engagement Summer School
• iCog 4: Action Perception Conference
• Oxford Medieval Graduate Conference
• The Oxford-Venice Initiative: Funding for Collaborations with the Fondazione Giorgio Cini
• Oxford-Berlin Research Partnership
• UK China Humanities Alliance – Early-Career Visiting Fellowships
• Weeping Heraclitus and Laughing Democritus: A Couple of Exemplary Pre-Socratics
• Writing an Activist Life
• Visual Epitome in Late Antique Art
• 'Migrant Identities': A Graduate Workshop with Karin Amatmoekrim
• Beyond Exemplarity? On Ethics in Roman Philology
• Ethical Reading: Exemplarity
• Venetian Grammar in a Comparative Perspective
• Racialisation and Publicness in Africa and the African Diaspora
• Critical Thinking and Exemplary Ethics
• ‘For Time / is nothing if not amenable’: Time, Exemplarity, and Reception
• AfOx insaka - Digital Democracy, Analogue Politics: How the Internet Era Is Transforming Kenya
• Exemplarity and the Case Study
• Anil Ramdas: hope and despair in Dutch postcolonial literature
• Parts and Wholes in Renaissance Philology
• Exemplarity and Its Discontents
• Literature and Transnational Citizenship
• Writing Europe 1918–2018: Conference at Humboldt-Universität zu Berlin
• National Europe? A Review of the Cultural Origin of the Novel European Identity Process
• Operating with Feeling. A Workshop on Surgery and Emotion
• Women in the Wake of May 68
• UKCHA Report - Dr. Vivienne Xiangwei Guo
• UKCHA Report - Min-Erh Wang
• UKCHA Report - Lewis Ryder
• UKCHA Report - Christopher Foster
• Humanities & Identities 2016-18
• Futures Thinking
• How Not to Ruin Everything
• From ‘The End of Ideology’ to ‘The End of History’: The Strange Revival of a Discredited Idea
• The Relation of Literature and Learning to Social Hierarchy in Early Modern Europe
• Making and Being Made: The Craft of Words as Discipleship
• Performance and Queer Histories: From Shakespeare to Tchaikovsky and Marc Almond
• Reimagining a Liberated Curriculum
• Comics & Travel
• Oxford Maqam
• Can We Obligate Animals? : Tool-Using, Nudge, and Autonomy
• Writing Activism
• Writing an Activist Life
• Epic Performances from the Middle Ages into the Twenty-First Century: A Book at Lunchtime
• Is There a Moral Problem with the Gig Economy?
• Decolonising the Curriculum: Towards a Manifesto
• The Relation of Literature and Learning to Social Hierarchy in Early Modern Europe
• Theologians and Their Audience: Persuasion or Advocacy?
• Xenia: Refugees, Displaced Persons and Reciprocity
• Thanks for Typing: Wives, Daughters, Mothers, and Other Women behind Famous Men CFP
• Simon's Story: Delusion as a Case Study in Neuroscience and Values-Based Practice
• The Creative Power of Metaphor
• Racialisation and Publicness in Africa and the African Diaspora
• Activist Histories of Ireland: Historical, Transnational, and Contemporary Perspectives
• Call for Papers: Rethinking Anglo-German Relations
• Call for Papers: The Art of the Lost: Destruction, Reconstruction and Change Conference
• Kwame Dawes
• James Ivory
• Roar Festival 2018 Creates Biggest Roar Yet!
• TORCH Global South new visiting fellows appointed
• Two Exhibitions Exploring LGBTQ+ Histories
• Announcing Call For Papers for ‘Racialisation and Publicness in Africa and the African Diaspora'
• Visions of the Future in India and Pakistan
• Beyond Boundaries
• May Late Night: Illuminating Movement
• First Ever Global South Professor Announced
• A State of Risk: Humanities in a Time of Crisis
• 'Don't Bury the Famine Dead': How Humanitarian Intervention Killed the Most Vulnerable in Ajiep, South Sudan, in 1998
• Ritual or livelihood: material culture between religion, medicine, art and survival on the white Nile
• Towards a diverse university: lessons from the global South
• Brazil at the crossroads: looking beyond the current crisis
• Why are there always Candomblés?
• World Literature: For and Against (Part 2)
• The Global Significance of the 2016 Student Protest and arrests at Jawaharlal Nehru University
• World Literature: For and Against
• Lessons from Brazil
• Rosinka Chaudhuri’s Global South Visiting Professorship
• Brazil at the crossroads: looking beyond the current crisis
• 2018-19 | A Comparative Perspective on the Languages of the Veneto
• 2018-19 | Oxford-Yale Workshop on Exemplarity
• 2018-19 | Frib-Ox
• Life and Literature / La vie en lettres
• 'What the Industrial Strategy means to the academic community' - Dr Ian Campbell
• 2019 | Old Frisian Summer School
• Say Something Back: An event exploring feminist artistic research
• SciPo - TORCH Network
• LGBT+ History Month Lecture 2019
• 2019 Interdisciplinary History of War Conference
• UK China Humanities Alliance
• Callaloo
• Earth, Sea, Sky: an Environmental Humanities Research Network
• Divided Cities: Culture, Infrastructure and the Urban Future
• The Oxford-Venice Initiative: Collaborations with the Fondazione Giorgio Cini
• Digital Humanities
• Oxford-NINJAL Corpus of Old Japanese
• Enter the IT Innovation Challenge
• Digital Humanities Research, Teaching and Practice in the UK
• Digital Humanities at Oxford
• Everyday Sexism Datahack
• Digital Preservation Awards
• New Opportunities for Digital Scholarship
• OxTALENT
• "Pilgrimage and the Senses" Conference
• Oxford Medieval Studies Pilgrimage Day
• IT’S COMPLICATED: MAPPING AND UNDERSTANDING 2,500 YEARS OF ENGLISH ARCHAEOLOGY
• Editing Charles Burney
• Past Opportunities
• QUEER STUDIES NETWORK PRESENTS: UMBER GHAURI
• ‘A MONKEY INTO A MAN’
• Digital Humanities at Oxford Summer School: Registration Now Open
• Connected Life 2016: Collective Action and the Internet
• Prize Contest Asks Students to "SHOUT OUT FOR THE HUMANITIES!"
• Digital Humanities at Oxford Summer School 2016
• Data Visualisation Survey
• Oxford DNB Research Bursaries, 2015-2016
• Connected Life 2015: Our Digital Society
• Music and Machines
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• Call for Lectures
• Call for DHOxSS Workshops
• Digital Humanities at Oxford Summer School 2014
• Martin Roth: Museums in the Digital Age
• Digital Humanities Videos
• Adapting the humanities to an increasingly digital age
• The Trio Owon - Lunchtime Concert
• 'Global Ideas'
• It's complicated: mapping and understanding 2,500 years of English archaeology
• Interacting with collections: learning from public interaction with humanities materials.
• Women can't code: Unmasking the role of stereotypes in creative coding cultures
• Agent-based Modelling in Humanities Research
• St Benet's Research Forum
• SciPo 2019: Plants, Brain and Imagination
• The Humanities in the Information Age
• Computational semantics and historical texts
• AHRC-TORCH Graduate Fund 2018-19
• Underwater Acoustic Localization and Referencing
• Building a digital (TEI) corpus of the inscriptions of ancient Sicily
• Shakespeare and technology: digital creativity at the Royal Shakespeare Company
• digital | visual | cultural -- Shannon Mattern
• Digital Humanities, Museums and Collections, and Publishing: A Workshop
• Three Minute Thesis Competition
• Early Career Lunch (2)
• Introduction to Crowdsourcing
• AHRC-TORCH Graduate Fund 2017-18
• What I wish someone had told me when I started: Reading for a DPhil in the humanities
• AHRC-TORCH Graduate Fund 2016-17
• Poster Design Masterclass
• Research Poster Showcase Event
• AHRC-TORCH Public Engagement Summer School 2019
• Colourism, Gender and Respectability: Activism and Academia Discussion Panel
• It's The Wrong Way to Tickle Mary
• ‘The Painters Are In’: Visual Culture and Menstruation 1950-2020
• BRECHT THE POET NOW
• Towards a Vegan Theory
• Bodleian-TORCH Temporary Displays
• Sharing Space in the Early Modern World (1450-1750)
• Call for Participation: Thinking Colour Symposium
• Heroes and Villains
• Image as Vortex
• Call for Contributions to 'The Life of the Brain' Exhibition
• Call for Ideas for 'FrightFriday'
• Moving Performances
• Call for Papers
• Framed! Ashmolean Live Friday
• AHRC-TORCH Public Engagement Summer School
• TORCH to be Part of Being Human Festival
• Digitized Rare Books and Manuscripts Survey
• New Opportunities at Henry Moore Institute
• Reading Images Hilary Term 2017
• Call for Linguamania LiveFriday Ideas from Early Career Researchers and Doctoral Students
• FrightFriday Event at the Ashmolean Museum Sold Out!
• Raphael and Eloquence in Drawing
• Peter Darnell Muilman, Charles Crokatt, and William Keable in a Landscape c. 1750
• Professor Julia Bray: Thinking with Things
• Out in Oxford
• CFP: Discovering Collections, Discovering Communities
• Writing the History of the Raj
• Reading Images Trinity Term 2017
• Humanities Innovation Challenge Returns
• Town and Clown: Oxford's Hilarious Hidden Histories
• Call for Applications: Wellcome ISSF PER Seed Fund
• Ancient Greek Music: Hearing Long Lost Sounds Again Wins University Public Engagement Award
• Dr Sophie Ratcliffe wins University Public Engagement Award for Unsilencing the Library
• Dr Lucy Kaufman wins University Public Engagement Award
• Dr Kate Kennedy wins University Public Engagement Award
• Oxford Martin School & Museum of the History of Science Project wins University Public Engagement Award
• Back from the Dead - Demystifying Antibiotics Project wins University Public Engagement Award
• Lost Late: Being Human Festival 2017
• Epic Performances from the Middle Ages into the Twenty-First Century: A Book at Lunchtime
• Our 7 Favourite Oxford Museums and Objects
• Oliver Cox wins Public Engagement with Research Award
• Oxford Open Doors Success!
• Simon Palfrey on Demons Land: a poem come true
• Unusual ways of engaging public with humanities research
• The Gaps Between Public Exhibition
• History: Race and Protest UNIQ Summer School
• History: Race and Protest UNIQ Summer School
• 'Losing and finding identities in death': running the epitaphs table at Lost late
• I was here... in Ancient Egypt
• How learning Latin could change your life
• Got gout? Grab an owl
• Do writing groups work? I tried one to find out
• A Fresh Ear for Late Schumann
• How hunger was used as a deadly weapon in WWI
• Young Women's Music Project Update!
• Innovating in humanities and social sciences
• Should all UK citizens speak English?
• Technology and the "Diseases of Modern Life" Workshops
• Literature and Transnational Citizenship
• Call Out for Contributions from Oxford Humanities Researchers
• Fairfax House Georgian Studies Symposium
• Exploring Sicilian Epigraphy Exhibition Opens in Italy
• Hidden Stories
• Curiosity Carnival Comes to Town!
• University of Oxford Community Fair
• Brave New Books Exhibition
• Public Engagement with Research Seed Fund
• Project Focuses on Diversity in 'British Literature'
• Exhibitions Producer/Agent: Demons Land: A Poem Come True
• The Languages of J. M. Coetzee
• Turning our Common Heritage into Common Knowledge
• TORCH Being Human Festival Sold Out
• TORCH Welcomes Bishop Libby Lane
• Tell Us Your Legacy in One Tweet
• Is the Future Covfefe?
• Decolonising the Museum in Practice: Remaining Relevant in the Contemporary World
• Congratulations to Lubaina Himid
• Innovation Photography Competition
• TORCH Annual Review 2016-17
• Year 12s Hear Mary Beard in Conversation with Neil MacGregor
• Call for Collaborators on Music and AI
• Celebrating 100 Years of Women's Suffrage
• Wagner 1900
• Mind-Boggling Medical History
• The National Archives: Opportunities for Collaboration
• May Late Night: Illuminating Movement
• Humanities Innovation Challenge Competition
• Literary Reading and Eating Disorders
• AHRC-TORCH Public Engagement with Research Summer School
• Beyond Boundaries
• A Call for Expressions of Interest: The Oxford Martin School: Innovating for a Sustainable Future
• Call for Applications: Talking Sense at the Ashmolean Museum
• Victorian Light Night Programme Released
• Ashmolean Museum LiveFriday
• The Material Language of Copies
• Anorexia Through Time: Changing Faces, Changing Paradigms
• Reading Digitised Objects: Opening, Rotating and Toggling the Fourteenth-Century Thame Reliquary Ring
• Public Health and Private Pain: A Night of Medical History and Drama
• Framed! Ashmolean Live Friday
• Mesoamerican Manuscripts: New Scientific Approaches and Interpretations
• Risk and Reward
• Re-Using the Gods
• Materiality and Mobility: Political Geographies of Caribbean Art
• Oxford Artistic and Practice Based Research Platform
• Behind the Mask: WW1, Plastic Surgery, and the Modern Beauty Revolution
• James Byres of Tonley (1733-1817): Jacobites and Etruscans in Grand Tour Rome
• The Hidden Gospels of Abba Garima, Treasures of the Ethiopian Highlands
• Early-Ethiopian and Other Eastern Illuminated Gospel Books: Text and Image
• The Cost of Marvel and the Price of Magnificence: Pietro Tacca's Monumental Bronzes
• "The Last Sad Testimony of Affection": Picturing the Dead in Eighteenth-Century Britain
• Baroque Between the Wars: Curzon Street, Camp, and the Importance of Being Amusing
• The Gothic Machine - Manchester Town Hall and Architecture as Philosophy of Manufactures
• The Material Presence of Absent Antiquities
• The Material Presence of Absent Antiquities
• Thinking Drawing Differently (with some help from Boucher and Montaigne)
• The Material Presence of Absent Antiquities
• The Material Presence of Absent Antiquities
• Collecting Places: John Malchair's Drawing of C18th Oxford in the Context of his Music Collecting
• The Material Presence of Absent Antiquities
• The Material Presence of Absent Antiquities
• The Palace of Art: Rossetti and Burne-Jones
• The Material Presence of Absent Antiquities
• Supersonic LiveFriday
• The Material Presence of Absent Antiquities
• Grief and the Work of Art as a Site of Emotion
• Centres of Diplomacy, Centres of Culture IV
• Garnitures: Vases in Interiors
• Oxford Cultural Leaders Workshop
• The Place of Photography
• Earth in Focus: Photography and Land Art around 1970
• Photosynthesis
• Collection, Context, and Material Culture: Tangibility and the British Broadside
• Town and Clown: Oxford's Hilarious Hidden Histories
• Views on a Photo Studio in a Small Town in Cameroon
• Pictorial Prints
• Women in the Civil War
• How Do We Do Art History?
• Sitarah Made for the Mosque of the Prophet in Medina
• Oxford Open Doors 2017
• South East Emerging Museums Professionals Group
• Revealing Rituals: Early Modern Sculpture Before Unveiling
• Édouard Vuillard: Art and the Politics of Domesticity
• Interviews
• Ovid 2000
• The Materiality of the Divine
• Contemporary Caribbean Art and the Moral Dimension of Global Material Mobility
• A Painting of the Wild Hunt the Restless Dead
• The Dream Colony: The Life in Art of Walter Hopps
• A Night of Local Tudor Accidents
• Association for Art History
• Seductive Light, Destructive Light
• Prominent Chinese Women Painters in Mid-20th Century Britain
• Discovering Collections, Discovering Communities
• Dickens Noir
• Oxford University Innovation Friday Drop-In Session
• Oxford University Innovation Friday Drop-In Session
• Oxford University Innovation Friday Drop-In Session
• Oxford University Innovation Friday Drop-In Session
• The Conversation - Writing & Pitching - Editors in Residence Day HT 2018
• 1001 Stories: Telling Lines Narrative Art
• Oxford University Innovation Friday Drop-In Session
• Oxford University Innovation Friday Drop-In Session
• Oxford University Innovation Friday Drop-In Session
• Oxford University Innovation Friday Drop-In Session
• Reading Beyond the Code: A Book at Lunchtime
• Social Enterprise and the Universities
• 200 Years of Frankenstein: It's Alive
• Promoting Gender Equality in Research and Innovation
• Victorian Speed: The Long History of Fast Living
• Forward with Classics: A Book at Lunchtime
• Power-Posing Politicians, Human Pheromones, and Other Psychological Myths
• Storytelling: For 3MT participants
• Storytelling: For 3MT participants
• Preparing for the DPhil Viva
• Organising Conferences: the A to Z
• Podcasting workshop
• Managing Humanities Data
• Conducting Interviews for Research
• Early Career Lunch
• Intellectual Property at Oxford
• 'Big Data' as a term is hot property but what does it actually mean... To you? To business? To society?
• Big Data and History of Knowledge
• Digital Humanities at Oxford Summer School Lecture
• Digital Humanities at Oxford Summer School
• Digital Learning in Museums
• Research Uncovered—Historiography at Scale
• Digital Research with OUP Data: A Workshop
• Getting your hands dirty with the Digital Manuscripts Toolkit
• Everyday Sexism Datahack
• Digital Unwrapping: Homer, Herculaneum, and the Scroll from Ein Gedi
• Digital Humanities at Oxford Summer School 2016
• Speaking in Absence: Letters in the Digital Age
• Connected Life 2016
• #Brexit or #StrongerIn? The Rhetoric of EU Referendum Hashtags
• Research Uncovered
• Altered senses, excited brains and ageing grey matter
• Digital Humanities Training
• Digital Wildfires: the challenge of provocative content on social media
• Crowdsourcing and Humanities Research
• Digitally Reconstructing Tudor Music Manuscripts
• The Drones Club: Consumer UAVs, Their (Ab)uses and Some Possible Countermeasures
• CabiNET: Integrating Text and Object in Oxford Teaching
• Pipedream to Project
• Exploring the UK Web: an introduction to web archives as scholarly resources
• IT Innovation Challenges: Showcase Event
• Opening the Book: The Future of the Academic Monograph
• Spectral Landscapes
• Connected Life 2015: Our Digital Society
• Digital Manuscripts Toolkit
• Early English Books Bodleian Hackday
• FORCE2015
• Collaboration, Early Modern Letters Online, and Horizon 2020: The Creation of One Virtual Community to Reassemble Another
• Harmonising the Heterogeneous: Shared Ontologies and Linked Data in Archives, Museums and Libraries
• Corpora Group - Hilary meeting
• Constructing Scientific Communities in the 19th and 21st Centuries: Science Periodicals and the Zooniverse
• Looking into the Crowd: Understanding the Users of Digital Heritage Collections
• Transcribe Bentham: Sharing Labour, Sharing Platforms, Sharing Data
• Martin Roth Lecture
• Digital Humanities at Oxford Summer School
• Applying New Digital Methods to the Humanities
• Building Scholarly Resources for Wider Public Engagement
• Interdisciplinary Digital Resources for New Research Students
• Promoting Interdisciplinary Engagement in the Digital Humanities
• Research Student Discussion Group in the Digital Humanities
• Digital Humanities Group Meeting
• Public Lecture: "Scholarly Social Machines", Professor Dave De Roure, Wolfson College, 10 July 2013, 7:30pm
• Cultural Connections
• Poets in the Lab
• What is the difference between 'feeling' digital and 'being digital'?
• Enlightenment
• The labor of the mind: intellect and gender in Enlightenment cultures
• Maria Theresa (1717-1780). Tercentenary Workshop on the Empress and Her Time
• Voltaire Foundation secures a luxurious partnership
• Congratulations go to Tabitha Baker
• Genealogy and Social Status in the Enlightenment
• Seminar: "The German Enlightenment in Philosophy and Literature. Ideas, Aporias, Legacy"
• Conceptions of the Enlightenment
• Air-Pump Debate
• Jargon of Men and Things: Production and Consumption in the Long Eighteenth Century
• The Arab Nahda in its Regional and Global Contexts
• 'What is a letter?' blog seeks guest writers
• Locusts of love: Imagi(ni)ng insect reproduction in the 18th century
• Liberty as equality: Rousseau and Roman constitutionalism
• The Enlightenment and the Northwest Pacific Coast: Alexander Walker and José Mariano Moziño at Nootka Sound, 1785-1792
• Enlightenment and migration politics (Cancelled)
• Writing the attentat on Louis XV, 5 January 1757
• The birth of the story-ballet: Dancing literature in the long 18th century
• The flight from humanism? Botanists, book learning and the enlightenment of ginseng
• Terrorists, anarchists and republicans: The Genevans in Ireland
• Images of Enlightenment: How Visual Representations Contributed to the Enlightenment Agenda
• Charlotte Lennox and Oliver Goldsmith between 18th-Century British Theatre and the Novel
• Writing Rights in 1789
• Methuselah and the unity of mankind: late Renaissance and early Enlightenment conceptions of time. Besterman Lecture, 2018
• The labor of the mind: intellect and gender in Enlightenment cultures
• Patterns of materialist thought: fragments and formulations from Diderot to Destutt de Tracy
• Lighting the Enlightenment: public illumination and the Siècle des Lumières
• The late German Enlightenment and its temples
• Do we need the concept of Enlightenment? A survey of older and more recent debates
• Maria Theresa (1717-1780): Tercentenary workshop on the Habsburg empress and her time
• Maria Theresa and the Catholic Enlightenment
• The end of the world in the eighteenth century: natural catastrophes and Enlightenment perspectives on the Last Judgment
• How much did eighteenth-century Enlightenment owe to seventeenth-century Improvement?
• What are Jews for? Moses Mendelssohn and the problem of Jewish purpose
• Philosophical kingship in eighteenth-century Europe: Frederick II, Catherine II, and the philosophes
• Life and (love) letters: looking in on Winckelmann's correspondence
• Julie de Lespinasse and the 'philosophical' salon: a data-driven approach
• Digital rhetoric, literae humaniores and Leibniz's dream
• Adam Smith: poverty and famine
• Goethe and the German Enlightenment
• The Lure of Paris: The Republic of Letters and Eighteenth-Century Speed-Dating
• The Enlightenment Radicalism of Alexander Radishchev
• Enlightenment from India? France, India and Global Exchanges, c. 1721-99
• Discussion of Isaiah Berlin and the Enlightenment
• From Criminal Jurisprudence to the Pursuit of Happiness
• Voltaire and the Jacobites, 1722-1733
• Agricultural Enlightenment: the Knowledge-Based Approach to Growth in the Rural Economy, c. 1750-1840
• Prince Eugene of Savoy and the Radical Enlightenment: A Reappraisal
• Diderot and d’Holbach on Causal Necessitation
• Genealogy and Social Status in the Enlightenment
• From Political Ideal to Political Idyll: Re-Readings of Fénelon’s “Télémaque” by Albrecht von Haller and Christoph Martin Wieland
• Writing the Enlightenment: Reflections of Work in Progress
• Changing Conceptions of the Enlightenment, 1900 to Present
• Lines of Connection: An International Conference on Eighteenth-Century Poetry
• Jean-Paul Marat: Prophet of Terror
• On the Pursuit of Utility at the Académie Royale des Sciences: A Reconsideration of its Origins
• Modern and Contemporary History in Voltaire’s Précis du siècle de Louis XV
• Launch Event: 'King of all Balloons'
• Friendly Enlightenment: Creativity and Textual Production among the Young
• (Re)Building the Image of the East India Company
• Botanical Collecting in the Late Eighteenth Century
• Social Media in the Eighteenth Century
• The Play of Publicity in the Letters of Catherine the Great
• On Catherine’s Greatness
• The French Revolutionary Terror: Proto-Totalitarian or Public Sphere?
• Conceptions of the Enlightenment
• German Literature and Philosophy in the Late 18th Century
• The Age of Lightness
• Émilie Du Châtelet Study Day
• Light in Germany: Scenes from an Unknown Enlightenment
• "Jargon of Men and Things": Production and Consumption in the Long Eighteenth Century
• Besterman Enlightenment Workshop
• Besterman Enlightenment Workshop
• Voltaire and the Newtonian Revolution
• Besterman Enlightenment Workshop
• Besterman Enlightenment Workshop
• Besterman Enlightenment Workshop
• Besterman Enlightenment Workshop
• Besterman Enlightenment Workshop
• Public Life, Private Lives: The Invention of Celebrity in the 18th Century
• Besterman Enlightenment Workshop
• Sade, l’inconnu?
• The German Enlightenment and its interpretation
• Early Modern French Seminar
• Isaiah Berlin's Enlightenment
• 'in medias res'
• Oxford Medieval Studies
• Call for Papers: Histories of Queer Cosmopolitanism
• Heritage
• Histories of Queer Cosmopolitanism
• Intersectional Humanities
• Visual Research
• Babel and the Language(s) of Universal History in the Middle Ages
• Derek Attridge 'The Experience of Poetry' Book Launch Panel Discussion
• Informal Drinks
• PERLEGO: Methods of Research in Literature and the Visual Arts
• Dominus Hibernie/Rex Hiberniae: pre-modern Ireland, 1200-1801
• The Oxford Medieval Mystery Cycle
• Medieval Studies and the Far Right
• Four Ways to use Technology to Spy on the Past
• Fan Cultures and the Premodern World
• Salvatore Arancio: Timeless and Distant Journeys
• The stakes of deathlessness
• Discussion Group
• OCCT HT 2019 Week 4 Updates
• Call for Papers: Deciphering the Uncertain
• Biographies of Materials at the Crossroads btw Natural Sciences
• Humanities Knowledge Exchange Fellowship Scheme
• Mobility Research Day
• Autofiction – Theory, Practices, Cultures – A Comparative Perspective
• Homeland Activists Without a Home: the Ecosystem of Exile Politics
• OCCT HT 2019 WEEK 5 UPDATES
• International Back Up
• Death rituals in the Viking Age
• The Volga Vikings: Scandinavians in European Russia
• The Rus and the Byzantine Empire
• OCCT HT 2019 WEEK 6 UPDATES
• The Psychic Life of the Poor
• Global Hungers
• Global Hungers: The Problem of Poverty in Postcolonial Literature
• Humanitarian Fictions
• Global Hungers: The Problem of Poverty in Postcolonial Literature
• Humanitarian Fictions
• Humanitarian Fictions
• Psychoanalysis and Postcolonialism
• Unseen City: Travelling Psychoanalysis and the Urban Poor
• Unseen City: Travelling Psychoanalysis and the Urban Poor
• Global Hungers: The Problem of Poverty in Postcolonial Literature
• Humanitarian Fictions Workshop: University of Warwick
• Humanitarian Fictions: One-Day Graduate Workshop
• Animal Cities
• Global Hungers Conference - Image Gallery
• Global Hungers: The Problem of Poverty in Postcolonial Literature - Keynote speaker Gayatri Chakravorty Spivak
• Global Hungers: The Problem of Poverty in Postcolonial Literature - Introducing Global Hungers Robert J.C Young
• Ankhi Mukherjee
• Power Structuralism
• Porphyry: Philosophical and Historical Perspectives
• Porphyry: Philosophical and Historical Perspectives
• Porphyry: Philosophical and Historical Perspectives
• Porphyry: Philosophical and Historical Perspectives
• Porphyry: Philosophical and Historical Perspectives
• Porphyry: Philosophical and Historical Perspectives
• Porphyry: Philosophical and Historical Perspectives
• Porphyry: Philosophical and Historical Perspectives
• The Rameau Project
• Opera double bill at the Queen Elizabeth Hall
• Jean-Philippe Rameau: International Anniversary Conference
• OCCT HT 2019 WEEK 7 UPDATES
• RUMORUM Ensemble Concert
• Manuscripts from German-Speaking Lands
• A Reading and Conversation with Karin Amatmoekrim
• Saïd Business School Engaging with the Humanities
• Making Meaning in Shakespeare's Plays
• Engaging with the Humanities: In Sync
• Engaging with the Humanities
• Building the Ancient Art Archive
• Shakespeare's Conviviality
• In Sync
• Developing a Research Agenda for Management and Humanities
• Writing for Duran Duran; or, Complicating the Creative Process
• The Uses of Philosophy
• Global change in the 21st century: Time for a fresh look at the past, present and future
• 'What's aught but as 'tis valued?': Shakespeare's Value
• Humanities and Business
• Reformulating Islamic family laws in India and Europe
• Conference: New questions and responses among Muslims in Europe
• Muslim Women's Movements and the Campaign to Reform Islamic Family Laws
• Shari'a Courts: Exploring Law and Ethics in Contemporary Islam
• Stuart Hall
• Awardee of Inaugural Stuart Hall Doctoral Studentship
• Stuart Hall Doctoral Studentship in Association with Merton College and TORCH 2017-2020
• The First Stuart Hall Public Conversation
• Henry Louis Gates Jnr
• Film Screening: 'I am Not Your Negro'
• Writing Brecht
• Recycling Brecht Oxford 2016
• Best-practice study for 'Impact'
• Review of Mahagonny
• History of Berliner Ensemble Published
• International Brecht Society Conference 2016
• A Berlin Kabaret!
• Recycling Brecht
• The Resistible Rise of Arturo Ui
• Orbits
• Women's Suffrage 2018
• Celebration Day for Women's Suffrage at Cheney School
• The Road Behind, The Road Ahead
• The Road Behind, The Road Ahead
• The Road Behind, The Road Ahead
• The Road Behind, The Road Ahead
• The Road Behind, The Road Ahead
• Olive Gibbs: Local Labour politician and national peace campaigner
• Let's Celebrate....
• Journey to the Divine Feminine
• Celebrating Women - Strength in Diversity
• How to Get What You Really Want!
• Winning the Vote: Women's Suffrage One Hundred Years' On
• A day of wellbeing activities for women
• Women's Film Night at Open Screen: Oxford's 'Open Mic' Film Night
• Why Gender Diversity Matters in Corporate Britain
• Women's Voices in Fair Trade
• Dorothy Hodgkin Memorial Lecture: 'Fabulous Fluorine'
• Sappho to Suffrage: women who dared
• Sophia - a Forgotten Suffragette
• Sylvia Pankhurst - Suffragette Anti-Racist and Anti-Colonialist
• Words to Action - Reflections from Creators of Peace
• Women on the March - A Suffrage Walk around Oxford City Centre
• Exploring the Menopause Past and Present: Taking the Lid Off the Last Taboo
• Exploring the Menopause Past and Present: Taking the Lid Off the Last Taboo
• Women on the March - A Suffrage Walk around Oxford City Centre
• Talk: From Heart to Empowerment
• Make More Noise! Suffragettes in Silent Film
• Celebration of the Centenary of the Birth of Olive Gibbs
• Cheney Students Visit Sappho to Suffrage: Women Who Dared
• TORCH Marks 100 Years of The Representation of the People Act
• Women in Oxford: Olive Gibbs
• Questioning the Logic of Analogy: A Conceptual Tool for a Decolonial Curriculum
• Lessons from Brazil
• Rosinka Chaudhuri’s Global South Visiting Professorship
• Review of "Reni Eddo-Lodge in Conversation"
• Imagining the Divine: A Series of Responses
• Cheney Students Visit Sappho to Suffrage: Women Who Dared
• Knowledge Exchange Fellowship 2018-2019
• Solving the Problems of Brexit with 500-Year-Old Wisdom?
• The Sheep-Biter, The Villain, The Politique, and The Piglet
• Brazil at the Crossroads: Looking Beyond the Current Crisis
• ‘Losing and Finding Identities in Death’: Running the Epitaphs Table at Lost Late
• Rethinking Nationalism, Sectarianism and Ethno-Religious Mobilisation in the Middle East
• After Clarice: Lispector’s Legacy
• Got Gout? Grab an Owl
• Olive Gibbs (1918-1995)
• Women in Oxford: Olive Gibbs
• Ada Lovelace
• Update!
• Livestreaming of Ada Lovelace Conference
• TORCH Marks 100 Years of the Representation of the People Act
• Texts and contexts: the cultural legacies of Ada Lovelace
• Celebrating the Life and Legacy of Ada Lovelace
• Should All UK Citizens Speak English?
• Texts and contexts: the cultural legacies of Ada Lovelace
• Ecologies of Knowledge and Practice: Japanese Studies and the Environmental Humanities
• Ada sketches by Emily Howard
• Inaugural Annual Ada Lovelace Lecture
• Celebrating Women in Computer Science
• What Is Materiality?
• The Gaps Between
• Somerville, Science, and Wikipedia
• Global and Comparative Feminisms in the Long Nineteenth Century
• Texts and contexts: the cultural legacies of Ada Lovelace
• Hiphop, Knowledge, and the Academy
• Celebrating the 200th Anniversary of Computer Visionary Ada Lovelace
• AHRC Cultural Engagement Fellowship Projects 2016
• Meet the Student Bringing Dub Poetry to Oxford
• Workshop: connecting theatre and research
• Inexpressibility and Reflection in the Formal Sciences
• The Salvation Agenda: The Politics of Medical Humanitarianism during Zimbabwe’s Cholera Outbreak 2008/09
• Where Do You Put the Camera?
• Disability in Academia: The Merton Equality Conversation 2019
• Singing in the Age of Anxiety: A Book at Lunchtime
• Ibsen, Scandinavia and the Making of a World Drama: A Book at Lunchtime
• Who Chooses Who We Are? Tensions in Identity
• The Relation of Literature and Learning to Social Hierarchy in Early Modern Europe
• Good Words: For Profit or for Pleasure?
• Anil Ramdas: Hope and Despair in Dutch Postcolonial Literature
• Sigune Hamann: Did You Spot the Gorilla?
• Postcolonial Poetics: A Book at Lunchtime
• The Relation of Literature and Learning to Social Hierarchy in Early Modern Europe
• FLJS Films: Golden Kingdom
• The Theologian as Wordsmith: A ‘Good Man Expert in Speaking’?
• Humanities & the Digital Age 2016
• Post-Graduate Conference Grant: Life-Writing in the Digital Age
• Robert Davies Memorial Essay Contest
• Digital Tech for Impact, Engagement and Outreach:
• Being Human in the Age of Technology
• Connected Life 2016: Collective Action and the Internet
• OxTalent
• Shakespeare in a Tweet
• Call For Expressions of Interest to Convene a Workshop, Give a Masterclass or Talk in Digital Humanities
• Artificial Lives: Imagining Life
• Digital Humanities at Oxford Summer School 2018: Bursaries Available
• Agent-based Modelling in Humanities Research
• Report: What Does it Mean to be Human in the Digital Age?
• Shadows of the Digital Age
• Why We Need to Remember How to Forget
• New Music with Animation
• Seminar towards a Social History of Photoliterature and the Photobook
• AHRC NWCDTP Postgraduate Conference 2018
• The Art of Noises II
• ‘Writing Technology/Technology of Writing’
• Digital | Visual | Cultural 2
• Underwater Acoustic Localization and Referencing
• Computational Semantics and Historical Texts
• The Humanities in the Information Age
• St Benet's Research Forum
• It’s Complicated: Mapping and Understanding 2,500 Years of English Archaeology
• The Experience of Early Career Academics
• Digital Humanities
• From Sandscapes to Glassworlds
• Le poème est l’échec de la poésie
• Afghan Women's Orchestra: Traditional Afghan Music
• Afghan Women's Orchestra: Panel Discussion
• Afghan Women's Orchestra: Concert
• ISTROX at Library Lates, Weston Library
• Leora Auslander At Waddesdon Manor
• “Welcome” by Abigail Green
• Dorothy Hodgkin Memorial Lecture
• Comics as Architecture
• Oxford Medieval Studies Small Grants HT 2019
• Oxford Medieval Studies grant application form
• Women's Film Night at Film Oxford
• Intrepid Women: Fieldwork in Action, 1910-1957
• Queer Black Performance: A Colloquium
• CALL FOR PAPERS: RETHINKING ANGLO-GERMAN RELATIONS
• How Not To Ruin Everything – Launching Futures Thinking
• Undisciplining: Conversations from the Edges
• Postgrad/ECR Study Day on Landscapes and Identities
• Oxford - FAPESP collaboration scheme
• Training Better Leaders
• Environmental Humanities Successful Applications
• Environmental Humanities Grants
• African Local Knowledge
• "Mind the Environmental Gap" Symposium Highlights
• The Feel-Bad Environment in Contemporary Experimental Film
• Workshop 'Bodies at stake: Occupational and environmental poisons in industrial societies (late 18th-21st c.)
• The Lighted Window in the Dark
• The Sky as Mirror of the Mind
• Title to be confirmed
• Searching for DNA on ancient shipwrecks
• Title to be confirmed
• 'Taking it with you when you go: The case of the flying house of Loreto'
• '"The Dim Heart of the Deep Sea": an ecocritical approach to medieval whale poetry'
• Environmental Humanities Social
• Change of Air: Atmosphere, Health, and Locality in the Romantic Era, 1760-1840
• Should Nature Have Rights?
• Environmental Humanities Lunchtime
• The emotional histories of rabies in nineteenth-century London, New York and Paris
• NERC Visit - Open Presentation
• 'The Dim Heart of the Deep Sea': an ecocritical approach to medieval whale poetry
• Climate and the Plague: Toward a Late Holocene Eurasian Synthesis
• Roundtable: A discussion of research by new graduate and early career researchers in work in the environmental humanities
• Trees and Wellbeing: Past, Present and Future
• Environmental Humanities Lunchtime Seminar Series
• Why I hate the Lake District
• Geometry of Narrative Spaces: Built Environment and Modern Prose
• Lyric and Landscape in Nineteenth-Century Russian Song
• Modernist Landscapes
• Current graduate work in the Environmental Humanities
• New Work in the Environmental Humanities
• Raptor: A Journey through Birds
• A Walk in the Woods Study Day
• Professor Daniel Grimley: 'Delius in the Garden'
• Silent Witnesses: Trees in British Art 1760-1870
• #NEVERHILLARY VS #NEVERTRUMP
• #SocialHumanities Datahack event
• #SocialHumanities Datahack: Self-(Re)presentations on Social Media
• Futures Thinking Manifesto
• Balkanism: Approaching Southeastern Europe
• Social Media: The risks, the opportunities and what it means for you and me
• #NeverHillary vs #NeverTrump: The US Election on Social Media Workshop
• #NeverHillary vs #NeverTrump: The US Election on Social Media Panel Discussion
• Futures Thinking Network
• Digital Youth in East Asia Fall Methods Workshop: How to Analyse Large Volumes of Online Text
• Oxford University’s #SocialHumanities Datahack: Self-(Re)presentations on Social Media
• Offbeat festival - Performance Opportunity
• BEP Seed Fund - Open call for proposals 2019
• Earth, Labour, Song and Byronic Condors: Placing John Clare
• Living with Volcanoes in South Iceland, Art and Everyday Hazard Management
• Ecologies of Knowledge and Practice
• Environmental Humanities Lunchtime Seminar Series
• Landscapes and Identities
• Landscapes and Identities Panel
• Coastal Literature and the Twentieth Century: Ireland and the Atlantic World
• Humanities, Centres and Universities - A Conversation
• Contemporary Irish Culture in a Global Perspective
• Literature and the Sea in the Twentieth Century
• Cloud-capped Mountains and Vaporous Fens
• Sussex Lightscapes
• 'A Map of Dissidence: "Dark Corners" of the British Isles'
• Environmental Humanities Meeting
• Guests of Time
• Visualising Nature
• Human Predator Encounters
• Unencompassing the Archipelago
• Controlling Environments
• Learning from the past - NGOs at the crossroads
• Wildlife in the Anthropocene: Conservation after Nature
• Geographies of 'Area'
• Art, Science, & the Thirsty World
• A Tale of Two Forests
• Historical Perspectives on the Environment; Environmental Perspectives on History
• North American Exceptionalism: Invasions and Environments over the Very Long Durée
• Rustic Nature and Artistic Rusticity in China
• Workshop: The History of Relationships between Humans and Animals
• Environment
• Dealing with Disasters: An International Perspective, 1870-2000
• Ecologies of Knowledge and Practice: Japanese Studies and the Environmental Humanities
• Unencompassing the Archipelago
• Kenneth MacMillan: Making Dance Beyond the Boundaries
• "Blue Sky" Fellowships 2020-2021
• Gestures and postures
• Motion & Meaning: Ensemble Klang & Leading Contemporary Dancers
• "Dark Clouds" Fellowships 2020-2021
• Dansox presents Alastair Macaulay on Fred Astaire
• "Brain, Culture and Society" Program 2020-2021
• Dansox Film Night
• CALL FOR APPLICATIONS Sorbonne University – Paris IAS research Chair on “Major Societal Changes”.
• Lisa Dwan: Performing Beckett
• Rawaa
• Environmental Humanities: Earth Sea Sky CFP
• What is Dance without an Audience?
• Celebrating Karolos Koun
• Dancing Lives Conference
• Serge Lifar and the Interwar Dance Discourses of Neoclassicism (1930-1939)
• Silent Cinema and the Classics
• John Cranko
• OCCT HT Week 8 Updates
• Sea of Troubles
• Dance Dialogues: Copyright of Dance
• Guest Lecture on Bronislawa Nijinska
• A dialogue between choreography and visual arts
• Exploring the Rhythm: the relationship between music and dance in the practice of choreography
• ISSF Public Engagement with Research Fund Application
• Accounts of Illness in Historical and Modern Texts
• Medical Humanities Programme Grants
• CFP: Postgraduate Medical Humanities Conference 2016
• Public Health & Film
• Advancing Medical Professionalism
• Literature and Medicine in the Nineteenth-Century Periodical Press: The Literary Doctor in Blackwood's Edinburgh Magazine
• Psychiatric Injury and the Hysterical Woman
• Science and the Mutual Improvement Society
• Chaplaincy Workshop
• Chaplaincy workshop
• Oxford - a Place for Medical Innovation
• Education for Practitioners and Prospective Parents during the Twentieth and Twenty-first Centuries
• Storytelling in medicine
• Ancient Medicine Seminar
• Prophetic Medicine
• From Natural Resources to Packaging, an Interdisciplinary Study of Skincare Products Over Time
• Seminar on David Finkelstein 'On the Distinction Between Conscious and Unconscious States of Mind'
• Legal Construction of Science in Light of Islamic Bioethical Discourses
• Seminar on Thomas Fuchs 'Body Memory and the Unconscious'
• Arabic Philology and Medical Discourse
• Transfer of Medical Knowledge from the Islamic World to Byzantium in the 11th-15th Centuries
• Medical Humanities Event: Chaplaincy Workshop
• Arguments About Abortion
• Seminar on Jonathan Lear 'Interpreting the Unconscious'
• Panel Discussion: The Abortion Act 50 Years On: Where Do We Go From Here?
• Where Does the Self Reside?
• Seminar on Christopher Bollas 'Articulations of the Unconscious'
• The Mad, the Sad, the Bad, and the Glad
• In each season, the various items of regimen should be changed little by little
• Seminar on Sigmund Freud 'The Unconscious'
• 'Mind-Boggling Medical History'
• Seminar on Sigmund Freud 'Parapraxes'
• Beneath the Surface
• Disease and the Ancient World
• Set Up for Life?
• Accounts of Illness in Historical and Modern Texts
• War, Health, and Humanitarianism
• Symposium and CFA: Medical Ethics Education after Medical School
• The Phenomenology of Radiology
• Religion and Futility in the Intensive Care Unit
• Doctor, Doctor
• Autism and Moral Responsibility: Executive Function and the Reactive Attitudes
• Ancient Medicine Seminar
• Ancient Medicine Seminar
• Ancient Medicine Seminar (CANCELLED)
• The Neuroscience of Moral Agency (Or: How I Learned to Love Determinism and Still Respect Myself in the Morning)
• What is the difference between a claim of justice and any other kind of moral claim?
• Ancient Medicine Seminar
• Mysticism as Healing
• What constitutes a good outcome in child and adolescent mental health?
• Spotlight on Sugar
• People Powered Medicine
• Medicine is not about curing, but predicting disease
• Circulating Knowledge and Colonial Modernity
• Wellcome Unit for the History of Medicine Seminar: Lenin's Gulag Hospitals
• Wellcome Unit for the History of Medicine Seminar: 17th-century England
• ESCR Workshop: Re-imagining Professionalism in Mental Health: Towards Co-production
• Wellcome Unit for the History of Medicine Seminar: Nocturnal Emissions
• Wellcome Unit for the History of Medicine Seminar: Early Modern Mensuration
• Why More Creativity is Required for the Philosophy of Evidence-Based Medicine to Progress
• Wellcome Unit for the History of Medicine Seminar: Bovine TB
• Why Medical Ethics Needs More Philosophy
• Wellcome Unit for the History of Medicine Seminar: Ancient Mesopotamia
• Wellcome Unit for the History of Medicine Seminar: Reading the Plague
• Workshop on Dyslexia in the Workplace
• Classics, archaeology, and science
• Metropolitan mosquitoes: Tracing the emergence of dengue fever in urban India
• The synthesis period in evolutionary studies
• Crowdsourcing and Humanities Research
• Is Digital Cultural Heritage More Elitist than Democratic?
• Malaria and Japanese imperialism in Manchuria
• Digital Wildfires: The Challenge of Provocative Content on Social Media
• Making the case for a return for the biometrician-Mendelian debate
• Oxford and shell shock in the Great War
• The changing fortunes of scientific curiosity in eighteenth-century Russia
• Medical philanthropy in Colonial North India
• Digital Humanities Training
• The case for scientific reenactments: Recreating 18th-century microscopy
• The Coolie's long journey: Disease and mortality on ships carrying indentured labourers, 1834-1920
• Photography is not alone: A mixed history of photographing the heavens
• Altered Senses, Excited Brains and Ageing Grey Matter
• Research Uncovered
• The riddle of "applicability of mathematics": Its place in the historical discussions about the classification of the sciences
• #Brexit or #StrongerIn? The Rhetoric of EU Referendum Hashtags
• The Army and the doctors in late Victorian Britain
• Speaking in Absence: Letters in the Digital Age
• Digital Humanities at Oxford Summer School 2016
• Science in the service of religion: Opportunities and challenges
• Digital Unwrapping: Homer, Herculaneum, and the Scroll from Ein Gedi
• Karl Friedrich Meyer and the birth of modern ideas of disease ecology
• Digital Research with OUP Data: A Workshop
• The Experience of Early Career Academics
• Brain Damage
• SSHM Workshop for Historians of Medicine
• Public Health Film Festival
• Reproduction, Gender, and Sexuality in the History of Medicine
• Reproduction, Gender, and Sexuality in the History of Medicine
• Poison, Persuasion, and Panaceas
• Leverhulme Lecture Series
• Reproduction, Gender, and Sexuality in the History of Medicine
• Reproduction, Gender, and Sexuality in the History of Medicine
• Barbara Taylor in conversation
• Leverhulme Lecture Series
• Reproduction, Gender, and Sexuality in the History of Medicine
• Leverhulme Lecture Series
• Making Medicines for Individuals and Populations
• Leverhulme Lecture Series
• Leverhulme Lecture Series
• The Origins of Moral Life
• Literature and Medicine
• Structures of Medical Knowledge
• Literature and Medicine
• Structures of Medical Knowledge
• Psychopathy: The Good, the Bad and the Ugly
• Medicine of Words: Purgation, Grammar, and Affect in Richard Rolle
• Structures of Medical Knowledge
• Literature and Medicine
• Structures of Medical Knowledge
• The Russian State and the Early Modern Drug Trade
• Literature and Medicine
• Structures of Medical Knowledge
• Obesity and Welfare Regimes
• Psychosis
• Literature and Medicine
• Structures of Medical Knowledge
• Literature and Medicine
• Structures of Medical Knowledge
• Wellcome Trust Funding event
• Cross-disciplinary workshop discusses "what constitutes a good outcome in child and adolescent mental health?"
• Training Health Professionals to Use the Arts
• Why I'm bringing poetry (back) into the NHS
• Research Trip to Kabul, Afghanistan: 11th-24th January, 2016
• Naked Diplomacy - Can Diplomacy Survive the Digital Age?
• Green Templeton Lectures 2016: Big Data and Biomedical Research
• Call for Papers: Music and Late Medieval European Court Cultures Conference
• Are the Humanities More Digital than the Sciences?
• Oxford Afterlives
• Junior Research Fellowship in Medieval History
• Is Digital Cultural Heritage More Elitist than Democratic?
• Call for Papers: Dark Archives_
• Arcadia
• The Oxford Medieval Mystery Cycle
• Pipedream to Project
• CabiNET: Integrating Text and Object in Oxford Teaching
• Life-Writing in the Digital Age
• The Drones Club: Consumer UAVs, their (Ab)Uses and Some Possible Countermeasures
• Oxford Artistic and Practice Based Research Platform
• Digitally Reconstructing Tudor Music Manuscripts
• Wikipedia 15th Birthday Editathon: The Social Internet
• What Does it Mean to be Human in the Digital Age?
• Green Templeton Lectures 2016: Twitter and Social Life
• Knowledge Machines
• OMS Small Grants
• Green Templeton Lectures 2016: Surveillance Capitalism
• Call for Papers: Dark Archives: A Conference on the Medieval Unread & Unreadable
• Romance at Sea
• From Card to Computer: A Bodleian Catalogue and Early Modern Letters Online
• Bonn Medievalists on Visit in Oxford
• Green Templeton Lectures 2016: Big Data, Food Consumption and Food Policy
• The Future of the Professions
• St Edmund Hall: Associate Professorship of Global Medieval Literature and Tutorial Fellowship in English
• Teaching the Codex II
• Culture and Late Medieval Ecclesiastical Courts
• Material Culture and the Medieval World
• Seminars in Medieval Studies MT 2017
• Medieval Manuscripts Exhibition Michaelmas Term 2017
• Medieval Studies Grants 2017
• Leeds IMC 2018: Commemorating Saints and Martyrs in Medieval Europe
• Oxford Medieval Studies Grants TT 2017
• Crossing Borders in the Insular Middle Ages Conference, 3-5 April 2017
• Mortimer History Society Essay Prize
• Authority & Innovation in Early Franciscan Thought (c. 1220-45)
• Seminars in Medieval Studies HT 2017
• Power of the Bishop III: Bishops as Diplomats 1000-1400
• Winchester: An Early Medieval Royal City
• Mobility and Space
• Uses of the Past: Cultural Memory in and of the Middle Ages
• AHRC Collaborative Doctoral Partnerships with the British Library
• Time: Aspects and Approaches
• MT 2016 Medieval Studies Seminars
• OMS Call for Applications
• Call for Papers: Lords in the Landscape 800-1300
• The Study of the Bible in the Middle Ages: Where are we now?
• After Chichele: Intellectual and Cultural Dynamics of the English Church, 1443 to 1517
• Oxford Medieval Studies Blog
• OMS Small Grant Winners
• Opportunity for postdoctoral research on Music and Late Medieval European Court Cultures
• Encounters and Reimaginings: Medieval Scandinavia and the World
• Treasure in Heaven
• Mortimer History Society Essay Prize 2016
• Medieval Material Matters
• Conspicuous Consumption and Display in Late Medieval England
• Medieval Studies Grants
• After Chichele: Intellectual and Cultural Dynamics of the English Church, 1443 to 1517
• Call for Papers: Women's Responses to the Reformation
• People, Places and Possessions, 1350-1550
• Trans-Cultural Communication: Encounter and Imagination among Christians, Muslims and Jews in the Middle Ages
• Oxford Medieval Studies on Twitter
• Ancient Churches of the Levant Conference
• Seminars in Medieval Studies
• Oxford Medieval Studies Launch
• The Nuns' Network - Funding Success for Medieval German Project
• Call for bloggers!
• Kingship and the Bible in the Middle Ages
• Seminars in Medieval Studies
• Centres of Diplomacy, Centres of Culture I
• Conquest: 1016, 1066
• Mystical Theology Network Conference
• Medieval Studies Grants
• The Influences of the Dominican Order in the Middle Ages
• Transforming Scripture - call for papers
• In medias res
• Beowulf
• Avignon as Transcultural Hub
• Three x Three Talks on Vikings
• Thinking with Things: Reframing Relics in the Early Middle Ages
• Celebrities, Saints & Scholars: Fannish Devotions, Medieval and Modern
• Translating the Medieval World for Young Readers
• Greek in the Early Medieval West
• Oxford Medieval Church-Crawl
• Empire and Commonwealth Today
• Medieval Roadshow
• Antiquity and Identity in Byzantine, Italian and Ottoman Cultures
• Three-Slide Lunchtime Presentations
• Courtly Scholasticism in the Crown of Aragon
• Translating the Medieval World for Young Readers
• Story-telling east and west
• Translingualism in Late Medieval European Court Cultures: England - Low Countries - Germany - France
• The motets of Douce 308: evidence for a more extensive monophonic tradition?
• Music in the Margins: A Musical Tour through the Lincoln Collection
• The Typology of Nomad Empires
• Roger Pensom Memorial Book Launch
• Looking east: Christian art outside the world of Christian hegemony
• Three-Slide Lunchtime Presentations
• Facing the Steppe Winds
• Imagining the Woman Reader in the Age of Dante
• Michaelmas Drinks Party
• Beyond Truth: Fiction and (Dis)information in the Early Modern World
• Fanfiction Theory
• Writing the Life of Charlemagne
• Winckelmann anniversaries symposium
• Medieval Life Writing: Principles and Practice
• Animals: Aspects and Approaches
• The Latin Sources of the Summa Halensis
• Early Franciscan Intellectual History Oxford Workshop Series
• Dialogue and Encounter
• Dialogue and Encounter
• Teaching Medieval Diversity
• Wycliffism and Hussitism: Contexts, Methods, Perspectives
• Words/Works/Walls: Conceptual Architectures in Visual Culture
• 'Exceptional Medieval Story-Tellers: How Three Jewish Writers of Hebrew in Europe Challenged the Dominant Culture of Their Times'
• Qui de codice canunt; The Manuscript and the Ritual of Chant in the Latin West, 400-900 CE
• Orcadian lifeways: diet and health in pre-Viking and Viking-age Orkney
• The Ambiguity of the Countertenor
• Armenia and Byzantium
• Oxford in the Great War: Study Day
• Art as Commodities / Commodities as Art: An Interdisciplinary Conference
• GLGW Conference 2019
• Armenia and Byzantium WORKSHOP PROGRAMME
• ILIAD VI: a public reading
• RSM Primary care ethics conference: The ethics of survival and flourishing in 21st Century healthcare
• KE Seed Fund
• KE Seed Fund Workshop
• Colloque – Transnationalité à la cour / Transnationalism at Court,
• Poetry Reading by Antonella Anedda
• Mourning in Italian Poetry
• Against 'Iberic Crudity': Balliol MS 238E, Bodleian MS Douce 204, and Laurentius Dyamas
• Rethinking the Carolingian Reforms
• Forbidden Ideas Conference
• The Greek and Arabic Sources of the Summa Halensis
• Early Franciscan Intellectual History Oxford Workshop Series
• Early Franciscan Intellectual History Oxford Workshop Series
• The Topics in the Summa Halensis
• ERC Workshop in Medieval Intellectual History
• Early Franciscan Intellectual History Oxford Workshop Series
• Symposium - 'Disiecta Membra Musicae'
• Cancelled: Religious Conversions - Medieval Perspectives
• Landscape Archaeology in the North Caucasus
• Annual Medieval Studies Lecture
• Medieval Manuscript Visit to Merton Library
• Il Milione & Travels
• Teaching Medieval Diversity
• Space and Dimension in Late Antiquity and Byzantium
• Space and Dimension in Late Antiquity and Byzantium
• Inferno Canto I
• Cultural Production at Late Medieval Ecclesiastical Courts
• Cultural Production at Late Medieval Ecclesiastical Courts
• Romancing the Throne
• Parlement of Foules
• De Doctrina Christiana
• Yvain or The Knight of the Lion
• Ancient Music and Theology Network
• Postgraduate Workshop: Exemplarity
• Old Frisian Summer School
• Old Frisian Summer School poster
• Humanities and Healthcare: Information, Networking, Support
• Cultural Diversity in Literature: a discussion
• Press Release - Joy Owen
• The inevitable difficulties of life writing: unexpected and ignored boundaries
• Business Engagement and Partnerships
• Etymologicon
• Bisclavert or The Werewolf
• Gender, Identity, Iconography
• Anglo-Saxonists in Oxford
• Medieval and Early Modern Liturgy
• 'Beorhtre bote': Beowulf and the Satisfactions of Coin and Flesh
• Anglo-Norman Reading Group MT 2017
• Astronomy Across the Medieval World
• Anglo-Norman Reading Group MT 2017
• Dante Today: Readers and Audiences
• Anglo-Norman Reading Group MT 2017
• Representing the Dead
• Anglo-Norman Reading Group MT 2017
• Oxford Medieval Society
• Textile Study Day
• Winchester: An Early Medieval Royal City
• The Normans in the South
• After Chichele
• Mobility and Space in Late Medieval and Early Modern Europe
• Putting Aristotle in His Place: Philosophy as Heresy in the Thirteenth Century
• Anglo-Norman Reading Group TT 2017
• Anglo-Norman Reading Group TT 2017
• A Parasite's Past: using mitochondrial genomes to investigate how and when Plasmodium vivax malaria spread across the world
• Aulus Cornelius Celsus and 'empirical' and 'dogmatic' medicine
• Curing a eunuch in first-century Rome
• Methodological Innovation in Late Medieval Studies
• Architectural Representation in the Middle Ages
• Time: Aspects and Approaches
• Graindelavoix Sing Douce 308
• Medieval Intersectionality
• Reading his Way to Royalism: The Library, Politics, and Religion of Sir Thomas Myddelton, 1639-1666
• Living Diversity: Identities in Medieval Cities
• Poetry Reading: Poetry Reading by Antonella Anedda
• Mourning in Italian Poetry
• Gwynedd's Diplomatic Correspondence 1267-1277
• The Macregol Gospels
• Wilderness People: Learned Families of the Gaelic Court c.1200-1600 AD
• Lords in the Landscape 800-1300
• Irish and Latin Terms for Shape-Shifting
• Insular minuscule: from Wearmouth-Jarrow to Wessex
• Herod's Killing of the Children
• The earliest examples of musical notation and liturgical manuscripts in the Bodleian
• Heritage Seed Fund - Guidance Notes
• Heritage Seed Fund - Case for Support - Conversations
• The Oxford Launch of Wretched Strangers
• A State of Risk: Humanities in a Time of Crisis
• Empire of Accumulation: Consumer Value and the Labor Question in British and American Nineteenth Century Expansion
• The Poetic Arts of Africa and the School Curriculum, with Kwame Dawes
• The Poet as Witness
• Heritage Sites in Contemporary China
• ‘Where Do We Fit In?’
• Public Health Film Festival 2018
• The University and Micro-Dynamics of Institutional Life Conference
• A Good Death: Interdisciplinary Perspectives on Dying Well
• Utilitarianism about Animals and the Moral Significance of Use
• Solidarity in the 21st Century
• The Poetic Arts of Africa: Creative and Critical Voices, with Kwame Dawes
• What is a Decolonial Curriculum?
• Playing with Fire Can Get You Burnt: Conventional Politics, Populism - and Brexit
• Melt Values
• Graduate Student Workshop with Kwame Dawes
• Life Is Wonderful: Mandela's Unsung Heroes
• Law and Legalism in Tibet
• Books for the Medieval Classroom
• Rethinking Reform 900-1150: The Languages of Reform
• Authority Beyond the Law
• Medieval Occitan Reading Group
• Anglo-Norman Reading Group
• Celebrating Ramon Llull in Oxford
• The Contested Seed of Abraham
• Old Irish in Ireland 1650-1850
• Vouloir (Will) et Nouloir (Nill) dans la philosophie médiévale : Augustin, Abélard, Buridan
• Medieval Occitan Reading Group
• Anglo-Norman Reading Group
• Edward Lhuyd and Roderic O' Flaherty on Celtic alphabets
• Medieval Occitan Reading Group
• Devotional Culture in Late Medieval Strasbourg
• Anglo-Norman Reading Group
• The Textual Tradition of Llyfr Iorwerth, or why Gwenogvryn Evans and Daniel Huws may both have been right
• Medieval Occitan Reading Group
• Views on Medieval Monasticism in Cork and Liège: Aislinge meic Coinglinne and Libellus de diversis ordinibus et professionibus qui sunt in aecclesia
• Anglo-Norman Reading Group
• "Glosses, Dots and Dashes: Text and Paratext in the Milan Glosses"
• People, Places and Possessions, 1350-1550
• Conquest: 1016, 1066
• The Apocrypha in the Age of Cathedrals
• Celts, Romans, Britons: Classical and Celtic Influence in Britain, 55 BC - 2016 AD
• Bonn-Oxford-Colloquium
• Bonn-Oxford-Colloquium
• Women's Responses to the Reformation
• Performing time, cruising epic worlds - writing the 12th and 21st centuries
• Anglo-Norman Reading Group
• Anglo-Norman Reading Group
• Anglo-Norman Reading Group
• Archaeology of medieval villages currently inhabited in Europe
• Limits
• Anglo-Norman Reading Group
• Spatial Icons in Byzantine and Russian Hierotopy
• Hagia Sophia: The Space in-between Heaven and Earth
• Kingship and the Bible in the Middle Ages
• The Medieval List
• Medieval psalters as witnesses to liturgical song: the Iberian case
• Enthymeme and Emotion from Aristotle to Hoccleve
• Anglo-Norman Reading Group
• Medieval Physics in Oxford
• Philippe de Vitry at Meaux
• Anglo-Norman Reading Group
• Calendars in Antiquity and the Middle Ages
• The music for the early 15th-century English carol: dates and origins
• Teaching the Codex: Pedagogical Approaches to Palaeography and Codicology
• Anglo-Norman Reading Group
• The Cinderella of Complete Elizabethan Partbooks Sets
• Anglo-Norman Reading Group
• The Materiality of Medieval Manuscripts
• Magic, Witches & Devils in the Early Modern World
• Art and Articulation: Illuminating the Mystical, Medieval and Modern
• Crossing Boundaries: Medievalists in Cross-disciplinary Conversation
• Seminar in medieval and renaissance music
• Seminar in medieval and renaissance music
• Seminar in medieval and renaissance music
• Seminar in medieval and renaissance music
• Medicine of Words
• The Influences of the Dominican Order in the Middle Ages
• Anglo-Norman Reading Group
• Medieval Studies Seminar
• What Was Late-Medieval English Poetry?
• Anglo-Norman Reading Group
• Anglo-Norman Reading Group
• Anglo-Norman Reading Group
• Heresy from Late Antiquity to the Middle Ages
• Anglo-Norman Reading Group
• Interdisciplinary Medieval Studies Seminar
• Cutting the Skin: From Sacrifice to Slaughter in Medieval Bestiaries
• Anglo-Norman Reading Group
• Anglo-Norman Reading Group
• Anglo-Norman Reading Group
• Early Graffiti Inscriptions
• Terror, Horror and the "Fear of God"
• Medieval Gender Reading Group
• Transforming Scripture: Biblical Translations and Adaptations in Old and Middle English
• Medieval Gender Reading Group
• Medieval Gender Reading Group
• Bestiaire d'amour - Reading Group
• Anglo-Norman Reading Group
• Anglo-Norman Reading Group
• Medieval Gender Reading Group
• Bestiaire d'amour - Reading Group
• Anglo-Norman Reading Group
• Anglo-Norman Reading Group
• Bestiaire d'amour - Reading Group
• Le Bestiaire d'Amour reading group
• The Blood Conference
• Le Bestiaire d'Amour reading group
• Romance of the Rose Reading Group
• Anglo-Norman Reading Group
• Medieval Gender Reading Group
• Romance of the Rose Reading Group
• Anglo-Norman Reading Group
• Le Bestiaire d'Amour reading group
• Romance of the Rose Reading Group
• Anglo-Norman Reading Group
• Romance of the Rose Reading Group
• Anglo-Norman Reading Group
• Medieval Studies Seminar
• Le Bestiaire d'Amour reading group
• Teaching and Researching Medieval French in the UK
• Roman de la rose Reading Group
• Medieval Gender Reading Group
• Roman de la rose Reading Group
• Medieval Gender Reading Group
• Roman de la rose Reading Group
• Roman de la rose Reading Group
• Medieval Gender Reading Group
• Opening Medieval Manuscripts
• Report on a Talk by Daron Burrows by Josefina Troncoso
• Stonyhurst Blog
• Report on Fan Fiction Colloquium
• Report for the Oxford Medieval Graduate Conference - 28 June 2018
• Forbidden Ideas: Medieval Heresy and the Scholastics
• Conference on Mourning in Italian Poetry
• Rethinking the Carolingian reforms: the negotiation and exchange of knowledge
• Disiecta membra musicae: conference report
• Gender and Medieval Studies Conference: Gender, Identity, Iconography
• TORCH Oxford Medieval Studies Programme Small Grants
• The Normans in the South: Mediterranean Meetings in the Central Middle Ages
• Oxford Medieval Graduate Conference
• Report on the Medieval Intersectionality Workshop
• Report on the Medieval Intersectionality Workshop
• How do you define 'Architectural Representation(s)'?
• About Time!
• Mourning in Italian Poetry from the Medieval to the Modern Christ Church, Oxford, 4 March 2017
• The Study of the Bible in the Middle Ages
• Talking Truth, Knowledge and 21st Century Storytelling with Chris Wickham
• Narrative gymnastics in an Anglo-Norman life of Thomas Becket
• Celebrating Nigel Palmer and Devotional Culture. A Report on the 2016 Medieval Studies Lecture
• OPUS ANGLICANUM; A Victoria and Albert Exhibition Review
• Celts, Romans, Britons: Classical and Celtic Influence in Britain, 55 BC - 2016 AD
• Grappling with the 'Global Middle Ages'
• Everyman: Teaching and Public Engagement at the University Church
• The Medieval List
• Teaching the Codex
• How long - and how great - was the twelfth century?
• The Anglo-Norman Reading Group
• Some top tips for Valentine's day … from medieval lovers
• Being a Woman Byzantinist
• Byzantium and Italian Renaissance Art
• Crossing Boundaries: The Oxford Medieval Studies Launch Event
• Medieval Spain, Statecraft, and the So-Called IS
• The Wittenberg Nightingale: trigger of Hans Sachs' success as voice of the Reformation in Nuremberg
• The Influences of the Dominican Order in the Middle Ages
• Cognition & Migration: Researching Mobile Identities
• Victorian Light Night
• Anna Milon: "Neurodivergent Middle-Earth"
• Research Insights: Humanities
• Migrants and Refugees in Germany: Go, Went, Gone
• The Bruges Speech Thirty Years On: Assessing its Brexit Legacy
• Jacopo Da Pontormo and the Curious Case of the Black Duke's Daughter
• Disability History at Oxford: Opportunities, Challenges, and the Future
• ‘Don’t Bury the Famine Dead’: How Humanitarian Intervention Killed the Most Vulnerable in Ajiep, South Sudan, in 1998
• Blanche Mcintyre - Greeks and Romans in the Rehearsal Room
• Patterns and Puzzles: Gyorgy Kepes's "Education of Vision"
• Tales of Love and History: James Ivory in Conversation
• Paper Jewels: Postcards from the Raj
• Tummy Trouble – The Gut in French and Francophone Literature, Theory, and Culture
• Evelyn Plus Q&A
• Opening the Door to Open Access
• A Mountain Inside a Coconut: Nature, Mining and Early Modern Ingenuity
• Byzantium and the Miaphysite Commonwealth
• Al-Andalus in Motion: Travelling Concepts and Cross-Cultural Contexts’ Conference
• The Function of Cynicism at the Present Time
• Film Screening of Dheepan
• Yehuda Amichai Festival
• Seminar on Reproducibility and Open Research
• Clone of Agora Europe: Brexit and Populism
• Olive Gibbs Talk
• Insights from Psychology on Lack of Reproducibility
• Seeing Taste: Art and Cuisine in Safavid Iran
• Political Bioethics
• Oxford: The War & the World
• In Search of the Sociology of Islam
• Call for Submissions: Common Ground Journal
• Into Silence
• Q&A Event with Oscar-Winning Director, James Ivory and Film Showing of Autobiography of a Princess
• Finding Rape in the Archives: Methodologies for Evaluating Survivor Voices from the Past
• Brexit’s Challenge to Eurosceptic Populism
• Announcing call for papers for 'Racialisation and Publicness in Africa and the African Diaspora'
• THE LANGUAGES OF J. M. COETZEE
• Supporting early-career academics in the humanities
• THE INTERNATIONAL RALPH ELLISON SYMPOSIUM 2017
• Callaloo Conference Draft Programme Available
• IMAOBONG UMOREN: IMPACT STORY
• TORCH Academic Delivers Toni Morrison Society Lecture
• Indian Arrivals, 1870-1915: Networks of Empire
• Callaloo publishes Race and Resistance Essays
• Colonial Ports and Global History CFP
• 2019 | Brexit Wake at Literaturhaus, Berlin
• Drue Heinz Professorship in American Literature
• THE GLOBAL PURSUIT OF EQUALITY: WOMEN, NETWORKS, AND NETWORKING 1800-2000
• Brexit »And Now What?« - Brexit Wake
• "Race" and the Academy since 1800
• Race and Resistance Across Borders
• Graduate and Early Career Workshop on Gender and Race
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• The Words that Shape the World: The Global History of the Book
• ‘X WEEK’ - DEBATING RACE IN OXFORD, BRITAIN AND THE WORLD
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• IMAGINING THE ABSTRACT AND NON-IMAGEABLE
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• Oxford Unites as an Anti-Racist City
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• AfOx Insaka October 26
• AfOx Insaka October 26
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• Book at Lunchtime: Art and Political Thought in Medieval England c.1150-1350
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• The Words that Shape the World: The Global History of the Book
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• Invited Speaker Assistant Professor Minkah Makalani, 'The Decolonial Character and Black Marxism: A Genealogy of Black Marxist Thought' - 17 May 2013
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• Colourism: The Gendered Politics of Appearance in African American History
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• Writing Black Women's Biography - A Conversation with Professor Barbara Savage
• WINDRUSH: Race | Identity | Calypso
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• The Road Behind, The Road Ahead
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• The Ones That Got Away: Textual 1
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• Memoir and Memory
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• A Seminar Series That Isn’t A Seminar Series
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• Coffee and Conflict
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• Looking Back, Looking Forward: Reflections on the Obamas in Office
• African Studies Research Seminar- Mau Mau and Rastafari: Kenya's War in Jamaica at the End of Empire
• Lecture with Henry Louis Gates Jr
• Some Lessons from the National Conference of Race and Ethnicity in Higher Education, San Francisco 2016
• Seminar with Henry Louis Gates Jr
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• 'Between the World and Me'
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• Mediterranean Migrants Panel
• Rhodes Must Fall Oxford
• Wadham Race Symposium
• The Strangers Book: The Human of African American Literature
• Creating a new field: Black Women's Intellectual History
• Professor Merze Tate: Diplomatic Historian, Cosmopolitan Woman
• UCL Slavery Legacy Project
• Race and Resistance Seminar
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• In Conversation with Marlon James
• Research presentations
• Michela Wrong and Elleke Boehmer in Conversation
• Presentation by Campaign for Racial Awareness and Equality (CRAE)
• 'Writing on Race' roundtable discussion
• University of Oxford Bermuda History Event
• From Baltimore to Brixton
• A Literary Lecture and Reading
• A Night of Poetry and Fiction
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• Why Oxford Needs a Diverse Curriculum
• Film Screening 'When Voices Rise'
• Curriculum Reform Discussion
• Malcolm X Film Festival
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• My History, Our History
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• Workshop on Crises of Meaning and Political Theology
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• Call for Papers: OXFORD MIGRATION CONFERENCE
• Spaces of(Im) Mobility
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• Critical Technology
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• Meanings of ‘Sacrifice’ in Brexit Mythology
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• Science Fictions
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• The Delight of Recognition: Buko Pandan on "The Great British Baking Show"
• The Delight of Recognition: Buko Pandan on "The Great British Baking Show"
• The Delight of Recognition: Buko Pandan on "The Great British Baking Show"
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• The Archive, the Canon, and C.L.R. James's Dramas
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• Why Diverse Stories Matter
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• Callaloo at Oxford: November 2016
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• Ruth Simmons on Race and the Curriculum
• Nation, Commemoration and Armistice Day in the Caribbean
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• Race and Ethnicity in Higher Education Conference: Lessons for Oxford
• Black History Month Roundtable
• Wole Soyinka at Ertegun House
• Nisei Linguists: A Bridge Between Nations
• Robespierre and the Politicians' Terror
• Dystopia Today
• Walter Benjamin Meets the Cosmics
• Language, Crisis and Affect
• Exodus, Reckoning, Sacrifice
• Thomas Paine and Robespierre: the Terror of the Rights of man
• Emergency, Imagination, Management
• Philosophical Reading and the Ascetic Ideal- Nietzsche: Genealogy, Analogy, Logic
• The Apocalypse According to Carl Schmitt: the Principle of Katechontism
• The Apocalyptic Imagination Paranoia, History, and Violence
• Graphic Details: Jewish Women’s Confessional Comics in Essays and Interviews
• Quantifying Comics
• The TORCH Comics Network visits the Lakes International Comic Art Festival, 14-16th October 2016
• Comics and Graphic Novels: The Politics of Form
• Disaster Drawn: Comics and Picturing Violence
• Performing Form and Playing in Print: Comics in Oxford’s Other Paper
• Social Protest and History in Mexican Comics
• Undergraduate Double Session
• Steadfast Tin Soldiers: The First World War in Story Papers, Comics and Graphic Novels, 1914-2014.
• Singing Windrush: Calypso in Britain (Episode 1)
• Post-millennial Indian graphic novel
• Black Panther: Blackbird Leys
• The Cambridge History of the Graphic Novel
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• Beyond Words: Comics as a Tool for Social Inclusion
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• "Grandville and the Anthropomorphic Tradition"
• Graphic Narratives of Haiti
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• Dr Rosa Luxemburg: Indomitable Cartoon Superhero!
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• Becoming/Unbecoming
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• Cartoons and Comics as Social Commentary
• Divided Cities
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• Inkfish
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• The Greatest Team-Up Story Never Told: New Left / Underground Comix Affinities in the Late 1960s and After
• Notes Toward a Theory of the Global Graphic Protest Novel
• Comics and Human Rights
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• Mexican Comics
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• Trump in the Age of Captain America/Captain America in the Age of Trump
• Laydeez do Comics
• Michael Goodrum: '"Superman believes that a wife's place is in the home": Superman's girlfriend Lois Lane and the Representation of Women'
• Jennifer Howell: 'The Algerian War in french-Language Comics'
• Roger Sabin: 'The Origins of Comics Criticism'
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• An Evening with david Lloyd at the Pitt Rivers Museum
• Deudos: The Photography of Eduardo Lalo
• Talking Tibetan Identities
• Heaven-roofs and Holy Altars
• Conflict & Identity: confronting the past through education
• Epic Performances from the Middle Ages into the Twenty-First Century
• Volcanoes: Natural Disaster Narratives
• Drawing the Line: Toward an Aesthetic of Transitional Justice
• Singing in the Age of Anxiety
• Review of Black Oxford: The Untold Story of Oxford University's Black Scholars
• Robin Coste Lewis, Voyage of the Sable Venus (2015): 'Enough / Reframing the Past'
• Gaps Between Installation – Oxford City
• Vacancy: Administration, Data and Information Manager
• Women’s Studies and Gender Studies Roundtable
• Sahba Shayani and Victoria Van Hyning
• Representations of Women and Women's Cultural Interests
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• What is the Modern? Temporality, Aesthetics, and Global Melancholy (Video)
• People’s Landscapes: Beyond the Green & Pleasant Land
• Contested Landscapes
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• Humanities Innovation Challenge Competition 2019
• Focus on Research Africa (FORA)
• The Power of Randomness
• Applications Open: Humanities Innovation Challenge Competition 2019
• Humanities Innovation Challenge Competition 2019 Award Ceremony
• Where is Rousseau? Tracking Enlightenment discourse in the French Revolutionary period
• Homi Bhabha at Oxford
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• Professor Catherine Hall on Slavery, Race and Gender
• Freedom to Flourish: African American Writers in Paris
• Negroland, A Memoir, by Margo Jefferson
• The Displaced Mediterranean
• Exhibitions at Tate Britain and the Guildhall Art Gallery
• Trinity hosts Global South Visiting Fellow Eduardo Lalo
• Workshop Five - Drawing Wars: Art and Cultural Memory
• The Mask of a Very Definite Purpose
• The 19th annual APGRD/RHUL Postgraduate Symposium on Ancient Drama: Communities and Contexts
• Oxford University celebrates stronger ties with French researchers
• Classical Theatre and the Middle East conference: 'Greek drama and the "classic(s)" in the Arab-speaking world and Iran'
• Theatre and Performance
• Arts in the Alps
• Todd A. Borlik
• Knowledge Exchange: Theatre and Performance
• Rhodes Must Fall in Oxford – Some Reflections by One Member of the Movement
• Irenosen Okojie at St Hilda’s College
• Ta-Nehisi Coates’s Between the World and Me (2015)
• Professor Barbara Savage, Professor Merze Tate, and Black Women’s Intellectual History
• The Legacies of British Slave-ownership Project
• African Writers Imagining Children
• Sir Hilary Beckles: Slavery and Reparations
• Recent Research Activity by Programme Members
• Marlon James in Oxford
• The Untold Stories of Black Britain: An Evening with Cecile Emeke
• Cosmopolitanism as creative resistance in San Juan, Puerto Rico
• Bermuda history books to be housed at the University of Oxford
• Race, Resistance and the Archive
• Announcing the Race and Resistance Book Series at Peter Lang
• A Trip to the Library of the Spoken Word
• Kofoworola Moore at the University of Oxford
• Exhibit B and Human Zoos
• Race and Ethnicity in the Ancient Novel
• Imagining a Non-Colonial Oxford
• Paul Gilroy at All Souls: Writing the History of Antiracism
• Cultural heritage in (northwest) Washington, DC
• New Perspectives on Chinua Achebe, or the Writer Outside his Writing
• The King of Bermuda
• Hubert Henry Harrison: a giant unearthed
• Caryl Phillips at Queen’s
• In the Mind of Ralph Ellison
• Report on the Conference ‘Women in Transition: Crossing Borders, Crossing Boundaries’
• Campaigning for Curriculum Diversity at Oxford
• Homer in Harlem
• Ferguson: Transnational Activism and The Academy
• ‘Other’ Worlds in Emily Dickinson’s Poetry
• Selma Review
• Selma Review
• Louisa Olufsen Layne on Linton Kwesi Johnson
• A Tribute to Eric Anthony Abrahams – by his sister
• A Jamaican Childhood
• The Words that Shape the World: The Global History of the Book
• ‘X Week’ – Debating Race in Oxford, Britain and the World
• Stuart Hall at Merton
• Black Lives Matter: The Oxford/Ferguson Solidarity March
• Lynchings, Labour, and Cotton in the US South
• Chris Ofili at Corpus Christi
• Illegible Bodies in Ferguson, Missouri
• ‘More than Calypsonian’: Malachi McIntosh on Sam Selvon
• Imaobong Umoren reports from Harvard
• Welcome to 'Voices Across Borders'
• Reframing Wisdom Literature. Problematising Literary and Religious Interactions in Ancient Wisdom Texts
• Humanities and Healthcare
• The Ups and Downs of Co-Production
• The Remedy: Hinduism
• The Remedy: Introduction
• The Remedy: Christianity
• The Remedy: Humanism
• Reflections on Markets and Meaning Project
• Collaborative Decision Making
• Value Based Healthcare
• Empathy
• Diagnosis Related Groups
• Personalised Medicine
• Joshua Hordern Interview
• Compassion in Healthcare
• Knowledge Exchange Showcase: Andrew Papanikitas
• Interview with Professor Stephen Bergman
• Interview with Professor Stephen Lammers
• Interview with Dr Marion Lynch
• Interview with Dr Emma Mckenzie-Edwards
• An interview with Dr Andrew Papanikitas
• Interview with Dr Sophie Ratcliffe
• 'Identities: Personal, Local and Otherwise' Graduate Workshop
• The Future of Heritage
• Supporting Our Causes
• Heritage as Business
• Our Collections and their Audiences
• Land, Outdoors and Nature
• History, Vision, Ambition
• On the Case of a Missing Monument: The First Trusted Source Workshop
• Oxford-Berlin Research Partnership
• Trusted Source: A new collaboration with the National Trust
• Historic Partnership
• Moving, Teaching, Inspiring: The National Trust
• Have you ever researched a National Trust property or collection?
• CFP - Women and Violence in the Late Medieval Mediterranean, ca. 1100-1500
• Poster - CfP Women and Violence in the Late Medieval Mediterranean
• Review of "The Greens"
• Two reflections on 12 Years a Slave
• Dr Hakim Adi speaks to the Race and Resistance network
• Riots Reframed: A Review
• Women in Humanities Postdoctoral Writing Fellowship
• ‘A new history of female service in early modern England, 1550-1650’
• Congratulations to Sasha Rasmussen
• New Directions in the History of the British Women’s Liberation Movement
• CFP: Gendering Internationalism — Gendering Jewish Internationalism
• Supporting early-career academics in the humanities
• Two Opportunities from Women in the Humanities
• Imaobong Umoren: Impact Story
• Cultures of Exclusion in the Early Modern World
• Turning our common heritage into common knowledge
• VC's Innovation Awards 2018: Trusted Source Knowledge Transfer Partnership
• The Future of Heritage
• History, Vision, Ambition
• Land, Outdoors and Nature
• Our Collections and Their Audiences
• Heritage as Business
• Supporting Our Cause
• GLAM Digital Showcase
• Sheldonian Head Hunting: Dr Katrin Wilhelm, (School of Geography and the Environment)
• Women Gardeners c.1500-2000
• The Future of the British Countryside: Food Production
• National Trust Partnership Showcase
• English Chapels and Meeting Houses
• More than the Sport of Kings: How Horse Racing made the Modern World
• Compton Verney Art Gallery and Park
• Case Studies in Collaboration: Oxford University
• Oxford University and the National Trust: Collaborating for Change
• Heritage & Audiences
• Introduction to Heritage, Museums, and Galleries
• The Future of Heritage
• Supporting our Causes
• Oxford in Cambridge: Is there a future for the country house?
• Heritage as Business
• Our Collections & their Audiences
• Land, Outdoors and Nature
• Trusted Source Editors Circle: Publishing
• History, Vision, Ambition
• The South Downs: Nature, Culture
• Trusted Source article writing workshop
• Heritage and its Audiences
• Trusted Source article writing workshop
• Clash Of The Centuries
• Capability Brown: Visionary Or Vandal?
• Trusted Source Workshop
• Women in the Humanities Postdoctoral Writing Fellowships
• Announcement: Women in Humanities Graduate Award Holders Publish Article on the Women's Studies MS.T Course at Oxford
• 'The Field of Honour' by Edith Wharton in the TLS
• Imperial Identities: Intersections and Transformations
• Dr Imaobong Umoren to be first joint TORCH and Pembroke College career development fellow
• Women in the Humanities Visiting Fellowship 2016
• 3 Year Fellowship
• Postdoctoral Writing Fellowship
• Sexism in the Workplace
• Motherhood and Creative Practice
• Tackling Everyday Sexism in University Life
• Women & Humanities
• The Oxford Centre for Gender, Identity and Subjectivity
• Women Writing Across Cultures: Past, Present and Future
• Women and Humanities
• Performance and Queer Histories: From Shakespeare to Tchaikovsky and Marc Almond
• Nan Youngman (1906-1995): Artist and Educationalist
• Modern metamorphoses: interiority, commerce, and the Pygmalion myth in late nineteenth-century theatre
• Performing Glinka’s opera ‘A Life for the Tsar’ on the village stage
• Women's History in Britain and Ireland: Recent Developments and Future Trajectories
• Changing Herstory
• Gendering Internationalism - Gendering Jewish Internationalism
• Mobility, migration and place: locating female servants in the English community, 1550-1650
• Teenage Girls in the 1980s Feminist Sex Wars
• Gender and Subjectivity in Personal Testimony Workshop
• Leaving lunch for Dr Imaobong Umoren
• Women in Ireland during the First World War
• Feminist Thinking Graduate Conference
• Gender Equality in Oxford: How Far Have We Come?
• Feminist Fight Club Reading Group
• Women in Humanities Feminist Pedagogy Workshop
• Dr Emily Troscianko
• Networks and Programmes Officer, Maternity Cover (Part-Time)
• TORCH Annual Review 2017-18
• Feminist Fight Club
• Gender and leadership discourse at work
• Integrating female military peacekeepers: Lessons from Rwanda
• The Nature of Church-Based Global Relationships – Case Studies from the Worldwide Anglican Communion
• Routes into past selves? Collaborative workshop on sources and resources for subjectivity
• Hillary Clinton Killed Feminism? Gender, Leadership and the New Hampshire Primary
• Mutamma, Tamil Dalit spirit healer and community leader: a provocation to our received understandings of agency
• “Keep the Damned Women Out” The Struggle for Coeducation
• Inscribing Biographies in Global South History
• Teaching the Codex II
• Curating the exhibition 'Designing English'
• A Tiny Book of Hours
• Designing English Book Art Competition
• How to record music on the page
• A Birth Charm
• Medieval Song
• Teaching the Codex 1: Codicology
• Anglo-Saxon Chronicle reading
• The lark was my companion all the way: Linnaeus as Lyricist
• "After all, anybody is as their land and air is . . .": The Ground of the Modern English Novel
• Landscapes of the Mind in Scandinavian Landscape Painting
• Post-Global Aesthetics and the "Planetary Turn"
• Early Holocaust Narratives in Comics
• Comics & Travel
• Curatorial Research Microinternship - National Trust Partnership
• New Network Scheme - Trinity Term 2019
• Carolin Overhoff Ferreira - Audiovisual in the Lusophone World
• 2018 - 2019 | Professor Carolin Overhoff-Ferreira
• Masterclass Medingen Manuscripts
• Prison Abolition Reform Panel Discussion
• Imagining the Divine
• Representing the Dead
• Devotional culture in Late Medieval Strasbourg
• Book Launch: 'Kwame Nkrumah and the Dawn of the Cold War' by Marika Sherwood
• Crossing Boundaries: The OMS Launch Event
• Pop-Up Pop Reading Group
• Leaving the Caribbean for Britain Film Screening and Panel Discussion
• Making History: Alain Locke, Christian Cole and Oscar Wilde at Oxford
• Book Launch: In collaboration with the African Studies Center Race and Resistance presents: Africa on the Contemporary London Stage
• Shakespeare performances in the Painted Room
• Museum Lates
• Knowledge Exchange: Heritage
• Knowledge Exchange: Policy
• Knowledge Exchange: Health and Wellbeing
• The Misinvention of the Caribbean I: Columbus’s Diary and the Problems of Authorship
• The Misinvention of the Caribbean II: Conquest and Antiencounters
• Programme-Oxford Mysteries
• The British Misinvention of the Caribbean: The Colonizer´s Mind
• Asylum After Empire
• Diversifying the Portrait: image and identity
• On Invisibility and Agency of the Displaced: Between Hospitality and Asylum
• "Our Shelter is in Shreds": Deterrence, Destruction and Dispossession at the Post-Camp Calais Border
• Book Launch and Discussion. Lande: the Calais "Jungle" and Beyond
• Prof. Sue Gillingham with Andy MacKay (Roxy Music)
• Dr. Elizabeth Solopova's Wycliffite Bible project
• Henrike Lahnemann's lecture: Singing the Psalms
• The Materiality of Medieval Manuscripts
• Is somebody in there? Soliloquy in the Psalms.
• Writing Technology/the Technology of Writing
• ‘Transgressing Boundaries in Science-Fiction’ The Launch
• The Mark Whittow Memorial Conference
• Clara Schumann’s Piano Concerto, Op. 7: Public Workshop
• Oxford University Orchestra Concert
• What We Cannot Know
• What We Cannot Know
• Spotlight on Researcher Development: Preparing for the US Academic Job Market
• Ted Hughes: The Unauthorised Life
• Ted Hughes: The Unauthorised Life
• Lesbian Mothers and Practices of Conception in Post-war Britain
• Theatre & Performance reading group: Ecocritical approaches to performance
• Theatre & Performance reading group: Documentary theatre
• Theatre & Performance reading group: Tragedy
• The ‘King of Peace’ off Track? The Provoking Strategies of James I’s Diplomats in Germany
• 'Banning Bossy' and 'Leaning In': Girls' mediated ideas of leadership
• Women in Humanities Meet and Greet Lunch
• Research Brief Encounters
• Leadership & the Media: Gendered Framings of Julia Gillard’s ‘Sexism & Misogyny’ Speech
• At the Frontlines of Change: Feminist Leadership Transforming Lives
• Challenging Inequality
• Are We 'Trading' Women's Rights in Transitions?
• Woman's Suffrage, Emily Wilding Davison and St Hugh's
• Rethinking the politics of race and gender in England after 1968
• Indian ‘Suffragettes’ and the Imperial Hierarchies of Race
• First-year students working in Women's History and Gender History present their work
• Becoming Global Race Women: Travel, and Networks in the Long 20th Century
• Writing an undergraduate thesis on Women's History and/or Gender History
• Re-thinking Slavery and Freedom: Or what is a man?
• International Women's Day 2016 - Women in the Academy
• CGIS Special Event to mark International Women's Day
• D’un Matin de Printemps
• UK-China Humanities Alliance - British Academy
• Call for Applications - UK-China Humanities Alliance - British Academy
• First Awards from TORCH Heritage Seed Fund
• Call for Participation: ESRC Festival of Social Sciences
• Writing Histories of Lesser-Known Literatures: Being Poland
• The Violet Postage Stamp
• Landscape in Chains (Landschaft in Banden)
• Weidenfeld Lectures: The Aerial Warfare of Images (Im Luftkrieg der Bilder)
• Weidenfeld Lectures: For the Dying Calves (Für die sterbenden Kälber)
• Sharing Tacit Knowledge through Literature
• Notre Dame should not be restored – let it stand as a symbol of a flawed way of life
• OCCT Discussion Group
• OCCT Discussion Group
• Mellon Funding: Humanities and Identities Conferences and Workshops
• CPAGH Booklet new
• CPAGH final timetable
• Automating Gendered Inequality: The challenge of everyday AI
• Imperialism, Colonialism and Postcolonialism in the Byzantine World
• OCCT TT Week 0 2019 Updates
• Four Days in May
• A panoramic view of the search of new characters, plots and utopias in contemporary Brazilian audiovisual culture
• Between political and aesthetic efficacy: 40 years of audio-visual practice in lusophone Africa
• Portugal, Europe and the World – Geopolitics and the Human Condition in Manoel de Oliveira’s films
• Mobility and its Discontent – the poetics of Lusophone films on migration
• Presentation of film - Sophia de Mello Breyner Andresen (1969)
• Press Release for Eduardo Lalo
• Cyborgs Now: Haraway for 2019
• Becoming Cosmopolitan
• Writing with Robots
• Exploring the role of imagination in thinking about the future
• Stefano Evangelista
• All the World's a Page - How to Travel the World with Literature
• Photos from All the World's a Page Project
• Oxford-Berlin-Padua Research Network- Mobility in Historical Perspective
• Current challenges facing DH scholars at Oxford
• Creating 21st Century Infrastructure for Digital Humanities Scholars at Oxford
• Digital Approaches to Museum Collections: From Access to Analysis
• Digital Humanities Graduate Research Seminar
• SciPo Network Launch
• SciPo Roundtable: Poetry, poison and drugs.
• SciPo Roundtable: Poetry, plants and the non-human
• Laura Leibman, Creolizing Country Homes and the Dutch Jewish Pastoral
• Paolo Pellegrini, Places, Symbols and Images of an Elite: the Country Houses of the Italian Jewish Nobility
• Lisa Silverman, Property and Jewish Self-Fashioning in Provincial Austria
• Lisa Leff: A Jewish and Republican Chateau: Jacques de Reinac in Nivillers, France 1882-1892
• Todd Endelman, Disraeli at Hughenden: - a Fish out of Water
• Martin Sabrow, Schloss Freienwalde: a Jewish Restoration of a Prussian Legacy
• Silvia Davoli and Nino Strachey: ‘In Walpole’s Footsteps – Braham and Stern at Strawberry Hill’
• Tom Stammers, Old French and New Money: The Singer Family in Britain
• Olga Medvedkova, Renaissance as Locus: Bakst and the Imaginary Chateau in the Sleeping Beauty Panels
• Pauline Prevost-Marcilhacy: The Castle of Ferrières, an Emblematic House
• Jane Stevenson, Philip Sassoon: Perfectionism and the English Country House
• Alice Legé, ‘Torre Alfina: A Cahen d’Anvers Manor in Italy’
• Mimi Schmidt: ‘Sommerfrische, Connoisseurship, Scandal and the Temporary in the Jewish Country House in Austria’
• Diana Davis:‘Gunnersbury Park, 1835-1925: a Rothschild Family Villa’
• Digital Humanities Graduate Research Seminar
• Digital Humanities Graduate Research Seminar
• Call for Dungeons and Dragons Masters: History of Science Museum
• Digital Humanities at Oxford Summer School 2019
• Culture and Resistance in the Lusophone World
• Poster of 'Culture as Resistance in the Lusophone World'
• Creative Writing Workshop with Eduardo Lalo
• Fiction & Human Rights Network: Zorba the Greek by Nikos Kazantzakis
• Film Screening: The Foreigner's Home
• Human (A)Intersections
• TORCH Presents: Life and Death at the Offbeat Festival
• Call for Applications - International Political Debate 24-26 June, Estoril
• Oxford Mathematics Public Lectures: Graham Farmelo - The Universe Speaks in Numbers
• Violence Studies Oxford
• Negotiated Texts Network: Presenting the Records of Historical Decision Making
• Global Humanities Institute "Theoretical Issues, Practical Densities: Violence, Memory, and the Untranslatable" - Participants Announced
• One-Day Symposium: Writing Black Women’s Lives: Present and Past
• The Battle of the Bogside
• 'Look Behind You! Reconstructing the Troubles'
• "'An Army of Tribes: British Army Cohesion, Deviancy and Murder in Northern Ireland"'
• "'Bearing a banner for the IRA"?: The 'Troubles' and the Catholic Church of the United States of America
• Gender (in)equality in the Humanities?
• Women in Publishing
• Wharton in Wartime
• Women in Humanities Meet and Greet Lunch
• Oxford Women in Politics with Dr. Anne-Marie Slaughter
• Women and the Canon
• The Global Rentier Economy and the Rise of Inequality
• What were the 1990s? Utopia and the End of History
• Faith and Reason: The ‘Double Truth’ in the Arabic and Latin Traditions
• Beyond the Binary Researchers’ Workshop
• Former TORCH Global South Fellow is curator of Ghanaian Pavilion at Venice Biennale
• Women’s Spaces, Pleasure, and Desire in the Belle Époque
• Job Opportunity: Research Skills Trainers, National Trust Partnership
• Lunchtime Meeting for Women Working in the Humanities
• Imperial Identities: Intersection and Transformations
• Postgraduate and Early Career Researchers Lunchtime Meeting
• Research Brief Encounters
• Druisilla's Inheritance: Possessing and Transmitting Power in Caligula's Rome
• Early Career Gender, Women and Culture Seminar
• On Toni Morrison and Love
• There Are Two Sexes: On the Thought and Commitments of Antoinette Fouque
• Women's History Dissertation Workshop
• Julia Kristeva's (Controversial) Contribution to Identity Politics
• Teaching to Transgress
• Gender, Identity and Subjectivity
• Research Brief Encounters
• Gender, Women and Culture Seminar
• Feminism in Oxford
• Gender, Identity and Subjectivity
• The Tyranny of the Perfect: Competitive Femininity in Neo-­Liberal Times
• Gender, Identity and Subjectivity
• Gender, Women and Culture Seminar
• Library Acts: Rewriting Gender in Victorian Reading Spaces
• Gender, Identity and Subjectivity
• Gender, Identity and Subjectivity
• Gender, Women and Culture Seminar
• Early Modern Foreign Queens Consort – Agents of Cultural Transfer
• Gender, Identity and Subjectivity
• Gender, Identity and Subjectivity
• Gender, Women and Culture Seminar
• Gender, Identity and Subjectivity
• Women's Work and Structural Change
• Gender, Literature and Culture Seminar
• Gender, Literature and Culture Seminar
• Hadewijch Film Screening
• Feminism in Theory and Action
• Gender, Literature and Culture Seminar
• Gender and History Workshop
• Thoughts about Secularism and Gender Equality (With a Focus on France)
• Women Writing Across Cultures
• Gender, Literature and Culture Seminar
• GENDER EQUALITY NOW!
• Gender, Literature and Culture Seminar
• Symposium on the Status of Female Genital Mutilation in Senegal and Liberia
• About Abortion: a Workshop with Carol Sanger
• Syria Trojan Women
• Call for Researchers for “Oceans and Islands” Late Night at the Museum of Natural History
• Gender, Women and Culture Seminar
• Gender, Literature and Culture Seminar
• Gender, Women and Culture Seminar
• Gender, Literature and Culture Seminar
• Gender, Women and Culture Seminar
• Coming Off Clean
• Gender, Women and Culture Seminar
• Gender, Literature and Culture Seminar
• Public Engagement Opportunity for Researchers: Lunar Activity Day
• Arts Patronage in Modern America: An International Conference
• Gender, Women and Culture Seminar
• Gender, Literature and Culture Seminar
• Gender, Women and Culture Seminar
• Gender, Literature and Culture Seminar
• Gender, Women and Culture Seminar
• Gender, Literature and Culture Workshop
• Gender, Literature and Culture Seminar
• Ana Luísa Amaral Poetry Reading
• Gender, Literature and Culture Seminar
• Historians, invisible women and the world of stories
• Call for Papers: Futures Thinking Inaugural Conference
• 'We Are Not Princesses' Movie Night
• Ego Media: Networked Narrative and Small Stories
• Poetry Reading by Weidenfeld Professor
• OCCT TT Week 2 2019 Updates
• OCCT TT Week 1 2019 Updates
• OCCT Discussion Group
• OCCT Discussion Group
• Oxford Migration Conference: Spaces of (Im)mobility
• Poetry in Motion – spoken word and hip hop performances
• The Language of Love - Shahram Nazeri with Mana Ensemble
• Biology at the Edge of Life
• Prof. Deborah Levitt: Rendering Life-Worlds
• An Evening with Tom Gauld
• Student Entrepreneurs Programme
• The Cognitive Empire: Struggles for Cognitive Justice and Global Peace
• Gender, Literature and Culture Seminar
• Gender Inequality in the Humanities
• Women's Responses to the Reformation Report
• A Tale of two Sicilies
• PAGET TOYNBEE LECTURE 2019
• Women’s Spaces in Sound
• PER Forum - Develop your Impact Case Study for REF 2021
• Call for Humanities Researchers Interested in Social Prescribing
• PER Forum - Develop your Impact Case Study for REF 2021
• Panpsychism and Speculative Evolutionary Aesthetics
• WWI: The Cultural Front
• What are women researching in the humanities at Oxford?
• Teaching to Transgress: Twenty Years of Women's Studies at Oxford
• Research on Edith Wharton
• Research on War-Era Women Weavers
• Dr Max Price: Decolonisation Dilemmas: Challenges for University Leadership
• ISTROX at Weston Library – part of BABEL: ADVENTURES IN TRANSLATION
• Deciphering the Uncertain: Conference
• Poster of 'We Are Not Princesses' Movie Night
• Investigating Gender: Sources and Approaches
• TORCH International Partnership Guidelines
• Medieval Studies and the Far Right Conference
• International Officer (Part-Time)
• OCCT TT Week 3 2019 Updates
• Oxford Translation Day 2019
• 2019-20: Our Narratives: The Education of Refugee Young People
• Position Available: Conference Assistant
• Northern Ireland Troubles 50th Anniversary series
• Perlego: Methods of Research in Literature and the Visual Arts
• Head of Centre for Digital Scholarship and Digital Humanities Support
• Colloquium: Solitude and Modernity
• The Education of Unaccompanied Migrant Young People
• Transgender Refugees and the Imagined South Africa
• Marcus du Sautoy - The Creativity Code: How AI is learning to write, paint and think
• CPAGH Conference, May 2019
• Women and Power: The Women who Shaped the National Trust
• Women and Power: Changing the Stories We Tell Ourselves
• Women Making History: The Leaders of Today
• Women and Power: Redressing the Balance Keynote
• Women and Power: Redressing the Balance – closing remarks
• People's Landscapes: Contested Landscapes
• Women & Power: Reflections by Helen McGhie
• Futures Thinking Inaugural Conference
• The French Parliament & the European Union. Backbenchers’ blues
• Al Amparo de FECUN. Catholics against Franco
• 2019 | Renaissance Conservations
• Victoria and Albert at Osborne
• Women & Power: Reflections by Anna Fielding
• Women & Power: Reflections by Dr Emily Scott-Dearing
• Cross-European perspectives on the Enlightenment: Academic events at the Voltaire Foundation in early 2018
• Poetry in the digital age: the Digital Miscellanies Index and eighteenth-century culture
• The shadow world of the Encyclopédie’s planches
• ‘French dog!’: interpreting insults on the streets of London
• The Future of Ruins Past: Syria and Italy
• Émilie du Châtelet, forgotten encyclopédiste?
• Learning art in Rome… à la française
• Pierre Bayle: A Pre-Enlightenment Luminary
• From battered wife to major writer: Madame de Graffigny and her tell-all correspondence
• All the World’s a Page – How to Travel the World with Literature
• AfOx - TORCH Visiting Fellowships
• Press release for AfOx - TORCH Visiting Fellows
• Anthropometamorphosis
• OCCT TT Week 4 2019 Updates
• (M)uchenik (The Martyr)/The Student
• Imed Ben Jerbania - Punic Archaeology
• Josephine Crawley Quinn
• Recent excavations at Punic and Roman cemeteries in the region of Bizerte (Tunisia)
• Vincent Roy- Di Piazza - The Oxford Venice Initiative Blog Report
• Photos of Visiting Studentship in Venice- Vincent Roy- Di Piazza
• BEYOND BRIDESHEAD: QUEER OXFORD, 1919–1945
• Brexit and the Speaker’s Tale
• In Dialogue: An Evening of Conversation between scholars of Byzantium and of Medieval Europe
• Andrew Wilson
• The teenage dandy's tale: how a female biographer saw Chaucer afresh
• Lecture-recital of medieval song
• Where next for Medical and Health Humanities at Oxford?
• Black Female Intellectuals in the Historical and Contemporary Context: Barbara D. Savage In Conversation with Bonnie Greer
• Network Event: AHRC-funded research project Black Female Intellectuals in the Historical and Contemporary Context
• Book at Lunchtime: Lande: The Calais 'Jungle' and Beyond
• Book at Lunchtime: Chaucer: A European Life
• Book at Lunchtime: India, Empire and First World War Culture
• Book at Lunchtime: Celebrity Culture and the Myth of Oceania
• TORCH Theatres Seed Fund
• TORCH Theatres Seed Fund: New Fund to Support Research-Led Theatre Collaborations
• Aida Edemariam: Learning to Listen
• 2018 - 2019 | Imed Ben Jerbania
• Theatres Seed Fund Guidelines June 2019
• Rediscovering the ‘Tophet’: New Excavations at the Sanctuary of Baal Haamon at Carthage
• 2019 | Professor Audrey Mbogho
• 2019 | Dr Eniola Olamide Boluwaduro
• 2019 | Stephen Olusegun Titus
• Volunteering Opportunity: Whose Histories? Authenticity and the Future of Country House Visiting
• Closing the Door: Complaint as Diversity Work
• Derek Attridge 'The Experience of Poetry' Book Launch
• Multaka-Oxford Networking Day
• Image and Object: Collaborations and Confrontations in Art and Science
• Workshop: Livelihoods and Socio-Economic Inclusion of Syrian Refugees in Host Countries
• Women & Power: Reflections by Isabelle Staniaszek
• Women & Power: Reflections by Kathy Keown
• Women & Power: Reflections by Laura Hampden
• Women & Power: Reflections by Lynsey Rutter
• Women & Power: Reflections by Polly Richards
• Women & Power: Reflections by Rachel Crossley
• Women & Power: Reflections by Victoria Fischer
• TORCH Knowledge Exchange Projects Fund
• Professor Sally Shuttleworth featured in Financial Times
• Harry Potter tour at the Ashmolean
• Call for speakers: Cold War and the Arts
• Nana Oforiatta Ayim
• Rosinka Chaudhuri
• Jok Madut Jok
• Professor Marcio Goldman
• Professor Supriya Chaudhuri
• Siri, What is Reading?
• OCCT TT Week 6 2019 Updates
• OCCT TT Week 5 2019 Updates
• John Bush - Walking on water: from biolocomotion to quantum foundations
• 'Landscapes of the Mind in Scandinavian Landscape Painting’
• Appropriating Lesbianism, from Donne to Cleland
• Superstudio: Salvages of Historic Centres, Italia Vostra, Italia Nostra and the paradox of conservation
• Storming Utopia
• Storming Utopia: More's Utopia in the Age of Brexit
• Storming Utopia: Cast Reflections
• Objects and us
• Objects and us
• Objects and us
• Kristina Gedgaudaite
• Teresa Ferreiro Peleteiro
• Transforming 19th-Century HIP
• Creative Industries
• The Jewish Country House in Europe
• People's Landscapes: Creative Landscapes
• International Fellowships
• 2019-20: Fostering a Shared Understanding of Educational Success for Children in Care
• 2018-19: Broadening Understanding of How US Constitutions are Written
• Oxford’s National Trust Partnership wins Knowledge Exchange Award
• 2018-19: Understanding Visitor Engagement of Free Heritage Sites Using Social Media
• International Partnership Scheme
• 2019-20 (ext. -2021) | The White Rose Project
• 2019-20 (ext. -2021) | English Tunebooks of the Eighteenth Century
• 2019-20 (ext. -2021) | HIV/AIDS in Greece: A political archive
• 2019-20 (ext. -2021) | Ubharte Rehnuma: Prospects and Pathways for Muslim Family Law in India
• 2019-20 (ext. -2021) | Women’s Suffrage and Colonialism: New Perspectives and Collaborations
• 2019-20 (ext. -2021) | Marie Antoinette: A Life in Objects
• 2019-20 | Scoring the City
• 2019-20 | Evaluating the Ethics of State-Based Strategies for Reducing Per Capita Meat Consumption
• 2019-20 (ext. -2021) | Music Egypt Project
• Uncomfortable Oxford: Explore
• Immersive Technologies, Destination Oxford: A taste of Virtual Reality and Augmented Reality for Newbies, Veterans and Futurists
• Racism, Repression and Resistance
• EXPO x Explore Ensemble: Augmented Instruments
• ‘Women’s Spaces, Pleasure, and Desire in the Belle Époque’ Conference
• OMS Small Grants
• Artificial Intelligence in the World of Languages
• Article: 'Modi’s re-election could turn the world’s biggest liberal democracy into an illiberal one'
• PER Leadership Scheme
• Mobility and Migration Research Day
• Recital
• "Within my heart a blind bird is imprisoned"
• A Talk by Frances Watson
• The White Rose Project Exhibition
• The Foxes of Oxford
• Brahms and Beyond
• Oxford song Network Masterclass
• Down the Rabbit Hole: How Can Creativity Solve Wicked Problems?
• Recital of American Art-Song
• Revolution in Russia
• Mahler: Reader, Thinker, Composer
• Baudelaire: From the Depths of Beauty
• Masterclass with Stephan and Natasha Loges
• Roderick Williams (Baritone)
• Hands, Gestures, Voices
• Japanese Song
• Schumann's Song Cycle
• Late Style and Legacy
• Schumann's Friends and Followers
• Lyric and Lyricism Conference
• Skippin' Reels of Rhyme: Bob Dylan's Mr Tambourine Man and America's Whimsical Dream
• Leaping from the Edge of the World: Ulrike Draesner in Oxford
• The Mystery of the St Mary's Hall Tapestry - Pulling the Threads Together
• Creativity and AI
• Analía Gerbaudo
• OCCT TT 2019 Week 8 Updates
• Oxfordshire and the British Empire
• Dreaming Ideas into the World: How Science, Technology, and Imagination Create Modernity
• National Trust Partnership showcased in NCUB 2019 Report
• Unlocking Musicology: Narratives through Data
• Call Me By Your Name / Find Me
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• World Philology
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• Art of the Lost
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• JEANETTE ATKINSON
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• CPAGH at the Pitt Rivers Museum, March 2019
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• Watch Now: People's Landscapes series with the National Trust
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• WILDLIFE IN THE ANTHROPOCENE
• “My Garden, an overgrown Swamp” – Botanical Imagery and Environmental Thought in Droste-Hülshoff’s poetry – 11th June 2019
• 2019 | Phenomenology and Nursing: International Workshops
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• The Social Life of Modernism: Conversation, Literary Community, and Espionage in 1930s Calcutta
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• Extinctions! Invasions! The Wild Side of Hopes and Fears
• Hope and Fear at Crossbones Graveyard
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• Ancient Music and Theology Workshop: Opening a dialogue
• Ancient Music and Theology Workshop: Opening a Dialogue
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• Identity beyond Borders: Ethnicity in the American Pacific
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• Theatre on the Move in Times of Conflict (1750-1850)
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• The noise that keeps me awake at night
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• The Oxford-Venice Initiative: Funding for Collaborations with the Fondazione Giorgio Cini
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• Reflections on the "Pilgrimage and the Senses" Conference (7 June 2019)
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• 'A Buzz in the Woods': SciPo Bee Walk and Poetry Workshop at Wytham Woods - 26th May 2019
• Chinese Characters
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• Ancient Greek Drama in Latin 1506-1590
• Celebrating 100 years of Women’s Suffrage
• Year 12s hear Mary Beard in Conversation with Neil MacGregor
• TORCH Annual Review 2016-17
• Global and Comparative Feminisms in the Long C19th
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• What's in a (Greek) name?
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• Nations and Ethnicity in Humanities and Social Sciences
• TORCH Welcomes Bishop Libby Lane
• TORCH Being Human Festival SOLD OUT
• The Languages of J. M. Coetzee
• Project focuses on diversity in 'British literature'
• Public Engagement with Research Seed Fund
• Brave New Books Exhibition
• University of Oxford Community Fair
• Curiosity Carnival Comes to Town!
• Hidden Stories
• Exploring Sicilian Epigraphy Exhibition Opens in Italy
• Call Out for Contributions from Oxford Humanities Researchers
• The Making of the Humanities VI
• Lost Late: Being Human Festival 2017
• CfP: UCL Society for Comparative Cultural Inquiry
• Ancient Greek Music: hearing long lost sounds again wins University Public Engagement Award
• Lest We Forget
• Gaps Between Installation launches in Oxford city public spaces on 14th June 2017
• Awardee of Inaugural Stuart Hall Doctoral Studentship
• Complexity in our Multiple Identities
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• Gender and Inequality
• Dr Marie Tidball Awarded Mellon 'Humanities
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• ROG 350 Sackler Research Fellowships
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• Towards a diverse university: lessons from the Global South
• The Handlebards: Twelfth Night
• 2019-20 | Journeys to Oxford
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• Labelling Matters
• Recently awarded Knowledge Exchange Projects
• Holly Knights
• Dr Hanna Smyth
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• Call for Applications: Study Trip to Brussels 24-25 October 2019
• Ashmolean After Hours, 29 November 2019
• Call for Participation: Oxford Equality & Diversity Research Study
• Connect with the AfOx-TORCH Visiting Fellows!
• READING BASS CULTURE: LINTON KWESI JOHNSON IN CONVERSATION WITH PAUL GILROY
• Dr Anbara Khalidi (Maternity leave until June 2025)
• Exhibiting at Wolfson College
• Call for Participation: Violence Studies
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• The Practice of a University: A New Critical University Studies Collective
• Introduction: Medical Humanities
• India: why a new law criminalising Muslim ‘instant divorce’ has divided feminists
• Many more to come? Reflections on migration to Europe and migration policy responses 2015-2019
• Oxford Mathematics Public Lectures
• Professor Michèle Mendelssohn awarded TORCH-Pitt Rivers Museum KE Fellowship
• The Making of Humanities VI
• Whither Death?
• Giving a voice to ancient Egyptian poetry
• The Role of Identity Politics in Global Governance
• The shock of the new: cultural amnesia, trans erasure, and what we can do about it
• Writing the History of the Raj
• What are women researching in the Humanities at Oxford?
• Women, Authorship, and Identity in the Long Eighteenth Century: New Methodologies
• Out in Oxford
• Oxford - FAPESP collaboration scheme
• EMPRES Presents: The Art of Noises IV
• Beyond the Island: New Music for Gamelan and Prepared Piano
• The Crane: Music from Armenia | Gascia Ouzounian (violin) and Eve Egoyan (piano)
• "50s Year After Stonewall" - International Conference and Reception at the Scottish Parliament
• Paris Institute for Advanced Study
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• Beyond Between Men: Homosociality Across Time
• The 42 Bedford Row Disability Law Essay Prize 2017
• Great Transitions
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• Language, Mobility and Belonging
• No, this isn’t the 1930s – but yes, this is fascism
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• Death in Venice
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• Life-Writing Surgery with Sally Bayley and Tony Gray
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• CHAPEL 300: Celebrating three hundred years of the Chapel at The Queen’s College, Oxford.
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• Digital Editions Course
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• CANCELLED: Beethoven 2020: 250th anniversary, Phoenix Piano Trio, Part 2
• CANCELLED: Beethoven 2020: 250th anniversary, Phoenix Piano Trio, Part 3
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• Creative writers from around the world coming to Oxford
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• Callaloo coming to Oxford
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• Queer Sex Work Panel
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• Clandestine Acts: The Global Journeys of Literary Theory
• Black History Month Lecture Follow-up Discussion
• Uncomfortable Oxford
• Black Women’s Writing as Resistance
• Academic Speed Dating
• Film Screening Carla's Song
• Trans-Inter-Queer: On Three Eras of the Seeable and Sayable in Visual Cultures
• Trans Structures of Feeling: From Cinema to Portraiture
• The Gaps Between Installation
• Map of The Gaps Between Installation
• Migration, Memory and Identity
• Multaka-Oxford
• How did she know Five portraits of Oxford Women
• Moonlight: Christmas Light Festival
• Multaka-Oxford
• Multaka Tours at the History of Science Museum
• Bibliotherapy Workshop
• Multaka: Connecting Threads
• Multaka Tour Pitt Rivers
• Calculus of the Nervous System
• Plants, Brain and Imagination: Poetry Workshop
• Complexity Science and Past Complex Systems
• Oxford Uehiro Prize in Practical Ethics
• Longform, a recent collection of Indian comics
• Emergence: Songs to Poems by Emily Dickinson
• Old Norse Poetry in Performance Conference
• OCCT MT 2019 Week 2 Updates
• Call for Proposals: Biennial Medieval Insular Romance Conference
• Tim Middleton
• TORCH Communications and Events Officer
• Into Silence - Silence & Mindfulness
• PERLEGO Methods of Research in Literature and the Visual Arts
• AHRC-TORCH Graduate Fund Application Form
• AHRC-TORCH Graduate Fund Application Guidance
• Nicholas Cole
• Frank Egerton
• Jonathan Prag
• John Pybus
• John Southall
• Tara Stubbs
• Public Engagement with Research Seed Fund 2019
• Boethius’s Arithmetic and Priscian’s Ars Grammatica in the Imperial Library of Otto III at Rome, c.1000
• Early Medieval Britain and Ireland Seminars
• Interdisciplinary Graduate Networking Event
• Network Social
• Early Medieval Britain and Ireland Network Michaelmas Term 2019
• AI Storytelling & Shakespeare: Humanities meets the Creative Industries
• Conference Report: Found in Translation
• Europaeum Study Bursaries 2019/20
• Research on the Country House: A work-in-progress afternoon
• Understanding Authenticity in China's Cultural Heritage
• Yangshao Culture and Painted Pottery: Understanding, Preserving and Presenting the Past
• Project Round Table
• Reinventing Art History: Forgery and Counterforgery in Early Modern Chinese Art
• CANCELLED: Understanding Authenticity in China's Cultural Heritage
• I Fagiolini: Leonardo – Shaping the Invisible
• Alice Evatt
• The SOAS-Oxford Research for Development (R4D) lunchtime series
• Theatre & Performance Network social
• Queer Sex Work Reading Group
• OCCT MT Week 3 Updates
• Simon
• Dan Hodgkinson
• 'SUD' by Chantal Akerman Screening
• Policy engagement: an introduction
• Policy engagement: an introduction
• Edward Greene Memorial Lecture
• People who have changed the World
• Film Screening of 'The Royal Exchange' ('L'échange des princesses' France, 2017)
• Lunchtime discussion workshop on Approaches to Identity
• CGIS-CGH Autumn Colloquium on Intersubjectivity
• Wiccan, Hulking and Batwoman: Gendered Representation in American Superhero Comics
• Ashmolean After Hours, 31 January 2020
• Ashmolean After Hours
• Ashmolean After Hours
• Ashmolean After Hours
• A FILM DISCUSSION EVENING ON: SHELTER WITHOUT SHELTER
• OCCT MT Week 4 Updates
• CGIS-CGH Autumn Colloquium on Intersubjectivity Programme
• AfOx Insaka
• Islamic Art and Thought
• Writers Talk - Rebecca Abrams
• Arabic Epigraphy and Palaeography Reading Group - MT2019 and HT 2020
• Part-time Heritage Programme Support Officer
• TORCH Director
• Sensing the Sacred: The Materiality and Aurality of Religious Texts
• Dr Stewart Brookes: Hebrew Palaeography and Iconography from a Computer-Assisted Perspective
• The Oxford Mystery Cycle: Year 2
• Academic Champion: Networks and Partnerships
• PER Conference 2020
• Internship: Heritage Open Days Research Intern
• 'What's in a Village? - Tracing Landscape and Settlement Change across the Elgeyo Escarpment of Northwest Kenya’
• Environmental Humanities Lunchtime Walk
• Daniel Grimley
• Plants, Geology and Poetry at the Natural History Museum
• Funding Call: Japan Society for the Promotion of Science (JSPS) Postdoctoral Fellowship Programme for Overseas Researchers 2020
• Publication of Michael Kuczynski's "Glossed Wycliffite Psalter"
• Arabic Epigraphy and Palaeography Reading
• Post -War Commemoration Concert
• OCCT MT Week 5 Updates
• Open Access books ‘author toolkit’ workshop
• HE-BCI
• Documenting Multiculturalism in Norman Sicily and the Islamicate East
• Do you think about the future? Join us!
• Chaucer: A European Life
• New Network Scheme - Hilary Term 2020
• Humanities Cultural Programme - Project Funding Call
• Humanities Cultural Programme - Visiting Fellowships
• Making The Cellist
• DANSOX presents: Sir Richard Alston and Professor Stephanie Jordan.
• Applications Open: Global South Visiting Professorships 2020-2021
• Multilingual Identities in Francophone Indian Literature: Ari Gautier in Conversation
• OCCT MT Week 6 Updates
• Voltaire Hackathon
• TIPPING POINT: Our World in Crisis
• Moving together: Alleviating loneliness through an interdisciplinary music- and dance-based intervention programme
• Oxford Mathematics Public Lectures
• Oxford Mathematics Public Lectures
• Oxford Mathematics Christmas Public Lectures
• Brazil Week: Film screening of Durval Records
• Communications and Events Officer
• When The War is Over: Burying The War Dead In 1919
• Anglo/Belgian Research Exchange
• War as Revolution, 1914-1923
• Conflicting Memories
• Conscription and its Malcontents in The First World War
• Relating to the Dead
• Empires and Occupations
• The First World War and the Avengers of 1870
• Merciless Humanitarians
• CANCELLED: LAST NIGHT OF 'LANDE' | The CALAIS 'JUNGLE' and BEYOND
• The International Humanitarian Network Behind the British Parliamentary Report on the Armenian Genocide
• Know Your Enemy
• How Many Beginnings?
• 100th Anniversary of Ordination of Constance Coltman
• All That Perishes at the Edge of Land: a film by Hira Nabi
• Apparitions at Fatima, 1917-2017: A Century After the “Miracle of the Sun”
• The White Rose Symposium - Call for Papers
• The Changing Character of War Programme
• The First World War and the Americas
• The Wartime Hunt for Traitors and the Future of Austria-Hungary
• Empowering Heritage With Data
• Enemy Rule
• Women in Ireland During the First World War
• Underperforming or Overachieving? The French Army in 1917
• Diagnosis Psychopath?
• Sergeant York
• Demonstration of Cabinet
• America and the Treaty Of Versailles
• Music and Morale in the British Army, 1914-1918
• Wings
• The Nye Commission and America's Entry into World War One
• From Bandage Wallahs to Knights of the Red Cross
• Worcestershire’s Women: Local Studies and the Gender Politics of the Great War and its Legacy
• O Say Can You See?
• The Big Parade
• Ego-Documents and Official History: Crown Prince Rupprecht of Bavaria’s Diary and the Battle for Memory, 1914-39
• Shoulder Arms
• Oxford Weidenfeld Translation Prize 2020
• Deeds not Words
• The Fortress: A Case Study of Total War in The East, 1914-15
• Enmity or Empathy? Jacques Rivière’s L’allemand
• Kde Domov Muj and Wacht am Rhein: Singing Loyalty and Disloyalty in Habsburg Bohemia During the First World War
• Rescuing Maritime Strategy from the Continental Commitment: Julian Corbett's Analysis of Gallipoli and Jutland in the Official History of Naval Operations
• The Men Who Went to War
• A Weekend to Remember
• Scholarly Identities in War And Peace: The Paris Peace Conference and the Mobilization of Intellect
• Oxford at War 1914-1918 Roadshow
• 11/11
• International Society for First World War Studies Conference
• Victorious in Name Only: The Portuguese Republic and its Empire At War, 1916-1918
• Tabriz Under Two Rival Empires: Ottomans and Russians During the Great War
• Dr Andrea Caracausi
• Learning to Move on the Parade Ground in the British Army 1914-1918
• Inventing the Front: Cognition and Reality in the Great War
• Niccolò Caramel
• Commemorating the New Zealand Soldiers Buried at Botley Cemetery
• Luca Farina
• 66 Men of Grandpont
• Comparative History of the First World War: Current Challenges; Future Horizons
• Making Time Move: Temporal Structures and Visions of the Future in WWI Internment Camps
• Silence(s) and the Great War
• The Indian Sepoy in Cultural History: Words, Images, Music
• Nineteen Fourteen and the Enigma of Casual History
• The Geometry of Memory
• The Dynamics of War and Peace: Drama, Poetry, Music And Dance
• Complicity, Criminality and Resistance Beyond the Trenches: French Conduct and Perceptions in the Occupied Nord in the First World War
• Violence as Spectacle: Exhibiting the Great War in The British Empire
• China’s New Culture Movement in 1919 – A Roundabout Ramification of World War I
• Performing Propaganda: Music and National Identity in Paris and London, 1914-1918
• Hu Jianwen
• Cecilia Molesini
• Paola Molino
• Internment and the Fall of the German Empire 1914-1920
• Dr Tania Rossetto
• End of a Paradigm? The Cultural History of the Great War
• Wharton in Wartime
• Dr Francesco Veronese
• Driving the Mandate: Automobility, World War One and Global Fordism in French Syria-Lebanon, 1916-1934
• The ‘Green Cadres’ and the Collapse of Austria-Hungary In 1918
• Dr Giulia Zornetta
• Médecins Hors-La-Loi: The Practice of "Illegal" Medicine in Algeria During the First World War
• Dr Vittoria Feola
• Dr Andrea Martini
• Globalising and Localising the Great War Seminar
• Connecting Approaches on the First World War in the Wake of the Centenary
• Geographies of Warfare and Territories of Belligerence in the Era of the First World War
• An Army Without a Face: The Ottoman Army and the First World War
• The Great War: Rethinking the Centenary
• Children of the Great War
• Globalising and Localising the Great War Seminar
• How to Write the Great War?
• Dr Marijke Denger
• Globalising and Localising the Great War Seminar
• Call for Papers: Meaningful Evaluation in the Performing Arts
• Creative Minds: Exploring the Relationship between Theatre-Makers and Research
• Globalising and Localising the Great War Seminar
• HEATHER O’DONOGHUE
• The Relation of Literature and Learning to Social Hierarchy in Early Modern Europe
• TORCH Annual Review 2018-19
• The Relation of Literature and Learning to Social Hierarchy in Early Modern Europe
• It's Just Not Funny: Humour in the Home
• Inhabit Seminar
• Inhabit Seminar
• Inhabit Seminar
• Inhabit Seminar
• Inhabit Seminar
• Inhabit Seminar
• Inhabit Seminar
• OCCT MT Week 7 Updates
• Inhabit Seminar
• Inhabit Seminar
• Inhabit Seminar
• Inhabit Seminar
• Inhabit Seminar
• Inhabit Seminar
• An Introduction to Inhabit
• SARAH FOOT
• HANNAH M BAILEY
• CANCELLED: 13th English Franciscan Thought Conference
• Questioning the Relevance of the Multilevel Selection 1
• Phenomenology and Healthcare Workshop
• Conference: Inheritance and Cooperation
• Inheritance and Cooperation Reading Group
• Inheritance and Cooperation Reading Group
• The Tribal Social Instincts Hypothesis
• Inheritance and Cooperation Reading Group
• Inheritance and Cooperation Reading Group
• Inheritance and Cooperation Reading Group
• Inheritance and Cooperation Reading Group
• On the Evolution of Organismality
• Talk: The Role of Epigenetics in the Major Transitions
• Reading Group: Non-Genetic Inheritance
• Jonas Kurle
• Reading Group: On the Informational View of Cultural Inheritance
• Talk: Niche Construction and Human Evolution
• Reading Group: Darwinian and Cultural Evolution
• Talk: Defining Heredity
• Fishing and the Global History of Conservation: Preliminary Comparisons of Past and Present
• Dante, Mysticism, and Poetic Craft
• Dr Andrea Martini
• True and False Mysticism In Leibniz
• Dr Matteo Millan
• 25 Years of the Soul as Virgin Wife: Eckhart and the Beguines
• The Unspeakability of Trauma, the Unspeakability of Joy: The Pursuit of the Real at The Turn of the Twenty-First Century
• Henry Adams, Henry James, and Minnie Temple: The Pursuit Of The Real at the Turn of the 20th Century
• The Real, the True, and Critique: Mysticism in the Study Of Religion
• “Earth” Conference, September 19th-20th 2019
• Making Maritime Memories for the National Trust
• Last Train to Oxford
• Reading Derrida Reading
• 'Gregory‘s Commentary on the Song of Songs' and 'Song of Songs in its Ancient Context’
• ‘Genre Questioning Song of Songs’ and ‘Institutionalized Mysticism'
• ‘The Kiss in Iberian Mysticism’ and ‘The Kiss in the Patristics’
• ‘Three Perspectives on the Song of Songs’ and ‘Mariology and Mysticism’
• Medieval and Early Modern Mysticism Seminar
• Medieval and Early Modern Mysticism Seminar
• Medieval and Early Modern Mysticism Seminar
• Medieval and Early Modern Mysticism Seminar
• Medieval and Early Modern Mysticism Seminar
• Medieval and Early Modern Mysticism Seminar
• Medieval and Early Modern Mysticism Seminar
• Medieval and Early Modern Mysticism Seminar
• Medieval and Early Modern Mysticism Seminar
• Medieval and Early Modern Mysticism Seminar
• Gaz Coombes Announces Live at Sheldonian EP
• AI & Creativity - Panel Discussion
• Seeing Through the World: Phenomenology in Blanchot’s Thomas Novels
• Peter Larkin, Phenomenology, Ecology
• Songs of the Spirit
• Call for Papers: Gowers at 70: The Fate of the Country House since 1950
• Disorders of Thinking as Disorders of Relating: A Phenomenological Understanding of Schizophrenic Thought Disorder
• James Joyce
• Breath, Breathing, and Being
• Modernism, Existentialism, Postcriticism
• Oxford Phenomenology Network Panel Discussion
• Oxford Phenomenology Network Panel Discussion
• How do Mentally Ill People Experience Time?
• Heidegger Reading Group
• Psychopathology of Time And Body
• Heidegger Reading Group
• The Praecox Feeling
• Heidegger Reading Group
• Atticus
• The Bodily Unconcious
• Loss of Self
• Heidegger Reading Group
• Dementia
• Heidegger Reading Group
• The Phenomenology of Radiology
• Unity of Self in Schizophrenia
• Heidegger Reading Group
• Schizoid and Schizophrenic Experience
• Heidegger Reading Group
• Manic Depression
• Heidegger Reading Group
• Oxford Phenomenology Network Seminar
• Phenomenological Psychopathology Reading Group
• Phenomenological Psychopathology Reading Group
• Heidegger Reading Group
• Temporal Double Orientation: The Case of Depressive Psychosis
• Phenomenological Psychopathology Reading Group
• Heidegger Reading Group
• The Punishment of Prometheus: Günther Anders and the Obsolescence of Phenomenology'
• Phenomenological Psychopathology Reading Group
• Heidegger Reading Group
• Phenomenological Psychopathology Reading Group
• Heidegger Reading Group
• Phenomenological Psychopathology Reading Group
• Heidegger Reading Group
• Swimming is a Humanism
• Phenomenology, Imagination, and Perception
• Cross-Disciplinary Phenomenology: A Readiness for the Questionable
• Heidegger Reading Group
• Moods, Emotions and Befindlichkeit
• Heidegger Reading Group
• Can Philosophy be Therapy?
• Heidegger Reading Group
• Heidegger Reading Group
• Heidegger, Being, and the Unintelligible
• Heidegger Reading Group
• Heidegger Reading Group
• Towards a Neurophenomenology of Dementia
• Heidegger Reading Group
• Heidegger Reading Group
• Heidegger Reading Group
• Heidegger Reading Group
• Heidegger Reading Group
• Heidegger Reading Group
• Heidegger Reading Group
• Pierre Bonnard, Painting Beyond the Boundaries of the Body
• Phenomenology and Literature: an Afternoon Workshop
• Oxford Phenomenology Network Seminar
• Oxford Phenomenology Network Seminar
• Meet and Greet
• Suffering History: Phenomenology at the Intersection of Disease and Illness
• Forward with Classics
• The Aesthetics of Jacques Maritain
• John Clare and the Dys-Appearance of Health
• Phenomenology and Health: an Interdisciplinary Symposium
• Apples, Broken Frames and Fallenness
• Phenomenological Approaches to Correlative Reasoning in Chinese Medicine
• Merleau-Pontian Machines: The Machine-Human Relationship in Joyce’s Ulysses and Chaplin’s Films
• Thinking From the Outside: Merleau-Ponty and Phenomenology
• Positive Thinking and the Name Game
• Phenomenology Network Seminar
• Phenomenology Network Seminar
• Phenomenology Network Seminar
• Making Oscar Wilde
• Remembering the Jagiellonians
• Ibsen, Scandinavia, and the Making of a World Drama
• Oscar Wilde in Vienna: Pleasing and Teasing the Audience
• Art and Political Thought in Medieval England
• Heidegger Reading Group
• Clone of Phenomenological Psychopathology Reading Group
• Heidegger Reading Group
• Heidegger Reading Group
• Phenomenological Psychopathology Reading Group
• Heidegger Reading Group
• Heidegger Reading Group
• Clone of Heidegger Reading Group
• Oxford Phenomenology Network Seminar
• Breath, Breathing, and Being
• Registration Open!
• Phenomenology and Literature: An Afternoon Workshop
• 2018 - 2019 |Professor João Paulo Borges Coelho
• Cross-Disciplinary Phenomenology: A Readiness for the Questionable
• Registration Open for Phenomenology and Health Symposium
• Phenomenology and Health: An Interdisciplinary Symposium
• Breath, Breathing, and Being
• Report- Cross-Disciplinary Phenomenology: A Readiness for the Questionable
• 2018 - 2019 | Dr Sarah Collins
• James Joyce and the Phenomenology of Film
• Heidegger and Phenomenology
• Phenomenology and Health
• Suffering History
• African Classics: Translating texts, translated contexts
• Eventually We’re All Queer
• Li Maizi of China’s Feminist Five
• Clone of Eventually We’re All Queer
• Song as Performance
• Oxford Lieder Festival
• German Song
• Russian Song
• German Song Onstage 1770-1914
• French Song
• The Oxford Song Network: Poetry and Performance Seminar
• Bodies in Constitution: Gender Variance, Sexual Desire, Legal Liberalism and Historical Alterity
• Changing Lives: Understanding What Enables Children Growing Up in Adversity to Thrive in Modern Britain
• Multiple Identities in a Frontier Land: Balkh And ‘The Iranians’
• Introduction to Language and Community Workshop
• Ethnicity and Politics in the Early Modern Ottoman Empire: The Kurdish Case
• Iranian ‘Identities’ in Pre-Modern Times – Reality or Myth?
• Framing the Past Through Suffering and Victimhood
• Constructions of Armenian Identity in the Early Medieval Period
• Factors Affecting Iranian Identities From Early Islamic Era To C16th
• Making Sense of Kurdish Identity During the Middle Ages
• Ethnicised Religion and Sacralised Ethnicity in the Past and The Present
• The Concept of 'Umma' in Early Islam
• The Role of Religion in Identity
• Empire and Identity: Imperial Rule and Peoplehood Across Time and Place
• Applications Open: One Month Research Fellowship in 'Resurgent Racism'
• Rags to Riches: Experiences of Social Mobility Since 1800 Seminar
• Rags to Riches: Experiences of Social Mobility Since 1800 Seminar
• Rags to Riches: Experiences of Social Mobility Since 1800 Seminar
• Rethinking Social Mobility
• Pastorhood as a Calling and Career
• Social Mobility as a Prescription for Obesity Prevention
• Fiona Stafford
• Migration and Mobility Research Day
• Getting Closer
• Ellmann’s Joyce: A Biography
• ‘The Intersection of Climate Change, Biodiversity Loss and Global Frictions: New Challenges for Africa’s Archaeologists’
• Book Launch: Lives of Houses
• Andy Warhol Hated Campbell's Soup… and other lies of the master *A Book Launch/Signing of 'Warhol: A Life as Art'
• CANCELLED: Royal Biography
• POSTPONED: Maternity, Life Writing, Fiction
• POSTPONED: Lives of Houses
• POSTPONED: Jenny Diski: A Celebration
• OCCT MT Week 8 Updates
• And all This Time it Dwells Behind the Door
• Authenticity
• Significant Form: Neuroscience and Literature on Unconscious Memory
• The Unconscious: a Concept or a Metaphor?
• Proustian Memory
• Neuroscience and Psychoanalysis
• Cognitive Futures: Forging Futures From The Past: History and Cognition
• Priming
• Unconscious Memory and Mental Space
• Exploring the Two Cultures
• Authenticity
• Significant Form
• And All This Time it Dwells Behind the Door
• The Unconscious: A Concept or a Metaphor?
• Proustian Memory
• Priming
• Unconscious Memory and Mental Space
• Exploring the Two Cultures
• Reviews of the Cognitive Futures Conference
• War Crimes, Trials and Investigations Seminar Series
• Princeton University Press Lectures in European History and Culture I: The Challenge of World Literature
• Princeton University Press Lectures in European History and Culture II:Think Big! A modest argument about large scales
• Princeton University Press Lectures in European History and Culture III: Stories for the future, and how to get there
• Applications Open: AfOx TORCH Research Fellowship
• Fiona Macintosh
• Dana N Mills
• Helen Slaney
• Joshua Hordern
• Remembrance: A Concert
• Performance of 'Night Dance (Fantasy)'
• Rihab Azar - Oud Performance
• Performance: Interpretation or Identification?
• Sophie Marnette
• Writing for the Stage Workshop
• Performance: Kokoschka’s Doll / The Art of Love
• Trans Aesthetic Activism, Drag Lip-Sync Performance and ‘Bumping’ In Gay Life
• Sophie Jai and Justin Torres selected as TORCH-St Edmund Hall Writers-in-Residence
• Art & Action: Benjamin Zephaniah in Conversation
• Benjamin Zephaniah in Conversation at Oxford
• India, Empire and First World War Culture
• Call for Papers: Oxford Postgraduate Conference in Assyriology
• Bianca Schlawin
• Literature and the Public Good
• Activist Humanities in a Global Context
• Humanities and the Modern University
• Where's the Virtue in the Humanities?
• Science and the Humanities
• The Public Good
• The Public Good
• Should We Invest in the Humanities?
• Exploring Mark Morris’s l’Allegro ed il Penseroso ed il Moderato
• Towards an Ethics Of Gesture
• Perfectly Disgraceful
• From The Neo-Classical Turn to the Baroque 'Re'-Turn
• Frederick Ashton: Steps, Stories, Style
• The Role of the Choreographer in the Stage and Screen Musical
• The Role of the Choreographer in the Stage and Screen Musical
• The Grace Project
• TORCH-Mellon UK BAME Graduate Scholarship at the Ruskin School of Art
• Dance Circle: Movement, Morality and Self-Fashioning
• Choreographing The Katabasis
• Lecture: Serge Lifar
• Mapping Motion: Impulse, Object, and Trajectory
• Wayne Mcgregor: Neuroscience and Dance
• Dance and Science Conference
• Dancing to Remember the Great War
• Archiving Dance
• Working with Iconic Dancer and Choreographer Martha Graham
• Struan Leslie: Artist in Residence
• Metamorphoses: Dance Interpretations of Ovid
• Is Ballet Relevant in the 21st Century?
• Ancient Dance in Modern Dancers
• Ancient Dance in Modern Dancers
• Manual – Choreography and the Everyday Twentieth Century Collaborations: Cunningham, Cage, Joyce
• Twentieth Century Collaborations: Cunningham, Cage, Joyce
• Dance in the Age of Forgetfulness
• Images From 'Exploring The Rhythm: The Relationship of Music, Dance and the Practice of Choreography'
• Chloe and Daphne
• Humanities Light Night - Oxford Research Unwrapped!
• Music and Movement as Process and Experience
• Jane Pritchard, ‘Archiving Dance’
• Siobhan Davies Dance Event
• Review: Siobhan Davies Dance Event
• DANSOX Reports on Michaelmas 2016
• Wayne McGregor: Neuroscience and Dance
• Reproducible Research Oxford (RROx) Launch Event
• Jane Pritchard on 'Archiving Dance'
• Book at Lunchtime: Empires of the Mind
• Book at Lunchtime: Revolution Rekindled: The Writers and Readers of Late Soviet Biography
• Book at Lunchtime: Imitating Authors
• CANCELLED: Book at Lunchtime: Shipwreck in French Renaissance Writing: The Direful Spectacle
• The History of The Morrell Estate in Oxford
• Trees & Townscapes – Past, Present & Future
• Women & Power: Redressing the Balance
• Gavin Francis Stoneystreet: Kelmscott Manor: The Legacy of a Plantsman’s Garden
• Museum of Capitalism: "Politics and Heritage"
• Veteran Poetics
• Delius and the Sound of Place
• GLAM Digital Showcase
• Lande: The Calais 'Jungle' and Beyond
• Oxford Heritage Network Launch
• Call for Papers: Victoria’s Self-Fashioning: Curating Royal Image for Dynasty, Nation and Empire
• Heritage Seed Fund
• Mind the Environmental Gap
• Celebrity Culture and the Myth of Oceania: 1770-1823
• Humanities Cultural Programme - Project Funding Call
• Humanities Cultural Programme - Visiting Fellowships
• Painting the Landscape of Winter
• Exploring Theatre Archives and Collections
• The Oxford Spires Academy and Heritage Lottery Fund Present: A Writer's War Project
• 'In Conversation' event between Prof Barbara D. Savage and Bonnie Greer, chaired by Dr Rebecca Fraser (UEA).
• 'Plants, Brain and Imagination: Poetry at the Botanic Garden and St Hilda's College - 1st December 2019
• Listen Now: Post-Conflict Landscapes Symposium with the National Trust
• Listen Now: Post-Conflict Landscapes Symposium with the National Trust
• Heritage Seed Fund
• 2019-2020 | Collecting Africa: Before, During and After Colonial Overrule
• CANCELLED: Conference: Collecting Africa: Before, During and After Colonial Overrule
• Professor Gascia Ouzounian has been awarded a €2 million grant from the European Research Council
• Literature and Silence
• Gaz Coombes and The Hot Fruit Orchestra release Sheldonian Live EP raising money for local causes
• Wharton in Wartime
• The Impossibility Versus Possibility Debate
• Still Brave? U.S Black Feminism as a Social Justice Project
• Thinking Wildly with and Through Punk-Feminisms
• Film Philosophy and the Transgressive Iris Murdoch
• Mastering Women’s Studies? Habitus and Hazards
• Teaching to Transgress
• Feminism in Oxford
• Band of Angels Discussion
• Band of Angels
• Humanities Coding Club
• Introduction to Digital Humanities
• Digital Editions Course
• Ashmolean After Hours: Carpe Diem!
• Event postponed: Suffragette City: a Bird's Eye View of the Music Business
• POSTPONED: Complete Beethoven Works for Cello and Piano
• Applications Open: Visiting Fellowship at the Javett Art Centre, University of Pretoria
• Reflections on Markets and Meaning Project, Dr Andrew Papanikitas
• Collaborative Decision Making, Dr Mahima Mitra
• Value Based Healthcare, Dr Anant Jani
• 2019-20 | Rethinking Modern Greek Studies in the 21st Century: A Cultural Analysis Network
• Empathy | Dr Jeremy Howick
• Conference: Rethinking Modern Greek Studies in the 21st Century
• Professor Maria Boletsi
• Kristina Gedgaudaite
• EXHIBITION: Philip Guston: Locating the Image
• Slade Lectures 2020: Karen Lang
• 2019-20 (ext. -2021) | Learning Pragmatics through Chatbot: the case of Korean
• 2019-20 | Moving together: Alleviating loneliness through an interdisciplinary music- and dance-based intervention programme
• It’s Complicated: Mapping and Understanding 2,500 Years of English Archaeology
• Art Out of Time: Challenging Periodization
• Workshop: Theories of the Image
• Theories of the Image
• Linguamania - Bilingualism and the Internet
• Linguamania - Do Objects Speak?
• Linguamania - Living Bilingual
• Linguamania - A Tristan Tile in the Ashmolean
• Linguamania - Musings From Cloud Cuckoo Land
• The Contagion Cabaret
• Germs Revisited
• 2019-20 (ext. -2021) | The Dream of Gerontius: Curating Catholic Music Digitally
• Reading Bass Culture: Linton Kwesi Johnson in Conversation with Paul Gilroy
• Art and Attunement
• Standing on the Podium: Leadership Lessons from Musical Conductors
• Old Objects, New Subjects
• Humanities and Business
• Highlights of Humanities Light Night - Oxford Research Unwrapped!
• Creative Careers Night at the Ashmolean Museum
• Meeting of the Pilgrimage Book Club
• Meeting of the Pilgrimage Book Club
• Meeting of the Pilgrimage Book Club
• Olive Gibbs (1918-1995)
• Symposium Report: in medias res
• Messingkauf - Workshop for Actors
• Buying Brass
• Editing Brecht's Non-Literary Writings
• There is no 'Brechtian Style' of Acting
• Translating Brecht
• Brecht into English
• TORCH Oxford Medieval Studies Small Grants Scheme 2018-19 Project Report: Old Norse Poetry in Performance
• AVAILABLE ONLINE: Food for Thought Sessions - 2020
• New Critical Approaches to Byzantine Gender
• The Contagion Camerata (Student Interviews)
• The Contagion Camerata
• The Contagion Camerata
• Neha Shah
• Roundtable: The non-human
• Roundtable: Energy
• Uncomfortable Oxford
• Writer's War project inspires Oxford Spires students to get creative
• Medieval and Early Modern Scholasticism Conference
• Imagining The Divine: Art and the Rise of World Religions
• Me and my Beliefs: Challenges of Identity and Society
• Imagining the Divine
• Images of Mithra
• Jane Garnett
• Pelagia Goulimari
• Dr Katherine Morris
• Claire Williams
• The Polish-Italian Royal Wedding of 1518
• ‘Bearing the burdens we (don’t) bare: A theological reflection on carrying the weight of ageing’ with Dr Ashley Moyse
• ‘Sculpture, Dance, Choreography and What Age Brings’ with Melissa Pierce Murray
• Memory, Meaning and Human Identity: The place of theology in constructing the purpose of age in the light of dementia?’ with Professor James Woodward
• ‘The body as an ageing thing’ with Dr Chris Gilleard, UCL
• ‘Monkey Glands and Moisturisers: Anti-ageing in Modern Britain” with Dr James Stark, Leeds
• 'What can knowledge of History contribute to current understandings of ageing and old age?' with Professor Patricia M. Thane, KCL
• ‘Art, ageing and policy’ with Stephen Bennett, London
• ‘On the Need to Stay Human: Simone de Beauvoir's Philosophy of Age’ with Dr Kate Kirkpatrick
• Humanities Cultural Programme - Project Funding Call
• Humanities Cultural Programme - Visiting Fellowships
• John Malchair’s ‘Third Collection of Tunes’ and other 18th-century tune books at the Vaughan Williams Memorial Library
• Working with Hughenden Manor
• Who Owns your Face when You are Dead?
• Victorian Children's Literature and Death
• Useful Frames and Dead Pasteboard
• Too Valuable to Die?
• Thinking on One's Feet, Museums: Experience v Numbers
• The Selden Map
• The Roman Art of Dying
• The Lord of the Rings: Tolkien's Legacy
• The Fires of Faith
• The Dodo in the Museum
• The Death Masks of Macbeth
• The Contagion Camerata (Student Interviews)
• The Contagion Camerata
• The Art Museum in the 21st Century
• That Other Place
• Reading Bass Culture: Linton Kwesi Johnson in Conversation with Paul Gilroy
• Public Engagement Summer School 2016
• Eighteenth-Century Tunebooks Project
• Pictures and Texts
• Performance of 'Night Dance (Fantasy)'
• Oscar Wilde's Love Beyond the Grave
• Orchestral Musicians' Experiences: Inside Out
• Ophelia, Death and the Pre-Raphaelite Brotherhood
• Music, Empathy and Cultural Understanding
• Michael Govan
• Messages Through Ashmolean Portraits
• Martin Roth
• Malcolm Rogers and Christopher Brown in Conversation
• Sacred Ethiopic Texts in the Bodleian Library, Oxford: A Catalogue of the Manuscript Collection of Bent Juel-Jensen
• Linguamania - Musings from Cloud Cuckoo Land
• Linguamania - Living Bilingual
• Linguamania - Do Objects Speak?
• Linguamania - A Tristan Tile in the Ashmolean
• Leviathan and the Air Pump: Highlights
• Jane Pritchard on 'Archiving Dance'
• Interview with Neil MacGregor
• Imagining the Divine: Art and the Rise of World Religions
• Glenn D. Lowry: The Museums and the Artist
• Glenn D. Lowry: The Abodes of the Muses
• FrightFriday - Stretched to Breaking Point
• FrightFriday - Parenting, Fear, Hope and Salvation
• FrightFriday - Gothic Horror: Medicine and Monsters
• FrightFriday - Fear and Flesh: Gothic Medicine
• FrightFriday - Embodying Life and Death
• Death Masks: Facing the Dead
• Crowley's Tarot and Egyptian Art
• Craig Clunas on Curating "Ming: 50 Years That Changed China"
• Compassion's Edge
• Chasing Butterflies: Capturing the Transience of Childhood
• Wandering Through Other Worlds Talking with the Spirits
• Between the Artist and the Museum
• Between Art and Architecture
• Aristotle on Perceiving Objects
• Andy Warhol's Girls
• AHRC-TORCH Public Engagement Summer School 2015
• Accidental Death in Tudor England
• A View from the Pacific
• A View from my Corpse
• A Celebration of the Centenary of the Birth of Olive Gibbs
• Census and Home: A Microinternship with the National Trust Partnership
• Darwin's 'Tangled Bank': Plants, Geology and Poetry at the Oxford University Museum of Natural History - 15th December 2019
• Complete Surrender: SPECIAL PREVIEW
• David Garrick's Wigless Celebrity
• FrightFriday - Fear of Cats and Other Phobias
• Queer Studies Research Lunch
• Linguamania - Bilingualism and the Internet
• Queer Studies Research Lunch
• Queer Studies Research Lunch
• Queer Studies Research Lunch
• A Note from Dr Andrew Dunning, R.W. Hunt Curator of Medieval Manuscripts
• Martin Puchner Princeton University Press Lectures in European History and Culture: Recordings
• Vice-Chancellor’s Innovation Awards
• Curating (in) a Crisis: Looking at Contemporary Art in an Era of Ecological Breakdown
• Patience Agbabi Reading and Conversation
• Latitudinal Landscapes: Art and Environment in the Circumpolar North
• A thousand wild flowers shone there without order or symmetry - restoring Jean-Jacques Rousseau’s vision of Elysium
• Environmental Humanities Lunchtime Seminar
• Environmental Humanities Lunchtime Seminar
• Running an interdisciplinary conference: ‘Towards a Vegan Theory’
• History: Race and Protest UNIQ Summer School
• History: Race and Protest UNIQ Summer School
• Thinking colour, feeling colour
• TORCH Poster Competition 2016 winners announced
• How to look like a female academic
• Watching a Play About Anorexia
• Special Session of the Discussion Group
• Professor Stefano Pisu
• Special Session of the Discussion Group
• Fiction and Other Minds
• Jennifer Croft discusses and reads from Homesick and her translations
• Translational Spaces: Language, Literatures, Disciplines Conference
• Cancelled: Special Session of the Discussion Group
• Discussion Group
• Critical Theory seminars - Hilary Term
• Book Launch - Prismatic Translation
• Holiday Updates
• OCCT HT Week 0 Updates
• Two comics adaptations of Zazie dans le métro: from figuration to tradaptation
• How to make and distribute 45,350 comics about political participation
• Blessed by the Algorithm: AI Teleology and Popular Discourse
• Work of Art of History
• CANCELLED Does it matter if it isn't real?
• CANCELLED: The Noise That Keeps Me Awake At Night
• Fiction and Human Rights Network Discussion of Colson Whitehead's The Nickel Boys
• Narrative Agency, Life-Writing, and the Experience of Illness
• Queer Studies Research Lunch: trans masculinity in 1920s Berlin; and queer desire in Vita Sackville-West and ‘Portrait of a Marriage'
• VACANCY: Part-time Project Officer
• Training and Research in Old English and Anglo-Latin Metre: events from the CLASP Project
• Fihrist: Digital Scholarship inspired by a 10th-century Arabic source
• Deciphering the Uncertain
• Oxfordshire Record Society Centenary Lecture
• What’s private about private parts? Transgender lives, online and off the African continent
• OCCT HT Week 1 Updates
• Solidarity and Survival Reading Group: Workplace Experience
• Research Showcase
• Solidarity and Survival Reading Group all about Love
• CANCELLED "Occupied Territory is Occupied Territory": Black-Palestinian Solidarity
• Solidarity and Survival Reading Group: Mental Health
• The Colour of Climate
• CANCELLED: Burning an Illusion Film Screening
• Relooking at Plato on Images
• VACANCY: Part-time Project Officer
• The Image of the Muslim Woman: a Discussion on Feminism and Islamophobia
• Oxford Medieval Society Seminar
• Talking About Dying: The Biggest Question
• Modern Greek Studies in 21st Century Programme
• Modern Greek Studies in 21st Century Abstracts
• POSTPONED: The White Rose Resistance | Symposium
• OMS Small Grants Call 2020
• POSTPONED | The White Rose in Text and Song | Recital
• ROWENA ARCHER
• STEPHEN BAXTER
• JOHN BLAIR
• Call for Expression of Interest to participate in GCRF- IndOx thematic workshops
• MIMSS Transnational Seminar: Embodying female spirituality: a transnational view
• Love Island: feminism, postmodernism and late capitalism
• “Hurry Up Please Its Time” - #MeToo and T. S. Eliot in 2020
• Feminist Engagement with Women* in China
• Political Ecology of Gender in the Climate Crisis
• POSTPONED | The White Rose | White Rose, Young Adult historical novel-in-verse
• Speculation & Percolation: Brewing Steadily
• Degradation by design: corrosive control in the lives of women seeking asylum in bordered Britain
• The White Rose | Concert | Voices from the German Resistance
• The White Rose | Lecture
• St Benet's Hall Benedictine Day
• Marilyn Butler Memorial Lecture 2020
• David Wojnarowicz Reading Group
• Empire on Display: Curatorial Research Micro-Internship on the Clive Collection at Powis Castle
• Narrative, Fiction and 3D Printed Teddy bears
• Exploring the relationships between philosophy and the creative practice of music
• Reproducibility Research Oxford: Launch report and upcoming event
• NOMINATIONS OPEN: Vice-Chancellor's Diversity Awards
• Graduate School Training Week - Hilary Term 2020
• BBC Radio 4 presents "Lies My Teacher Told Me" by Dr Priya Atwal
• From a plant-lover’s perspective
• Neuroscience and Graphic Novels
• A Labour Economist Reads Climate Fiction
• Contradiction and Zombies
• French Cinema, Effective Altruism and Prehistoric Sloths
• Identity and Narratives of AI
• Medea | Modern Interpretations of Greek Chorus
• Literature & Silence | The research into multiple Quaker congregations
• RAI Open Friday: The Great Debate: James Baldwin, William F. Buckley and the Civil Rights Revolution
• History and Heritage for British Asians: A Conversation
• Naming Alexander
• Who are Universities For? Re-making Higher Education
• Exploring Sicilian Epigraphy
• Open Access Oxford Week, 9-13 March 2020
• Οn Ghost Ships, Conjurations, and Broken Promises: C.P. Cavafy’s Poetics of the Spectral
• Modern Greek Studies in the 21st Century: Perspectives and Practices in Cultural Analysis
• RECORDING: Book at Lunchtime: Empires of the Mind
• VACANCIES: Business Engagement and Partnerships Manager for Social Sciences and Humanities
• Public Talk: Making Trustworthy Science: Some Philosophical and Ethical Puzzles
• The Right to Gender Recognition of Transgender Persons: Law and Practice in India and the Nordic Countries
• Dr Oliver Cox appointed an Industry Champion for the Creative Industries Policy and Evidence Centre
• Women Intellectuals in Antiquity Symposium
• Ian Forrest
• Peter Frankopan
• George Garnett
• Private Lives and Public History
• Call for Participants!
• Introducing Manus Prison Theory: Knowing Border Violence
• Dr Jennifer Oliver's music featured on radio show "BBC Introducing" with Tom Robinson
• Mellon Funding: Humanities and Identities Conference and Workshops - Postholders
• Mellon Funding: Humanities and Identities Conference and Workshops - Early Career
• GLAM Digital Showcase
• Medical Humanities Summer School 2020
• Call for Applications: Europaeum Scholars Programme Teaching Fellows 2020
• Alisa Holen - Throwing Demonstration
• The Woodland Word Writing Residency
• Alisa Holen - Empty Bowls Presentation
• The Woodland Words Writing Residency
• Demons Land: A Poem Come True
• Love Island
• Marlena Whiting Interview
• Preservation in Jordan
• Lucy Jackson
• Emma Turnbull
• Living Cultures: Decolonising Cultural Spaces (Livestream)
• Tiffany Stern
• Tiffany Stern Interview
• Staging Nahum Tate's King Lear
• Writing Queer Lives Colloquium
• CANCELLED Reinventing Art History: Forgery and Counterforgery in Early Modern Chinese Art
• CANCELLED Democracy, Social Cohesion and Technology; the place of robust knowledge
• Silence Hub performs at the Humanities Light Night
• CANCELLED: Constituting Boundaries Conference
• POSTPONED: From East to West: The Idea of the World in Anglo-Saxon England
• Convocation House recordings
• Theatre and Climate Change
• FLJS Films: The Oath
• OCCT HT Week 2 Updates
• Medical Humanities Awards 2020
• Applications for Medical Humanities Awards 2020 open now
• Peggy McCracken in Oxford
• Sons of the Sun King: Royalist Propaganda and Political Leadership in the French Third Republic
• Call for Papers: Racialisation and the Media from Television to Twitter
• Suzanne Romaine
• Oxford Mathematics Public Lecture: Ian Griffiths - Cheerios, iPhones and Dysons: going backwards in time with fluid mechanics
• BACH, THE UNIVERSE & EVERYTHING | THE BEAUTY OF MATHEMATICS
• OCCT HT Week 3 Updates
• RECORDING: Book at Lunchtime: Revolution Rekindled
• Poetry Reading by Michael Krüger and Paul Muldoon
• Dead as a Dodo? Four tales of why and how literature saves lives. Ulrike Draesner gives the first Eugene Ludwig Lecture
• The Poetry Society Annual Lecture with Jan Wagner on the exchange of poetic ideas across borders by the German poet and translator
• The Dreamed Ones preview and Q&A with Director Ruth Beckermann
• The Dreamed Ones preview and Q&A with Director Ruth Beckermann
• Ulrike Draesner Join us for the launch of her re-writing of the Nibelungenlied
• Translations of Ulrike Almut Sandig Poetry Shortlisted for Pen Translation Prize
• Ulrike Almut Sandig & Ulrike Draesner A Reading in German from recent work and discussion
• Leaping From the Edge of the World | International symposium on the work of Ulrike Draesner
• Paul Celan | Sounds and Visions
• Paul Celan | The Romanian Context
• Poetic Battlefields: The First World War in Poetry
• Michael Krüger in Conversation with Robyn Marsack
• Poetry Reading | Michael Krüger 'Last Day of the Year' Selected Poems
• Reading Poetry Festival | Karen Leeder takes part in panel discussion
• Volker Braun Reading
• Don't Mind the Gap | An evening of British and German Literature
• Perspectives on Poetry
• Ulrike Almut Sandig Reading
• REMBRANDT - A Conversation Between Simon Schama and Gary Schwartz
• Perspectives on Poetry | Ulrike Almut Sandig performs in London
• CANCELLED: YOUNG REMBRANDT: Ashmolean After Hours
• Requiem | The Great War
• Volker Braun | Twenty-Five Years Since the Fall of the Berlin Wall
• New Translations of Heiner Müller | Discussion
• CANCELLED: REMBRANDT AND ORANGE
• Translation Duel | Part of the Cheltenham Literary Festival
• Rilke Translation Workshops | French and German
• Responses to Rilke | Post Show Discussion
• What if not Transformation | Poetry after Rilke
• Translation Masterclass with German poet Jan Wagner
• From ritual to performance: playing (with) gender
• Concert by the chamber music ensemble 'Les Sauvages'
• Concert: ‘A Celebration of French-Jewish Music’
• Mediating Modern German Poetry
• Professor Karen Leeder is Awarded a 2016 Pen/Heim Translation Fund Grant
• Karen Leeder Wins Translation Pitch: New Literary Voices
• 'Rilke's Sonnets to Orpheus' on Radio 4
• BBC Radio 3 Series Examines Franz Kafka
• ‘Quince Jelly’ Translation
• Rubble Flora - Selected Poems | Volker Braun | Reading
• Modern Translations of Rilke
• Podcast on "Torso of Polyphemus"
• Megan Gooch
• KE Fellow Spotlight on Rilke at the Southbank Poetry International 2014
• Poetry in Translation | Trilingual Symposium in Rome
• Professor Karen Leeder Reads her Poetry at Academy of Arts, Berlin Event
• KE Fellow Awarded Literarisches Colloquium Residency
• Wasfi Kani: ‘40 years in prison and building a few opera houses’
• Machine Learning and the Experience of Allusion: Experiments in Classical and Eighteenth-Century Poetry
• International Women's Day at Tap Social
• Cyprus in the Long Late Antiquity
• TALK: The Collaborative Research of Science
• Life and thought of Vijaya Lakshmi Pandit: Prof Manu Bhagavan
• Dr Merze Tate on IR: Prof Cecelia Lynch
• CANCELLED: The IR thought of Claudia Jones: Prof Patricia Owens
• Humanities Cultural Programme - Project Funding Call
• Humanities Cultural Programme - Visiting Fellowships
• Humanities Cultural Programme - Funding Awards Announced
• Leaping from the Edge of the World | Ulrike Draesner in Oxford
• Rubble Flora - Selected Poems | Podcast
• Ulrike Draesner
• CANCELLED: Broadside Ballads
• Architect appointed for Schwarzman Centre for the Humanities
• CANCELLED: YOUNG REMBRANDT AND HIS WORKS ON PAPER
• The Gentlewomen
• The Gentlewomen
• CANCELLED: Harry Potter tour at the Ashmolean
• Dante and the Music of Ante-Purgatory
• Soviet Cinema in Transnational Perspective Conference
• CANCELLED: The Annual Oxford Migration Conference Call for Papers
• Free Film Screening of ‘Pickpocket' (Robert Bresson, 1959, 1h15min)
• Panel discussion: Mobility, Migration and the Bioeconomy
• Special Film Screening of 'Félicité' (Alain Gomis, 2016, 2h03min)
• CANCELLED: Special Film Screening of 'Hochelaga, Land of Souls' (François Girard, 2016, 1h40)
• CANCELLED: Why Think About the Methods in Bioethics
• HIGHLIGHTS – Life and Death at Offbeat Festival
• Collaborating with Theatres Workshop
• OCCT HT Week 4 Updates
• Medical Objects | An interdisciplinary workshop
• CfP: Cabinet, Elaboratory, Gallery 1500-1800 - The Preservation of Art and Material Culture in Europe and Beyond
• The Annual Oxford Migration Conference Call for Papers
• Call for Papers: Queer Precarities
• UK-Turkey Creative Industries Research Networking Awards
• Barry Murnane KE Showcase Interview
• Pharmacy as a Laboratory of Modernity
• Dorothy Hodgkin Memorial Lecture 2020
• CANCELLED Urban atmospheres – Past and Future
• POSTPONED: Tobias Capwell: Armour and the Knight in Life and Afterlife
• Report on the MIMSS Transnational Seminar Embodying Female Spirituality
• The Gift by Janice Okoh
• OMS update – Hilary Term 2020
• Hashtag Heritage
• Prince George of Denmark (1653–1708) | The Forgotten Consort
• Danish Royal Consorts in Britain
• Ancient Music and Theology: Opening a dialogue
• Classics Christmas Event with Dr Armand D'Angour
• Ancient Greek Music: Hearing Long Lost Sounds Again | Wins University Public Engagement Award
• CANCELLED: NOT I, by Samuel Beckett
• Recreating the Music of an Ancient Greek Chorus
• CANCELLED Circular Thinking: The Drawing Compass as a Tool of Premodern Creation in Europe
• CANCELLED: Linda Colley – Warfare and the Global Spread of Constitutions: An Argument
• Medea a Modern Adaptation
• Medea a Modern Adaptation
• What is Dance Without an Audience?
• Workshop on Psychoanalysis in/and Social Science
• Stage and Screen-writing workshops with Kenneth Lonergan
• Martyn Harry Interview
• Presentation by Martyn Harry and Mark Prescott
• Reinventing Peace: In an Age of Disorder
• Unlocking Late Schumann | Episode 4 | Schumann and Literature
• Unlocking Late Schumann | Episode 2 | Schumann's Lenau Lieder
• Unlocking Late Schumann | Episode 3 | Schumann's Maria Stuart Songs
• Unlocking Late Schumann | Episode 1 | Schumann in 1849
• Laura Tunbridge Interview
• Laura Tunbridge | 2015 Knowledge Exchange Showcase Presentation
• GLAM Digital Showcase
• National Trust Partnership Showcase
• English Chapels and Meeting Houses
• The Jewish Country House
• More than the Sport of Kings | How Horse Racing made the Modern World
• Compton Verney Art Gallery and Park
• Case Studies in Collaboration | Oxford University
• Heritage and Audiences
• Introduction to Heritage, Museums, and Galleries
• The Future of Heritage
• Supporting our Causes
• Oxford in Cambridge: Is there a future for the country house?
• Heritage as Business
• Our Collections and their Audiences
• Land, Outdoors and Nature
• History, Vision, Ambition
• Tech Nirvana: why Gardens at the Office are good for you
• Heritage and its Audiences
• Heritage and Research
• Clash Of The Centuries
• Capability Brown: Visionary or Vandal?
• Those Wilder Sorts of Painting
• BBC Countryfile Live: Tweeds and Modernity with Oliver Cox
• Gardeners’ Question Time: Capability Brown Edition
• Lenses on a Landscape Genius: Two talks on 'Capability' Brown
• Exhibition: The English Garden, Views and Visitors
• Wootton Village Hall Talks: Oliver Cox on Capability Brown
• Summer Garden Nights: Gardens and Work
• Work, Play and Protest: Ephemeral Architecture
• Clumps & Concrete: 300 Years of Lancelot ‘Capability’ Brown
• Trusted Source Workshop
• Workshop: Collaboration Opportunities with The Vyne
• Practical Architectural History Seminar
• Practical Architectural History Seminar
• Practical Architectural History Seminar
• Practical Architectural History Seminar
• Grand Opening of New Welcome and Discovery Centre
• Brown Found: Capturing the Man on the Page
• History, Vision, Ambition
• Land, Outdoors and Nature
• Our Collections and Their Audiences
• Heritage as Business
• Supporting Our Cause
• Oliver Cox Interview
• From Engagement to Empowerment: The Future of England’s Heritage Open Days
• 2018 Summer Internship Programme
• Powering the Power House: New Perspectives on Country House Communities
• How recognizing the “Jewish country house” expands our understanding of Jewish heritage
• The Jewish Country House 5-6 March 2018
• Visitor Experience Manager
• Job Opportunity: Georgian Group Caseworker for Southern England
• Moving, Teaching, Inspiring: The National Trust
• Opportunity to work with Ham House
• Where are the Fat Queers?: A Reading List
• Creolising Fabians at the end of empire: contested visions of postwar development policies in the Caribbean and South East Asia
• Islamic manuscripts and bindings as a window on East-West relations
• Pieces of Gold: Piecing together a mutilated Timurid masterpiece
• Launch of TalkAbout Tour Guide App at Bodleian
• Volunteering Opportunity at River
• CANCELLED: Of Wizards and Beavers: The story behind Marconi's first patent
• Cancelled Events: Doing Less Work
• Invitation to Collaborate with The Vyne
• Hughenden Speaks
• New Lord Nuffield Tour Day
• Award for Research into the Working Classes of "Downton Abbey"
• Supporting Our Causes
• The Future of Heritage
• Heritage as Business
• Land, Outdoors and Nature
• History, Vision, Ambition
• Oliver Cox wins Public Engagement with Research Award
• On the Case of a Missing Monument: The First Trusted Source Workshop
• Trusted Source: A new collaboration with the National Trust
• Historic Partnership
• Oliver Cox appointed to the Arts Council England’s designation panel
• How an 18th century landscape architect influenced housing estate design
• POSTPONED: Myriad Materialities: Towards a New Global Writing of Colonial Ports and Port Cities
• RENT Musical
• IF Oxford Science + Ideas Festival Applications
• The State Between: Liminality, Transition and Transformation in Late Antiquity and Byzantium
• AHRC-TORCH Graduate Fund Award Holders 2019/20
• AHRC-TORCH Graduate Fund Award Holders 2018/19
• AHRC-TORCH Graduate Fund Award Holders 2017/18
• Intern - Oxford University Innovation Licensing
• AHRC-TORCH Graduate Fund Award Holders 2016/17
• AHRC-TORCH Graduate Fund Award Holders 2015/16
• AHRC-TORCH Graduate Fund Award Holders 2014/15
• Call for Papers: The Oxford Medieval Graduate Conference 2020: Translation
• International Graduate Debate, 22-24 June 2020
• OCCT HT Week 5 Updates
• POSTPONED: COLSONOEL 2020 Oxford
• RECORDING: Book at Lunchtime: Imitating Authors
• Creolising Fabians at the end of empire: contested visions of postwar development policies in the Caribbean and South East Asia
• Africa Oxford Initiative (AfOx) FORA Poster Competition
• (En)coding Heritage
• The origin and evolution of People’s Park
• Introduction to recording parks and gardens
• CANCELLED: Visit to the private park and gardens surrounding Faringdon House
• CANCELLED: Gardens and Gardeners of the Ancient World
• CANCELLED: AGM and visit to Ham Court
• CANCELLED: Federica Chiocchetti: A Love Affair Between Photographs and Words
• Why is Psalm 119 in the Psalter?
• Oxford Network for Armenian Genocide Research
• Launch of Oxford Network for Armenian Genocide Research
• "I left My Shoes in Istanbul", a film by Nigol Bezjian
• POSTPONED: The Oxford Network for Armenian Genocide Research on the road
• Maimed Survival Seminar Series
• The Relation of Literature and Learning to Social Hierarchy in Early Modern Europe
• CANCELLED: The Relation of Literature and Learning to Social Hierarchy in Early Modern Europe
• POSTPONED: Traces of the Past exhibition
• CANCELLED: CONSENT by Nina Raine
• Writers Talk - Kenneth Lonergan
• DANSOX Guest Lecture by Alastair Macaulay on George Balanchine
• To prepare climate strikers for the future, we need to rewrite the history books
• Hidden histories: Oxford’s female computing pioneers
• To prepare climate strikers for the future, we need to rewrite the history books
• Oxford Mathematics Public Lecture
• ‘Recovering a Lost Heritage’
• TRAINING BETTER LEADERS – SUSTAINABILITY COURSE
• Professor Martyn Harry At His Majesty’s Pleasure World Premiere
• Subalternity and Byzantine Studies: Critically Imagining the Masses in History
• Vehicles
• CANCELLED: Vehicles
• Perlego: Critical Perspectives on Image and Text
• Helen
• POSTPONED. From Petra to Alexandria: Exploring the Legacy of Judith McKenzie (1957–2019)
• Complete Surrender documentary wins at the Love Story Film Festival London
• What is ‘Depressed Mood’?
• Who Owns History?
• OCCT HT Week 6 Updates
• Silence and God
• Theo Maarten van Lint
• The Middle One: A Sanskrit Play
• Heritage Day 2020
• Elena Porter selected to participate to the Europaeum Scholars Programme 2020/21
• GLAMS's Iffley Academy Partnership - TORCH's day out
• CANCELLED: Juliet & Romeo
• Mapping Manuscript Migrations Portal Launched
• CfP: Cabinet, Elaboratory, Gallery 1500-1800 - The Preservation of Art and Material Culture in Europe and Beyond
• POSTPONED: Meeting of the Pilgrimage Book Club
• POSTPONED: Meeting of the Pilgrimage Book Club
• POSTPONED: Meeting of the Pilgrimage Book Club
• Pilgrimage Book Club Trinity Term 2020 Flyer
• Event postponed: Q&A - In Conversation with Sophie Jai
• CANCELLED: Masterclass - 8 practical resources for new fiction writers
• The White Rose | Concert | Voices from the German Resistance
• Humanities Cultural Programme - Project Funding Call
• Humanities Cultural Programme - Visiting Fellowships
• Humanities Cultural Building Carpe Diem!
• CANCELLED: Humanities entrepreneurship? Lessons from historians turned entrepreneurs
• POSTPONED: Festival of Arguments
• Alisa Holen - Throwing Demonstration
• Humanities Cultural Programme - Visiting Fellowships
• POSTPONED: Digital Approaches to Art History and Cultural Heritage
• Digital Approaches to Art History and Cultural Heritage Call for Papers
• Arts and Heritage Internships for Summer 2020
• The speed of modern life - and advice from the Victorians
• Literary reading and eating disorders: Survey evidence of therapeutic help and harm
• Call Open for Oxford Science Ideas Festival 2020
• Everyday Machines: Bathos, Technology, and the Modernist Avant-Gardes'
• Taline Garibian
• Professor Helena Hamerow
• OCCT HT 2020 Week 7 and 8 Updates
• Blueprint interview with Audrey Mbogho, AfOx-TORCH Fellow
• The Willful Little Mermaid
• The Middle One: A Sanskrit Play
• The University of Otago's Victorian Light Night
• New podcasts explore adolescence in African contexts
• History and Heritage for British Asians: A Conversation
• The Wrest Circle
• The Politics of Privately-Owned Country Houses in Modern Britain
• Voices of the German Resistance | Reflections
• CANCELLED: SLOW ART WITH REMBRANDT
• CANCELLED: INSPIRED BY REMBRANDT PRINTING WORKSHOP
• CANCELLED: INSPIRED BY REMBRANDT DRAWING WORKSHOP
• My Oxford - Dr Mai Musié, Public Engagement Manager for the Bodleian Libraries
• Love and Vulnerability: Thinking with Pamela Sue Anderson
• New Heritage Blog Post Series
• Network for Armenian Genocide Research launched at Oxford University
• VACANCY: Research Fellow in Ethics in AI
• VACANCY: Humanities Cultural Programme Events Manager
• CANCELLED: Creative Multilingualism: A Celebration
• Opera as a process: the construction of The Gentlewomen
• TORCH goes Digital!
• Online Resources for Medievalists
• Coronavirus and Mobility Forum
• Launch of The Coronavirus and Mobility Forum
• Skoll Venture Awards 2020
• TORCH Goes Digital! AI, Technology, and the Humanities
• Flash Fiction Competition! AI, Technology and the Humanities
• Pandemics from Homer to Stephen King: what we can learn from literary history
• The TORCH Heritage Programme’s 1st e-Workshop
• Reflections on Queer Modernism(s) III: Queer Networks Conference
• Corona Verses, by Yahia Lababidi
• TORCH Goes Digital! Peace & Conflict
• Poetry Competition: Environmental Humanities
• TORCH Recommends: AI, Technology and the Humanities
• Coronavirus: advice from the Middle Ages for how to cope with self-isolation
• Hector
• News agencies celebrate Launch of Oxford Network for Armenian Genocide Research
• Coronavirus: advice from the Middle Ages for how to cope with self-isolation
• Anti-Asian racism during coronavirus: How the language of disease produces hate and violence
• Coronavirus: Europeans introduced devastating novel diseases to the Indigenous Americas – here’s what the survivors learned
• Africa Pulse Launch Videos Released
• The Laboratory with Leaves: Woodland Words (Sarah Watkinson)
• The Case for Universal Amnesia and the Growing Power of the Law Courts In 4th-5th century BC Athens
• Transforming Peace in the 21st Century: The Case for the UN’s New Sustaining Peace Agenda
• RGB: A brief introduction to data sonification as compositional process
• TORCH Recommends: Peace and Conflict
• ANNOUNCEMENT: The TORCH Flash Fiction Winner
• "Error" - The WINNER of TORCH's flash fiction competition!
• "Albert" - TORCH Flash Fiction Runner Up!
• "The Banana Tree" - TORCH Flash Fiction Runner Up!
• Big Tent! Live Online Events
• "We Have Always Been Here": Michael Dillon and Transmasculinity in Pre-War Oxford
• About the 'Climate Crisis Thinking in a time of Covid-19' blog
• TORCH Goes Digital! Environmental Humanities
• New Network Scheme - Trinity Term 2020
• Climate Crisis Thinking in a time of Covid 19 Blog Launched
• Climate Crisis Thinking in the time of COVID-19
• TORCH Goes Digital!
• Discriminating epidemics: Ebola and COVID-19 in the Democratic Republic of Congo
• Environmental Humanities
• Lancelot 'Capability' Brown
• Women Gardeners c.1500-2000
• Resources and support during the 2020 Covid-19 pandemic
• Power, promise, politics: the pineapple from Columbus to Del monte 
• Live Event: Could you be arrested for planting flowers in your street?
• Oxford Mathematics Public Lecture - ONLINE ONLY Robin Thompson - How do mathematicians model infectious disease outbreaks?
• You don’t miss it till it’s gone: theology in a time of crisis
• Penitence, Improvisation and Medieval French: Recording the Scratch Performance of the Medieval French Mary Magdalen Mystery Play
• What impact will the COVID-19 pandemic have on anti-vaxxers?
• Quarantine used to be a normal part of life – and wasn’t much liked then, either
• Coronavirus: why a blanket ban on wildlife trade would not be the right response
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• Meeting of the Pilgrimage Book Club 1
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• Book Launch: A Book of Psalms with Edward Clarke
• Book Launch: A Book of Psalms with Edward Clarke
• Book Launch: A Book of Psalms with Edward Clarke
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• Out of Silence 1: William Shakespeare
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• Queer Studying/Writing Sessions
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• ONLINE EXHIBITION: Beyond the body: a portrait of autopsy
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• Oxford Migration Conference 2020
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• POSTPONED: Digital Approaches to Art History and Cultural Heritage
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• Philosophy of Climate Change: ​Climate Ethics Session 2
• Philosophy of Climate Change: ​Climate Ethics Session 3
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• A Prince's Papers: Transcribing Prince Albert's World
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• Oxford Medieval Studies Week 5 TT 2020
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• ANNOUNCEMENT: The TORCH Storytelling Competition Winners
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• The Contagion Cabaret - Post-show Decontamination Discussion
• "Rapunzel's Son" - WINNER of the UNDER 10 Category, TORCH Storytelling Competition
• "The Sleeping Beauty" - WINNER of the 11 - 17 Category, the TORCH Storytelling Competition
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• "A Fairy Story: The Three Wishes" - RUNNER UP of the OVER 18 Category, TORCH Storytelling Competition
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• "#turniplove" - RUNNER UP of the OVER 18 Category, TORCH Storytelling Competition
• The cane, the hammer and red riding hood - RUNNER UP of the 11 - 17 Category, TORCH Storytelling Competition
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• Reflections on 'Modern Greek Studies in the 21st Century'
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• Oxford Medieval Studies Week 6 Trinity Term 2020
• Labelling Matters Project
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• Noh Theatre Mask - Linnet Drury
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• Labelling Matters 2020 - Scarification
• Labelling Matters 2020 - Hei Tiki
• Labelling Matters 2020 - Anklet
• Labelling Matters 2020 - Banishing Madness
• Labelling Matters 2020 - Noh Theatre Mask
• Labelling Matters 2020 - Hawaiian God
• Labelling Matters 2020 - Myanmar dha
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• Humanities Cultural Programme - Project Funding Call
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• THE CONTAGION CABARET
• Oxford and Empire
• Feminist Thinking Seminars 2020
• Feminist Thinking Seminars 2020
• SciPo Poetry Competition - 'The Science of the Seas'
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• Instructions for laughing at a distance - Ulrike Almut Sandig
• SciPo Interim event 2020 with TORCH: Science of the seas
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• "When The Crickets Hesitate" - WINNER of the Over 18 Category, the TORCH Humanities and Science Essay Competition
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• eeee
• ANNOUNCEMENT: Winners of the TORCH Humanities and Science Essay Competition
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• Art & Action: A Webinar Series on Literary Authorship, Politics, and Celebrity Culture
• Art & Action: A Webinar Series on Literary Authorship, Politics, and Celebrity Culture
• Art & Action: A Webinar Series on Literary Authorship, Politics, and Celebrity Culture
• Art & Action: A Webinar Series on Literary Authorship, Politics, and Celebrity Culture
• Art & Action: A Webinar Series on Literary Authorship, Politics, and Celebrity Culture
• Art & Action: A Webinar Series on Literary Authorship, Politics, and Celebrity Culture
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• Blogging with Manuscripts: IMC Fringe Sessions, 6–9 July 2020
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• Dark Archives 20/20: A Conference on the Medieval Unread and Unreadable
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• Breaking Free: score for exploration, The impeded body
• Breaking Free: The Aesthetic Body, score for exploration.
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• Award of the Oxford-Weidenfeld Prize
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• People like me: Speculation in Pakistan
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• Oxford Lieder Festival 2020: Connections Across Time - A Brief History of Song
• Oxford Lieder Festival 2020 | Elias Ashmole & the Ashmolean Museum
• Oxford Lieder Festival 2020 | Wolf: Goethe-Lieder; Soraya Mafi
• Oxford Lieder Festival 2020 | Mendelssohn and the Jewish Enlightenment; Magnus Walker
• Oxford Lieder Festival 2020 | Rameau: Vents Furieux (excerpt); Charlotte La Thrope
• Obari Gomba
• Oxford Lieder Festival 2020 | Elgar: The Sabbath Morning at Sea (excerpt); Helen Charlston
• Oxford Lieder Festival 2020 | Elgar: Like to the Damask Rose (excerpt); Lauren Lodge-Campbell
• Oxford Lieder Festival 2020 | The Story of the Rose: Introduction from Simon Hiscock
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• Oxford Lieder Festival | Ivor Gurney: Sleep (excerpt); Marta Fontanals-Simmons
• In the footsteps of Hafez: exploring Persian poetry at Oxford Lieder
• Oxford Lieder Festival: Elias Ashmole and the Ashmolean Museum
• Mendelssohn and the Jewish Enlightenment: Oxford Lieder Festival 2020
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• SciPo Interim event with TORCH: The Science of the Seas – 3rd September 2020
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• EMPRES: The Art of Noises V(irtual)
• EMPRES: The Art of Noises V(irtual)
• EMPRES: The Art of Noises V(irtual)
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• Finding ourselves in the library: queer people & closeted books, Jennifer Ingleheart
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• Call for submissions for anthology of poems about science and the sea
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• Breathworks: Your creative responses to breathing
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• Becoming with Wheat: Photosynthesis/Respiration Collaborations
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• Urban Scores | Online Exhibition
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• Syria and Silence
• Syria and Silence Collaborators
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• 2020-21 | Prehension Blooms
• 2018-19 | Concepts of immersion at Waterperry Opera Festival
• 2020-21 | Improving Young People's Mental Well-Being through a Dance Programme
• 2019-20 | The Andromeda Project | Phase 1
• 2018-19 | Genomes: a promotional film for the play about the future of big data and medicine
• 2020-21 | Cantat Ergo Sumus
• 2018-19 | The Performance of Production
• 2019-20 | The Andromeda Project | Phase 2
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• The TORCH SciPo 2021 Schools Poetry Competition
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• 2019-20 | Moving together: Loneliness and connectivity
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• A Hatchery of Shadows: Poetry Anthology Launch
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• Mock COP26
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• Enlightenment Workshop: Discussion of L'Héritage des Lumières: ambivalences de la modernité by Antoine Lilti (EHESS, Paris)
• Discussion of Marie-Antoinette, Lettres inédites, ed. Catriona Seth and Frederick the Great’s Philosophical Writings, ed. Avi Lifschitz
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• The Relation of Literature and Learning to Social Hierarchy in Early Modern Europe
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• Tempest full text, Hyperlink 8
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• Tempest full text, Hyperlink 15
• Tempest full text, Hyperlink 16
• Tempest full text, Hyperlink 17
• Tempest full text, Hyperlink 18
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• Tempest full text, Hyperlink 30
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• Tempest full text, Hyperlink 33
• Tempest full text, Hyperlink 34
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• Book at Lunchtime: Porcelain
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• Workshop: Supporting LGBTQ Visibility with the Kite Trust
• Humanities Cultural Programme - Project Funding Call
• Humanities Cultural Programme - Visiting Fellowships
• Humanities Cultural Programme - Micro-fund
• An Oxford Dérive with Samson Kambalu
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• Zine Workshop with My Normal, Trans Happiness is Real and Common Books
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• Under the Rainbow: Voices from Lockdown
• Beyond the Binary Quick-Fire Questions with Jozie Kettle (Project Curator) and Andy McLellan (Head of Public Engagement and Programming)
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• The Philosophy and Critical Thinking of AI | Day 2
• The Philosophy and Critical Thinking of AI | Day 3
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• "Not Getting Out" | Villiers Quartet Concert
• "Our Common Wealth" | Villiers Quartet Concert
• “where the conflict ends” | Villiers Quartet Concert
• Amanda Harris
• Hannah McFarlane
• Live Discussion & Premiere - Greek Tragedy Masterclass on Film: Antigone
• Nate Holder
• Micro-Internship Opportunity
• Joanna Bullivant
• Kadiatu Kanneh-Mason
• Paul Watt
• Amanda Bayley
• Robert Fokkens
• Wiebke Thormahlen
• Florian Scheding
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• Samantha Dieckmann
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• Hackathon
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• Uprooting the Anthropocene: (re-)centring trees in tree-human relationships
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• Move Fast and Break Things
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• AI Yesterday
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• Move Fast and Break Things - Collaborators
• AI Yesterday - Collaborators
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• Move Fast and Break Things - Project Announcement
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• POSTPONED: Performance workshop: Samuel Coleridge-Taylor, Fantasiestücke Op. 5
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• OCCT TT2021 Week 5 Updates
• Syrian Voices
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• Textual Non Sense - Book Launch - UEA Beyond Criticism Editions
• The Sick List - Book Launch - UEA Beyond Criticism Editions
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• Short Quartets Concert 1
• Short Quartets Concert 2
• Indigenous Studies Group
• Dance as Grace | Workshop with Yorke Dance Project
• New Network Scheme Michaelmas Term 2021
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• Josiah Ober: Panel Discussion | Ethics in AI with Aristotle
• Artist in Residency Programme for COP26
• OCCT TT2021 Week 6 Updates
• OCCT TT2021 Week 7 Updates
• Lauren Braithwaite
• TORCH associates recognised in Queen's Birthday Honours
• Medieval Matters: Week 6 TT2021
• Medieval Matters: Week 7 TT2021
• Medieval Matters: Week 8 TT2021
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• Book Launch: Anne Schwenkenbecher: 'Getting our act together: collective moral obligations'
• The Stars Are Brighter Here - Museum of East Anglian Life Performances
• The Stars Are Brighter Here - The Museum of English Rural Life Performances
• Meet the cast of 'The Stars Are Brighter Here'
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• VEHICLES OPERA
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• Elias Ashmole and the Ashmolean Museum
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• Voltaire, Rousseau and the Enlightenment
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• The Story of the Rose
• Solace in Nature
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• Continuing Collaborations at TORCH
• Oxford Mathematics Public Lecture
• The Cake, the idée reçue and the Invention of Kitsch
• Sarah Schulman in Conversation
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• Women, Storytelling, Silence and War: a Conversation with Olivia Katrandjian
• The Sound of Contagion
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• Happy in Berlin | Podcast Series | Episode 1
• Happy in Berlin | Podcast Series | Episode 2
• Happy in Berlin | Podcast Series | Episode 3
• Happy in Berlin | Podcast Series | Episode 4
• Happy in Berlin | Podcast Series | Episode 5
• Samson Kambalu wins Trafalgar Square Fourth Plinth
• Women, Storytelling, Silence and War: a Conversation with Olivia Katrandjian
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• Andromeda Live Stream tickets now available
• 1918 Allotment Project
• The 1918 Allotment Project Collaborators
• The Sound of Contagion Project Contributors
• Blue Brains in Black Boxes
• Behind The Scenes of The Sound of Contagion
• ‘Duncan Grant 1920’
• Finding Connection at Home
• Best Practices in Global Heritage Education
• Question Your Teaspoons - Essay Competition Open for Submissions!
• Question Your Teaspoons Essay Competition
• TORCH/Festival d'Avignon Collaboration
• A 1918 Allotment in 2021
• Elgar’s The Dream of Gerontius: A Story in Five Places | Episode 2
• Elgar’s The Dream of Gerontius: A Story in Five Places | Episode 3
• Elgar’s The Dream of Gerontius: A Story in Five Places | Episode 4
• Policy and Research Micro-Internship
• Indigenous Studies Group reading group
• Curatorial Research Micro-Internship
• Hindsight Research Micro-Internship
• Tafari Museum Assistant Micro-Internship
• Activity Planning Micro-Internship
• Archival Micro-Internship
• The Guardian 4 star review of Dancing with Apollo performance
• Czechoslovak Studies Group
• Czechoslovak Studies Call for Papers - Reimagining 'The Heart of Europe'
• Reimagining 'The Heart of Europe' Conference
• UK CZECHOSLOVAK STUDIES GROUP CALL FOR PAPERS
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• The Use of AI in HR: Challenges and Opportunities for AI Recruitment Technology
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• Women and Agency: Transnational Perspectives, c.1450–1790
• Knife crime at the heart of a new play
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• Dancing with Apollo. Oxford Residency
• Book at Lunchtime: Jews, Liberalism, Antisemitism
• Our week as Climate Change researchers with INTO
• Paola Bertucci (Yale) book discussion for 'Artisanal Enlightenment'
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• Smart Casual: A New Musical by Sam Woof
• Smart Casual: A New Musical by Sam Woof
• Guidelines | TORCH Knowledge Exchange Fellowship | 2021-22
• The Wedding Cake, Charles Bovary’s Hat, and the Impossible Object
• Smart Casual: A New Musical by Sam Woof
• On the Nature of Things
• On the Nature of Things
• Discover
• TORCH Knowledge Exchange Fellowship | 2021 - 2022
• Smart Casual: A New Musical by Sam Woof
• The Second Short Wave of Democratisation in Latin America: 1943–1963
• 1918 Allotment Visit
• 1918 Allotment Visit
• 1918 Allotment Visit
• Talking Emotions
• Talking Emotions: Humanizing our images of ancient Egypt
• Talking Emotions: The ‘Sentimental’ Ashmolean Painting that was nearly the Great Seal of the United States
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• Amanda Westcott
• Magdalena (Lena) Szalewska
• The Smart Casual Project Contributors
• Micro-Internship Opportunity
• Curatorial Research Micro-Internship
• opp Podcast: South Asian and Africana Philosophy
• Dante Exhibition at the Ashmolean Announced
• Shiva Feshareki
• The Land Remembers
• Self-Representation in Late Antiquity and Byzantium
• Research
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• Immerse-Ed Hackathon announced!
• Psalms for Self -Reflection
• Psalms for Self-Reflection
• Siren Voices
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• Call for Participants! Ashmolean: After Hours – Tokyo Art & Photography
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• TIDEfest: Preti Taneja in Conversation with Nandini Das
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• Augmenting Human Performance – Prof. Fridolin Wild
• Envisioning the Future of Literature Learning – Abbey Palmer
• VR Immersion in the Middle School Classroom - T. Pedersen and S. Sjastad
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• Quantifying Aesthetic Perception: the Point of View of Digital Arts – Dr Aline Guillermet
• 3D-Modelling and Recording Using a Web App – Kornelius Goetz
• A Web-Interface for Exploring Cultural Narratives of St. Petersburg – L. Zimina and A. Puchkovskaia'
• Island Futures: Caribbean Survival in the Anthropocene
• Call for Participants! Heaven and Hell After Hours at the Ashmolean Museum
• Andromeda - a review
• Pluralising the Sources of Knowledge about the Climate Crisis: Insights from Japan
• Dante Exhibitions Coming Soon!
• University of Oxford’s Public Engagement with Research Seed Fund
• 101 Jobs That Change The World – UK Research
• 2020-22 | Still Breathing
• Theatre in the time of Covid
• Dante: the Art and Science of Light
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• Poster for Climate Exp0 2021
• Poster for Climate Exp0 2021
• TORCH Knowledge Exchange Innovation Fund | 2021-22
• Tasha Patel (on maternity leave)
• 1918 Allotment & Public Engagement with Research
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• Images as Data: Visualising Visual Resource Collections – T. Colwell, C. DeRose, L. King
• An Ontology for the Description of Visual Heritage - Nicola Carboni
• In The Blood
• Dig for Vitality
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• 'Though This Be Madness' goes on tour!
• Photogrammetry, Virtual Restoration and the Constantinian Ceiling Frescoes from 4th-Century Trier – Adam Blitz
• A Digital Reconstruction of the Chertsey Combat Series Tiles (English, c. 1250) - Prof. Amanda Luyster
• Influencers, Reactions, and Rituals: Art ‘Stories’ in a Pandemic Era - Jairo Salazar
• Heritage as a Form of Digital Assemblage: An Analysis of a Cultural Heritage Lab - C. Simsek and A. Andic
• Dante and Dance
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• Elgar’s The Dream of Gerontius: A Story in Five Places
• Rebel Voices 2021- International Virtual Dyslexia Conference
• AI Governance Fund - Funding Call
• Castle of our Skins
• Humanities Cultural Programme Visiting Fellowship Announcement
• Castle of our Skins Collaborators
• Acting Outside the Box Collaborators
• Looking Beyond Collaborators
• Tokyo: Art and Photography Exhibition at the Ashmolean Museum
• Many Worlds in One Place
• Japanese Calligraphy Kana Shodо̄: The ‘Women Hand’ Kana Characters and Empowerment of Women
• Kaoru Akagawa's biography
• Envoi
• Exploring Dante: two new exhibitions
• It Sings Therefore We Are: Philosophy and Music in Conversation
• Putting Magic in Place
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• Archival Post: Visiting the Winifred Gill Archive
• Women, Memory & Transmission Postcolonial Perspectives from the Arts and Literature
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• White Gold: Meissen Porcelain and The Destruction of Dresden
• Book at Lunchtime: Living I Was Your Plague
• Book at Lunchtime: Greek Weird Wave
• Oxford Castle at 950 years - son et lumière
• Vacancy: International Officer (Maternity Cover)
• Tokyo & Art: In-conversation with artist Enrico Isamu Oyama
• Dante: The Invention of Celebrity
• Dante at the Ashmolean: Three Curator’s Highlights
• Anagama Kiln Firing - Live
• Marewrew's Voice
• In Conversation with Alice Oswald and Katie Mitchell
• Oxford Window Installations by Eiko Soga
• After Hours: Japan
• In Praise of Hands
• At Home in the Eighteenth Century
• Japan Film Season
• Women, Memory & Transmission. Postcolonial Perspectives from the Arts and Literature
• Project Contributors
• Environmental Humanities: Communicating the Climate Crisis
• Public Engagement at TORCH: Expect the Unexpected
• After Hours: Dante – Heaven and Hell
• Digging Crates
• Photo exhibition 'Catherine, Kiambé, Surya'
• Future Philology: Digitization and Beyond
• Supporting researcher development at TORCH
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• Professor Laura Marcus - Obituary
• Is Procreation Morally Wrong? Is it Obligatory?
• Happy in Berlin? reviewed in the TLS
• Professor Rob Iliffe
• Live Music at Hogacre: Paul Lodge & Flights of Helios
• Humanities Cultural Programme
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• Villiers Quartet From Home
• New Exhibition: Dante in Christ Church
• It’s True, It’s True, It’s True: Verbatim Theatre, Staging Sexual Assault, and Female Representation in the Arts
• King Alfred's translation of Psalms 1–50
• Oxford Interfaith Forum
• Transportation Transformation
• Song Futures: Cheryl Frances-Hoad
• Book at Lunchtime: Greek Weird Wave - A Cinema of Biopolitics
• 'The End of This Story Is Now Really the Beginning': New Directions in Florence Price Scholarship
• Drummers Unite!
• Book at Lunchtime: The Oxford Handbook of Dante
• Book at Lunchtime: Literary Cosmopolitanism in the English Fin de Siecle
• Black Transnationalism and Japan Conference
• Paris-Oxford Partnership: Visiting Fellowship Programme 2022
• COVID and disproportionality and what does it mean for health disparities moving forward?
• Syrian Voices | Film Screening of Arwa
• Paris-Oxford Partnership: Early Career Researcher Partnership Programme 2022
• Japan Season: Bringing Japan to Oxford
• 'Song Futures: Cheryl Frances-Hoad' Project Announcement
• Everyone on stage: inclusive arts panel
• Living in the Present Moment: The World of the Japanese Tea Ceremony
• Receptions and Comparatisms
• 'Dante on Film' Harry Lachman's Dante's Inferno (1935)
• Book Launch: After Dante: Poets in Purgatory
• 'Dante at Oxford': Two short illustrated talks
• Fakery in African Spaces Special Issue launch
• Launch of Syria and Silence
• Linda Tuhiwai Smith Lecture
• Medieval Matters - Pre-Term MT2021
• Medieval Matters: Is it Term Yet?
• Medieval Matters: Week 0 and Booklet
• Medieval Matters: Week 1 MT2021
• Ecopoetics and the Anthropocene: a conversation between Peter Larkin and Dominic Hand
• ROAR Festival 2021 - inclusive arts across the city and beyond
• Water Lily: Dance of Darkness
• Sound Archive Curatorial Research Micro-Internship
• Curatorial Research Micro-Internship
• Micro-Internship Opportunity
• Strategy Analyst Micro-Internship
• Killerton: Charles Dyke Acland and the HMS Helicon
• An 'Opera of Words'; Pierre Lecuire and the texture of language
• Caribbean Studies in Oxford: Postgraduates discuss their current research projects
• How can stories, histories, art, and music help comprehend a planet in crisis?
• Mariko Sakaguchi: One Hundred Views of Bathing
• Receptions and Comparatisms: Temporalities
• Receptions and Comparatisms: What is a Language?
• Receptions and Comparatisms: Orality and Script Worlds
• Receptions and Comparatisms: Decolonisation
• Receptions and Comparatisms: Decoloniality
• Receptions and Comparatisms: Posthumanism
• Receptions and Comparatisms: Anthropocene
• HEAR AND NOW: The Sound of Contagion
• Workshop Series
• Among the Garbage and the Flowers
• Caribbean Studies Network: Candela (Farías Cintrón 2021): Caribbean entanglements
• ABC Network bring artists and scientists together in collaborative exhibition ahead of COP26
• Medieval Matters: Week 2 MT2021
• Writing Technologies: works in progress
• Book discussion workshop: Katie Chenoweth, The Prosthetic Tongue: Printing Technology and the Rise of the French Language
• TORCH Critical-Thinking Communities - Michaelmas Term 2021 Funding Call
• TORCH Interdisciplinary Futures - Michaelmas 2021 Funding Call
• Radical Enlightenment Seminar
• OCCT MT2021 Week 1 Updates
• Art Biodiversity & Climate Change: Creative Conversations with Artists and Scientists
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• The Civic Role of Theatres
• A theatrical response to Syrian Voices – Pastures Green
• Erin Nickalls
• Pablo Fernández
• John D. Batten: 44 illustrations for the Inferno
• Dante's Lyric Poetry in Oxford
• The British Aristocracy and the Modern World
• Presidents and Crises: George Washington and Ronald Reagan
• Past Humanities Cultural Programme opportunities
• ‘When a lack of consensus is more productive’: the importance of diversifying knowledge production
• 'How does climate crisis change the curriculum?’ Innovating in education and the future of work
• Storytelling Through Crises: Creative Responses to Climate and Nature
• Bach, the Universe & Everything
• Van Gogh - chamber opera by Michael Gordon
• Van Gogh - chamber opera by Michael Gordon
• Remembering Sir Robert Cohan OBE | DANSOX and TORCH present two evenings of work
• Welcoming Obari Gomba, Global South Visiting Professor
• Khaled Khalifa in conversation with Dr Ali Souleman, Professor Mohamed-Salah Omri and Suzan Meryem Rosita.
• Medieval Matters: Week 3 MT2021
• Dima Wannous in conversation with Dr Ali Souleman, Professor Mohamed-Salah Omri and Suzan Meryem Rosita
• Khaled Alesmael in conversation with Lydia Wright and Suzan Meryem Rosita
• Mamdouh Azzam in conversation with in conversation with Dr Ali Souleman, Dr Robin Ostle and Suzan Meryem Rosita
• Itab Azzam in conversation with Martha Sharp, Runa Jarjour and Suzan Meryem Rosita.
• Samar Yazbek in conversation with Dr Anissa Daoudi, Dr Ali Souleman and Suzan Meryem Rosita.
• Show and Tell manuscripts - Syria Writes Literary Lunches
• Syria Writes Literary Festival
• Syria Writes Event Poster
• Unheard Voices of the English Country House
• OCCT MT2021 Week 2 Updates
• Past Humanities Cultural Programme Projects
• Reflective visits
• Walk Cheerfully
• Oxford Dante Festival Leaflet
• OCCT MT2021 Week 3 Updates
• Ethics and the Future of AI
• Humanising Public Health and Challenging Infodemics Online: The Potential of Comics for Evidence-based Communication
• Visual // Grief: A Talk by Tahneer Oksman
• Virtual Adventures in Collaborative Comics Translation
• Critical Bestiaries of AI: Reimagining Monsters
• Critical Bestiaries of AI: Reimagining Monsters - Collaborators
• Critical Bestiaries of AI: Reimagining Monsters Project's Existing Work
• Speed Research Sharing
• Dissident Histories Discussion Group
• Sociological Podcasting: Radical Hope, Care and Solidarity in a Time of Crisis
• Unsettling’ Heritage Panel: Reflections on the Sturdiness of White Supremacy in the Built Environment
• Towards Healthy Futures: Blackness, Humanity, and Freedom
• Professor Stephen Tuck
• Professor Patricia Daley
• Roger Nascimento
• Machilu Zimba
• Dr Meleisa Ono-George
• Dr Chantelle Jessica Lewis
• Dante, Culture and the People
• Past Knowledge Exchange Funding Opportunities
• Vacancy: International Officer (Maternity Cover) Re-advertisement
• Research Launch with Queer Intersections Oxford
• Queer Intersections Oxford
• Eiko Soga's Window Installations come to Oxford City Centre
• Staging Wild: Non-Human Subjectivity in Performance
• AHRC Bursary Opportunity
• African Studies Research Seminar: Colonial Niger Delta and Intra-Regional Conflicts in Selected Nigerian Plays
• Introducing our new Knowledge Exchange Fellows
• ‘Oxford and War’ Project Update 2021
• Bats at Bodiam Castle
• Past Knowledge Exchange Fellowships
• Action towards climate justice with participatory photography - lessons from rural Ethiopia
• Innovation and Its Unexpected Effects: Why a Historical Perspective Matters in the Climate Crisis
• Madame Bovary’s Wedding Cake
• Dante Season Programme
• Katie Melua
• OCCT Week 3 Updates
• OCCT Week 4 Updates
• Medieval Matters: Week 4 MT2021
• Heritage Micro-Internships | December 2021
• Tafari Museum Assistant Micro-Internship
• Question Your Teaspoons Reading Event
• Mike Bartlett: A Conversation
• Medieval Matters: Week 5 MT2021
• Kim Ruffin Lecture : Teaching and Knowing an Anti-Racist Nature
• The James Ford Special Lecture: Racial capitalism across the black/white Atlantic
• Radhika Khosla
• Syria Writes Literary Festival brings prominent authors to Oxford
• David Pyle
• Giulia Smith
• Prof Katherine Ibbett
• OX|BER Research Partnership: Short-term flexible funding
• Monika Zurek
• Patricia Kingori
• Kate Saunders
• Angeliki Kerasidou
• Still Walking
• Ashok Handa
• Edward Harcourt
• Political Innovations for Rapid Transition
• Kate Kirkpatrick
• Brenda E. Stevenson
• It's True, It's True, It's True: Verbatim Theatre, Staging Sexual Assault, and Female Representation in the Arts
• Blue/Orange - Post-show panel discussion
• Wild Fires: a new novel from former Writer-in-Residence Sophie Jai
• Look back: After Hours - Japan
• Sneha Krishnan
• Caine Lewin-Turner
• New MSc in Digital Scholarship Launches
• New Projects from Oxford/UdK Berlin Seed Fund for Creative Collaborations
• Exhibiting Antiquity
• Vignettes of a Pixelated River Nos. 3 & 4
• 3D Modelling with Camera Phones | Lab-based testing at VWHL | Video 1
• 3D Modelling with Camera Phones | Lab-based testing at VWHL | Video 2
• Power and Patriarchy
• So You Want to Write A Novel?: Workshop with Sarah Schulman
• Sarah Schulman & Amia Srinivasan in Conversation
• Eyes on Africa, Readings from Oxford
• Storytelling Through Crises: Creative Responses to Climate and Nature
• Alexandra Lloyd
• Part-time Networks and Programmes Officer
• Networks and Programmes Officer
• Events Manager: Ethics in AI and Humanities Cultural Programme
• The Use of AI in HR: Challenges and Opportunities for AI Recruitment Technology’ panel event
• Letters From The Past
• Medieval Matters: Week 4 MT2021
• Medieval Matters: Week 6 MT2021
• Medieval Matters: Week 7 MT2021
• Ladies of Leisure
• OCCT—Week 5 Updates
• Dante After Hours Programme
• Bath 250 | Celebrating Bath's Assembly Rooms
• OCCT—Week 6 Updates
• In Praise of Hands | Gallery
• JC Niala: 1918 Allotment
• Watch Candela: Caribbean entanglements
• QIO Research Lunch
• 'From history painting to Steve Bell’s cartoons. Parodies of Napoleonic art'
• Shae Moors' Dante Storytelling
• TORCH | 2022 - 2023 | Knowledge Exchange Fellowship
• Tonkori: Musical Conversations
• New Network Scheme Hilary Term 2022
• New Network Scheme Trinity Term 2022
• 2022 - 2023 | TORCH Knowledge Exchange Innovation Fund
• Thirty years later – Rethinking Albanian-Greek identity
• Is There a Modern Indian Literature? January - April 2022
• Medieval Matters: Week 8 MT2021
• Material Religion in Byzantium and Beyond
• Department for Education | £4 million investment in the Latin Excellence Programme
• Guidelines | 2022 - 2023 | TORCH KE Fellowship Award
• AI Governance Fund - Funding Call
• ASH, EMBER, FLAME: A Japanese Kiln in Oxford
• ASH, EMBER, FLAME - a Japanese Kiln in Oxford | image gallery
• Reimagining the Ballet des Porcelaines (The Teapot Prince) Contributors
• Look Back: After Hours - Dante
• The Teapot Prince
• The Teapot Prince Project Announcement
• AI Yesterday Issue 01: Positions
• The Reimagining Performance Graduate Essay Prize
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• Behind the scenes of The Duchess of Malfi
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• Look back: Drummers Unite! - Japan
• Oxford Medieval Graduate Conference 2022: Call for Papers
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• Ethics in AI Colloquium | The Age of AI
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• Oxford Re-Formed
• How can stories, histories, art, and music help comprehend a planet in crisis?
• Medieval Matters: Week 9 MT2021
• Book at Lunchtime: The Career and Communities of Zaynab Fawwaz
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• Opening the PEN Archive: 1921-2021
• Book at Lunchtime: Don't Follow the Wind
• Book at Lunchtime: Journey from St. Petersburg to Moscow
• Contagion Cabaret - Panel Discussion
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• Sounds in Spaces at National Trust Sites
• Image Gallery | The Teapot Prince
• CANCELLED: after birth at VAULT Festival
• after birth: reflections on collaboration
• Humanities Cultural Programme - Micro-fund
• Madame Bovary’s Image gallery | Wedding Cake created by the Oxford Cake Shop
• Humanities Cultural Programme - Project Funding Call
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• 2021-22 | Reproductive Ethics in the Mexican Context
• 2021-22 | The Religious Identity of Maharajah Duleep Singh
• 2021-22 | Real Oxford: Valuing the Everyday
• Dr Hanna Smyth joins 2022 Ashmolean ‘Talking Memory’ Programme
• 2021-22 | Istro-Romanians: Linguistic Heritage in Online Conversations
• Workshop Series in Songwriting with Katie Melua: The Silk Roads Project
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• Call for Papers: Children and Heritage
• Oxford Holocaust Memorial Events Series: One Day When We Tell Their Stories
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• Notes on Craft: Dr Xine Yao and Ama Josephine B. Johnstone in Conversation
• Enriching Engagement grant set to transform public understanding of the human form
• Medieval Matters: Week 0 and HT22 Booklet
• Women and Violence in the Late Medieval Mediterranean, ca. 1100–1500: conference to book
• A History of Bookbinding as Told through Oxford College Libraries
• OMS Lecture Hilary 2022: Lucy Pick, ‘Maimonides Latinus and a Thirteenth-Century Textual Community of Jewish and Christian Readers’
• Trinity Term 2022 OMS Lecture: Caroline Danforth
• Oxford Medieval Graduate Conference 2022
• Webinar: The Murbach Hymns (MS. Junius 25) - Vernacular Glossing in the Early Middle Ages
• A #Nuntastic Achievement: Celebrating Eileen Power 100 Years On
• Call for Papers: New Visions of Julian of Norwich
• Oxford Holocaust Memorial Lecture Series 2021
• INTERROGATING THE DANCE ‘CLASSICS’ - The Sleeping Princess and The Sleeping Beauty
• Volunteering Opportunity with the Oxford Centre of the National Trust
• INTERROGATING THE DANCE ‘CLASSICS’ - Listening to Grace: Embodying Hidden Pasts, Imagining Just Futures
• Film Screening and Q&A: The Donkey Field
• INTERROGATING THE DANCE ‘CLASSICS’ - Swan Lake
• Survivor Testimony: John Hajdu MBE – in association with the Oxford University Hungarian Society
• Programme Design and Development Consultant
• INTERROGATING THE DANCE ‘CLASSICS’ - Dancing on Violent Ground: Utopia as Dispossession in Euro-American Theater Dance
• The Importance of Personal Stories of the Holocaust
• Survivor Testimony: From Yellow Star to Pop Star
• Interdisciplinary Panel on Holocaust Research, Memorial and Education
• Remembering the Holocaust in the UK: Challenges and Opportunities
• Academic Panel Discussion: Holocaust Perpetrators
• Oxford Re-Formed
• Black British Theatre Today: A Roundtable
• SciPo 2022: New Poetry for a New Year
• Intimacies, after Vallotton
• 'Intimacies, after Vallotton' Collaborators
• The Intellectual Contribution of Black Women to Academic Disciplines
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• Strolling Through Ruins: The Caribbean’s Non-Sovereign Modern in the Early Twentieth Century
• Colonial Debts: The Case of Puerto Rico
• Reflections on Researching Afro-Caribbean Women in Late Eighteenth and Nineteenth Century Britain
• Network Wrap-Up Event
• Curatorial Research Micro-Internship
• Part-time National Trust Partnership Support Officer
• A Heritage Policy Micro-Internship
• Family Archives and Material Memory in German Graphic Life Writing
• Oxford Mathematics in partnership with Orchestra of the Age of Enlightenment Bach, the Universe & Everything
• The Choix Goncourt UK
• The Choix Goncourt UK
• 2021-22 | Selfish Road | TORCH | Oxford Research Centre for the Humanities
• Race, Justice, and the Ecological Legacy of the Plantation in Southern Louisiana
• Book Talk: Lily’s Promise: How I Survived Auschwitz and Found the Strength to Live
• Dr Jennifer Wong
• Stories In/Around the Machine
• Dissident Histories: Heritage and the Archive
• Still Breathing
• POSTPONED: The Intellectual Legacies of Stuart Hall
• Remembering bell hooks
• Dissident Histories
• Allyship in the Academy: Steps to Promote and Support Racialized Minorities
• 'Oxford Holocaust Memorial Events Series 2022' Project Announcement
• TORCH | 2021 - 2022 | Post-show Conversations
• Queering Marvel’s America: Arnie Roth vs the Censors
• Dr Oliver Cox Appointed as a Trustee of the Churches Conservation Trust
• Funding Research for the Future of the Historic Parish Church
• Celebrating Funding Success with the Oxford University Heritage Network
• TORCH Heritage Knowledge Exchange Innovation Projects Announced
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• Digging Crates
• Erasing Racism, Rewriting Identity? Antiracist Discourse in Quan Zhou Wu’s 'Gente de aquí. Gente de allí. Ensayo gráfico sobre migrantes y españoles'
• Chamber Music from the African Continent Diaspora
• AN INTERSEX INTERVENTION with Valentino Vecchietti and Dani Coyle
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• OCCT - Week 0 Updates
• Abigail Reynolds at Whitmore Reans Branch Library
• 'Florence Price, Black Renaissance Woman' with Dr Samantha Ege
• Complete Beethoven Works for Cello and Piano
• OCCT—Week 1 Updates
• OCCT - Week 8 Updates
• (Re)Acting Romanticism: Disability and Women Writers
• (Re)Acting Romanticism: Disability and Women Writers Project Contributors
• (Re)Acting Romanticism: Disability and Women Writers Micro-Fund Project Announcement
• Translator-in-Residence at the Queen's College Translation Exchange
• Complete Beethoven Works for Cello and Piano
• Translator-in-Residence at the Queen's College Translation Exchange Project Contributors
• 2021-22 | Recovering Spectacular Theatre of the Eighteenth Century
• Humanities Cultural Programme Visiting Fellowship Announcement
• Oxford & Caribbeanity Now
• Castor et Pollux: Rameau’s Rising Stars
• Roundtable Series: "Visualising Migration and Mobility"
• Call for Papers/Submissions* MMN Conference: "Measuring Migration: How? When? Why?"
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• Metaphors in Translation Conference
• Special Event on Polish World Literature
• Shaping Destiny
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• Neoclassicism, Race and Empire - Anne Lafont
• Richard Hakluyt and the French Connection
• Neoclassicism, Race and Empire - Louis Nelson
• The Second Oxford Sanskrit Play: How Urvashi Was Won
• The Second Oxford Sanskrit Play: How Urvashi Was Won
• Creative Writing Workshop: A Personal History Through Songs
• Creative Writing Workshop: A Personal History Through Photography
• The Axiom of Choice - the premiere of a new play by Marcus du Sautoy
• Ethics in AI Colloquium | The Economic Impact of AI
• Anthony Roth Costanzo
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• Creative Writing Prompts
• Reading List
• Creative Writing Workshop: A Personal History of Objects
• A Personal History of Home Collaborators
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• 2021-22 | Artists to Fill the Gap: Commemorating Walter Rathenau in a Jewish Country House
• 2021-22 | Resisting Silence: Revealing Everyday Lives of Plantations Through Material, Oral, and Archival Histories
• Call for expressions of interest: Environmental Social Sciences and Humanities (ESSH) Supporters
• Comic Network Call for Blog Posts
• Yasmin Benoit: Black Aromantic-Asexuality
• Literature for a Changing Planet
• Medieval Matters - Week 4 Updates
• The Second Oxford Sanskrit Play Poster
• OCCT HT 2022 - Week 2 Updates
• Humanities Cultural Programme Visiting Fellowship Announcement
• Teaching & Translating Taboo
• OCCT HT 2022 — Week 3 Updates
• OCCT HT 2022 - Week 4 Updates
• Teaching and Translating Taboo: A Knowledge Exchange Workshop
• Oxford Technology in Society Forum
• Anthony Roth Costanzo Visiting Fellowship
• The Oxford Anthology of Translation
• Call for submissions - The Oxford Anthology of Translation
• CALL OUT FOR ARTIST with experience in facilitation
• POSTPONED: Digging Crates: Who Owns the Word?
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• CREDIBLE: Why We Doubt Accusers and Protect Abusers, with Deborah Tuerkheimer
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• Feminist Thinking Seminar Series Hilary Term 2022
• Visual // Grief: A Talk by Tahneer Oksman
• Medieval Matters HT 2022 - Week 5 Updates
• Practising Archaeology Vol. 2
• Elliptical Readings with artist Abigail Reynolds
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• Paris Oxford Partnership: Early Career Researcher Partnership Programme 2022-2023
• Paris Oxford Partnership: Visiting Fellowship Programme 2022-2023
• Talking Memory
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• African Studies Research Seminar with Dr Obari Gomba
• Eyes on Africa, Readings from Oxford
• Past Knowledge Exchange Projects
• So You Want to Work in Theatre?
• Visiting Oxford: Dr Obari Gomba (Global South Visiting Professor)
• A Call for Submissions: A Personal History of Home
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• Map to explore Abigail Reynolds' works in the library
• Dr Samantha Ege wins American Musicological Society's prestigious Noah Greenberg Award
• The origins of the Maison Française d'Oxford. 25 years of archives (1946-1970)
• Talking Memory Project Announcement
• Elliptical Reading - Wolverhampton Book Choices
• Elliptical Reading - Aberdeen Book Choices
• Rethinking Resistance 2022
• Rethinking Resistance – An Interdisciplinary Graduate Conference
• Call for Papers: Rethinking Resistance - An Interdisciplinary Graduate Conference
• New Publication
• Oxford Technology in Society Forum Launch Event
• Silence, Image, Music, Story
• Induction information for those returning on-site to participate in an event at Radcliffe Humanities
• What does "scaling-up" mean in your discipline?
• Rory Campbell, 'Rawz', St John's Sound-Artist-in-Residence: Workshops, Hilary Term 2022
• On Not Mentioning the Modern
• Environmental Social Sciences and Humanities Workshop 1 (Hybrid Format)
• Environmental Social Sciences and Humanities Workshop 2 (Hybrid Format)
• Mechanic Vitality: a roundtable discussion troubling the narrative of a transition from 'vitalist' to 'mechanist' conceptions of nature in the early modern period
• Privacy Settings
• Call for Papers: Politics of “Alterisation”: manufacturing and governing Otherness
• Call for Papers: 2022 Annual Oxford Migration Conference: “Contours of Power: Exploring Power and Migration”
• Medieval Matters - HT 2022 Week 6 Updates
• Opening Oxford 1871-
• Opening Oxford 1871 Concert
• Opening Oxford Collaborators
• Little Amal Visits Oxford
• Rawz is the St John's Sound Artist in Residence for 2022
• Intersex Panel: Art, Activism and Academia from Africa, Europe and North America
• Parenting for Social Justice: An Inter*Sectional Queer Approach to Parenting with Del LaGrace Volcano
• OCCT HT 2022 - Week 5 Updates
• Book at Lunchtime: Unseen City: The Psychic Lives of the Urban Poor
• OCCT HT 2022 - Week 6 Updates
• Book at Lunchtime: Spying Through a Glass Darkly
• AI Futures and the Curated Visitor Experience
• CANCELLED: Jack Halberstam
• New Project Announcement: The Second Oxford Sanskrit Play: How Urvashi Was Won
• OXFORD MEDIEVAL GRADUATE CONFERENCE 2022: PROGRAMME
• Anthropocene Reading Group
• Anthropocene Reading Group
• Anthropocene Reading Group
• Oxford Holocaust Memorial Events Series | Quotes
• Exhibition - Portal: 1918 Allotment
• TORCH International Partnership Scheme 2022
• Arwa - Syrian Voices
• SYRIAN VOICES – Refugee Perspectives on life in the UK
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• OMS HT 2022 - Week 8 Updates
• Intimacies, after Vallotton. After Hours.
• Creative Multilingualism funding opportunity for small creative projects
• Sound of Contagion short film release
• Exploring AI as a Creative Tool Workshop
• Call for Artists and Academics | Exploring AI as a Creative Tool Workshop 20-22 May
• Creative Multilingualism funding opportunity for small creative projects
• Oxford Holocaust Memorial Events Series 2022: It falls to us to tell their stories
• AI Governance Fund - Funding Call
• Read about Anthony Roth Costanzo
• Premiere: Florence Price, Black Renaissance Woman' with Dr Samantha Ege
• Celebrating the Complete Works of Voltaire
• Oxford University receives planning permission for the Stephen A. Schwarzman Centre for the Humanities
• Gallery | The Second Oxford Sanskrit Play: How Urvashi Was Won
• Film screening and Q&A: Lunar Voyage
• Recordings | The Second Oxford Sanskrit Play: How Urvashi Was Won
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• Circling Around the Truth: Rotating Symbols in the Mechanization of Thought and Reality
• Circling Around the Truth: Rotating Symbols in the Mechanization of Thought and Reality - Resources
• Songwriting Workshop with Katie Melua
• Bach, the Universe & Everything - The Mathematics of Decisions
• Japanese Calligraphy Kana Shodо̄ | Image Gallery
• AI Futures and the Curated Visitor Experience | Project Contributors
• 2022 - 2023 | TORCH Knowledge Exchange Fellowship
• Einstein Visiting Fellowships (Oxford-Berlin)
• John F Kennedy
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• The Significance of Listening Well: Why the Listener is at the Heart of Social Agency
• As Society Moves Online, We Must Redefine Our Moral Community
• Jeremy Thomas
• Jacob Feltham Forbes
• Srutokirti Basak
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• Children & Heritage: A colloquium
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• Call for Volunteers | (Re)Acting Romanticism: Women Writers and Disability Workshop
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• REVIEW: ‘the future looks bright’ for GOYA after sell out world premiere of Smart Casual – A New Musical at The North Wall
• Smart Casual: a five star musical performance from Oxford University students
• Refreshingly Fluid: Smart Casual at The North Wall
• Review: “Smart Casual” // GOYA Theatre
• RAMEAU: CASTOR ET POLLUX (1737)
• The Silk Roads Project
• Sensational Books Sound Project
• 2022 - 2023 | BFI - TORCH Knowledge Exchange Fellowship
• Applications Open: Global South Visiting Professorship 2023-2024
• Oxford-Berlin Research Partnership: Seedfunding for Creative Collaborations
• 2022 - 2023 | Brookes - TORCH Creative Industries Collaboration
• What is Decoloniality
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• Humanities Cultural Programme - Project Funding Call (Trinity Term 2022)
• Humanities Cultural Programme - Visiting Fellowship Call (Trinity 2022)
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• 2021-22 | 3D Modelling with Smartphones, Interior Spaces
• Growing Connections
• TORCH Pitching Competition | Training Session | 2022
• TORCH Interdisciplinary PER Project Scheme
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• 2021-22 | The Museum of Revelatory Fakes | MoRF
• Trip to Rebellion Studios | Inside Creative Industries
• Trip to Rebellion Studios
• Orhan Pamuk's The Museum of Innocence
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• Hackathon Report
• Immersive Technologies in Education
• Thirty Works Thirty Days
• Research Hubs
• Winners of the first hackathon at Oxford devoted to Immersive Technologies
• ONAGR’s first Academic Visitor: Anna Karapetian
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• Researcher Opportunity with the Oxford Network of Armenian genocide
• Anna Karapetian
• Race, Resistance and Belonging at the University of Oxford
• Indigenous Studies Network
• “This weary frame”: Expressing Pain in Dorothy Wordsworth’s letter to Hannah Hoare
• Izabela Jaroslawska
• Heritage Partnerships Coordinator
• Artists of Rameau: Castor et Pollux
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• Tristes Apprêts - Aria
• Neoclassicism, Race, and Empire
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• Launch Event | Critical Indigenous Studies Network
• Exploring the Taylor Institution: An Indigenous Studies Perspective
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• Talking Memory Workshop
• Talking Memory Workshop
• Talking Memory Workshop
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• The Joy of Philosophy through Public Engagement
• OOC Placement | A la Ronde
• OOC Placement | Attingham Park
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• OOC Placement | Histories of Childhood in the National Trust
• Detective Work at Tyntesfield
• Octavius Morgan Travel Journals | Society of Antiquaries of London
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• The Oxford Medieval Mystery Cycle 2022
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• OxOnSong Concert Series - 1
• OxOnSong Concert Series - 2
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• Workshop and Call for Submissions
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• Vittoria Fallanca
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• Thinking with Comics – A Workshop
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• OPEN Showcase 2022
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• Dr Tomoko Wantabe
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• Gary Tanner
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• Premiere: Lunar Voyage, part of Silence, Painting and Poetry
• Porcelain, Chinoiserie and Dance: The Teapot Prince comes to Oxford
• Hindsight Research Micro-Internship
• Heritage and Archive Research Micro-Internship
• Curatorial Research Micro-internship
• Digital Engagement with Archives Micro-internship
• Policy and Communications Micro-Internship
• Contested Heritage Micro-internship
• Engagement with Digital Cultural Heritage Micro-Internship
• Digital Cultural Heritage and Public Outreach through Social Media Micro-internship
• Notes on Craft Series | Andy Reynolds, Princeton Professor of LGBT Politics
• What Makes a Comic Autobiographical?
• 2021-22 | CELL: Exploring New Theatre Visions of Julian of Norwich
• Godelinde Gertrude Perk
• Cindy Oswin
• Antje Chan
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• Introduction to Creating AR/VR Applications
• Theatre Workshop: What is Globe Performance Practice
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• Greening Chronos, Growing Kairos: Turning Time in Religion and the Environmental Humanities
• After Rome and Further East
• After Rome and Further East
• After Rome and Further East
• After Rome and Further East
• After Rome and Further East
• After Rome and Further East
• Workshop 1: De-Constructing Utopias
• Linton Kwesi Johnson and the Literary Problem Space of Black Music
• Workshop 2: Living within Boundaries – Mediated Utopias
• Memories of the Post-Anthropocene: Rebuilding Worlds with Indigenous Art, Anticoloniality, and Ecological Struggles in Brazil
• Castalian String Quartet Concert
• Talking Memory Workshop
• Talking Memory Workshop
• The Archive of a Visual and Written Dissent in the Early Modern Iberian World
• Theatre Automata: From Mechanic Vitality to Dehumanized Robots (Mechanic Vitality III)
• Opening Oxford Programme
• Digital Cultural Heritage course at the Digital Humanities at Oxford Summer School 2022
• Mechanic Vitality II: hydraulic philosophy and mechanical passions?
• Day of Dance: Transnational Conversations
• Imagining Ithaca
• The Teapot Prince
• National Trust Research Project Support Coordinator
• Innovation Provocation: Transnational Avant-Gardes
• My Name is Laura Kieler: A Work-in-Progress discussion with Breach Theatre
• Dr Daniel G. Cooper
• Andrés González Dinamarca
• Dr Sarah E. Edwards
• Mai Misaki
• Mary Katherine Newman
• Dr Sebastian Vacas Oleas
• Professor Laura Rival
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• Medieval Matters: Week 2 TT2022
• OMS Small Grants TT 2022
• Medieval Matters: Week 3 TT2022
• Hopia-Ghana
• Ethics in AI Colloquium | Democratize Work
• Ethics in AI Colloquium | Algorethics: Thinking about the Techno-Human Condition
• TORCH Pitching Competition | 2022
• TORCH Pitching Competition | 2022
• Medieval Matters: Week 4 TT2022
• John Pfumojena
• Prof John Harle
• Schwarzman Centre Site Celebration
• Thirty Works Thirty Days 2022 Gallery
• Molière on stage. Lesson in interpretation: Ariane Mnouchkine in Conversation with Wes Williams
• Artist Zoe Beloff in Conversation with Professor Tom Kuhn
• A Memory Map of Experiences
• Race, Resistance and Belonging at the University of Oxford: links
• Race, Resistance and Belonging at the University of Oxford: reflections
• Immers-Expo: Immersive Research and the Metaverse | Shaping Destiny
• Reading Group with Dr Sherry Lee
• Reading for the Reading Group with Dr Sherry Lee
• 'How does climate crisis change the curriculum?’ Innovating in education and the future of work
• Safika ‘We Arrived’: Music, Migration, and Memory
• Anglo-Indian Perspectives on Human Dignity in Healthcare and Medical Research
• Archaeology, Community, Engagement.
• Critical Bestiary of AI
• Avant-Garde! After Hours at the Ashmolean Museum Programme
• Children & Heritage
• Medieval Matters: Week 5 TT2022
• Post-Show Conversations: Cyrano de Bergerac
• Elliptical Reading: BAS9 Manchester
• Post-Show Conversations: When We Dead Awaken
• Post-Show Conversations: Scandaltown
• Medical Humanities Lunchtime Meet-up
• The Trouble with Pronouns
• Publishing African Literature Today
• Transnational Africa - The Dakar Translation Symposium
• Forgotten Christianities 2022
• Britain and the Soviet Union: Early Cultural Encounters
• Digital Humanities and Sensory Heritage Network
• Emanuela Vai
• Digging Crates EP Launch
• Leah R. Clark
• David De Roure
• Colin Harrison
• Discussion Group: The British Reception of Bronislava Nijinska’s Les Noces and the General Strike
• Discussion Group | The British Left and Anti-Imperialism: Networks of Empire, Networks of Resistance
• Book launch: La Nijinska: Choreographer of the Modern (Oxford University Press) by Lynn Garafola
• Join Us! Britain and the Soviet Union: Early Cultural Encounters
• A conversation between Jennifer Wong and Eric Yip, The National Poetry Competition 2021 Winner.
• An Olive Grove in Ends: In Conversation with Moses McKenzie
• Medieval Matters: Week 6 TT2022
• Thought forms. The calligraphic art of Lajos Szabó 1956 - 1967
• “Fog and Filthy Air”: Macbeth, the Global and the Planetary, and Covid-19
• Reimagining Performance Reading Group End-of-Year Drinks
• Futures: Past & Present: A Colloquium
• 2021-22 | The Alternative Queen's Speech
• The Alternative Queen's Speech: Work in Progress
• More-than-human perspectives and regenerative art practices toward climate justice Symposium
• Readings for Discussion Group: The British Reception of Bronislava Nijinska’s Les Noces and the General Strike
• Medieval Matters: Week 7 TT2022
• Reimagining Performance Graduate Essay Prize: The Winners!
• Oxford Anthology of Translation Magazine Release Event
• Humanities Cultural Programme - Project Funding Call (Michaelmas Term 2022)
• Humanities Cultural Programme - Visiting Fellowship Call (Michaelmas 2022)
• Humanities Cultural Programme - Student Fund Call (Michaelmas Term 2022)
• Professor Rebecca Beasley
• Dr Joanna Bullivant
• Biographical Research in Politically Contested Environment
• Notes on the City Girl: Mapping the Politics of Race, Place and Sex in Twentieth-Century Britain
• Connected Life 2022: Designing Digital Futures
• Pitching Research for Radio and TV
• Anthropology, Sex, and the Sexual Socialisation of Boys
• A Revaluation of Traditional Ecological Thoughts, Knowledge, and Practices
• On Demand Streaming: Castor et Pollux
• Sleep and the Rhythms of Life first get-together
• New TORCH Network: “Sleep & the Rhythms of Life”
• Sleep and the Rhythms of Life
• First conference of the Association de la Maison française (AMFO): "Bruno Neveu, Director of the Maison Française d'Oxford, 1981-1984"'
• Medieval Matters: Week 8 TT2022
• (Re)Creating Life: A conversation with Makhosazana Xaba and Malika Ndlovu
• Between Khayal and O Sole Mio - A World Premiere
• John Pfumojena Performance
• Physic
• Ten-Minute Book Club
• Global Gandhi
• Watch Abigail Reynolds' 'Elliptical Reading'
• CELL - Julian of Norwich play
• Humanities Cultural Programme Project Officer
• Evaluating the Benefits of Sleep from an Historical Perspective
• Seeking A New Kind of Public Good: Honorable Mentions
• OxOnSong Concert Series 3 | Image Gallery
• OxOnSong Concert Series 1 | Image Gallery
• Posters for the History of Ordinary People
• Call for Papers - Being in Debt
• ALICE OSWALD SAJU HARI & DANCERS
• ALASTAIR MACAULAY KEYNOTE 'Commonalities, Communities, Utopias and Dance'
• THOMAS PAGE DANCE Sharing work 'Commonalities'
• LYNDALL GORDON KEYNOTE, 'Charlotte Brontë'
• RAMBERT SCHOOL AND Royal Scottish Conservatoire 'Woman-made!'
• Annual Lecture 2023: Staging Race in Shakespeare’s Theatres
• Digital Humanities and Sensory Heritage Network (DHSH) | Blog Writing Opportunity
• Digital Humanities and Sensory Heritage - Join us!
• Abigail Green on Freienwalde and Rathenau
• TORCH Interdisciplinary PER Scheme 22-23
• Early Modern Sensory Experiences
• Queer Intersections Oxford
• Navigating Academia as a PoC
• Digital Scholarship @ Oxford Transformative R&D Fellowships
• Digital Humanities Oxford Summer School 2022
• Digital Scholarship @ Oxford Transformative R
• David Priestland
• The Release of The Oxford Anthology of Translation
• Digital Humanities and Sensory Heritage Network (DHSH)
• New Network Announcement | Digital Humanities and Sensory Heritage Network (DHSH)
• Image Gallery | Ashmolean After Hours: Avant Garde!
• Slanguages: Rethinking Modern Languages from the ground up
• Queer Intersections Oxford Essay Prizes 2022
• Vacancy: TORCH Communications Officer
• Vacancy: Shaping Destiny Project Officer
• Image Gallery | Opening Oxford 1871 Concert
• Rendezvous With The Ephemeral and The Intangible
• Culinary Collections at the National Trust
• Susana Kolb Cadwell
• Song Connections in The 21st Oxford Lieder Festival – Friendship in Song – An Intimate Art
• Dr Samantha Ege International Women's Day Lecture-Recital 2022
• Safika "We Arrived" Music, Migration and Memory
• Histories of Childhood PhD Placement
• Children & Heritage
• Children & Heritage: A colloquium
• Coming soon: The BRIDGE Fellowship Programme: Visiting Fellowship at the Javett Art Centre at the University of Pretoria, in association with TORCH
• Rick Wakeman CBE In Conversation with Professor John Covach (Eastman School of Music)
• Pre-Raphaelites: Drawings and Watercolours
• Sensational Books Exhibition
• Race, Resistance and Belonging at the University of Oxford: who we are
• Trusting the Process
• OPEN Fellowships 2022
• Landschaft
• TORCH International Research Grant
• A Personal History of Hong Kong as 39 Everyday Objects
• TORCH International Partnership Scheme
• TORCH International Fellowships
• Where There's Tamil Food
• Five poems from Songs For Ibba
• SOLD at Trinity College
• Knowledge Exchange Coordinator
• Grandfather
• Departures and Arrivals
• Victorian and Cloud
• Bee Swarm
• Theatre Workshop: Gesture on the Shakespearean Stage
• Polly Barton
• TORCH Interdisciplinary Futures - Michaelmas 2022 Funding Call
• TORCH Critical-Thinking Communities - Michaelmas Term 2022 Funding Call
• Teaching and Translating Taboo: Reflections from a Critical-Thinking Community
• POSTPONED | “Not for the faint of heart”: Pregnancy and postpartum time in contemporary graphic memoirs
• Reflections on the Children & Heritage Colloquium
• Being In Debt - Workshop
• Cailee Davis
• Slanguages: Rethinking Modern Languages from the ground up
• Valentin Silvestrov's Quiet Songs
• A Place Called Paradise
• Transcultural Encounters
• Caitlin Bond
• Pre-Concert Talk given by Philip Bullock: Friendship and Rivalry
• Cold War, Warm Hearts - Isaiah Berlin: Between Russia and Oxford
• Leonid Pasternak: A Family Connection
• Rethinking Resistance - on the day
• Vacancy: Part-time Project Manager - Conversational Learning
• Part-time Project Manager - Fantasy Futures
• Music as a Political Mouthpiece
• Movement of Money
• Privacy Settings: An Experimental Reading Group
• Between Two Sounds
• Oxford Comics Symposium
• Comics and/as Resistance
• Ashmolean After Hours: Pharaoh Friday
• Watch: The Silk Roads Project with Katie Melua
• Outgoing OMS Social Media Officer: Llewelyn Hopwood
• OMCN lectures now online
• Outgoing OMS Events Coordinator: Tom Revell
• Global Health Emergencies: From Ebola and Covid-19 to Monkeypox and Polio
• Global Health Emergencies: From Ebola and Covid-19 to Monkeypox and Polio
• Graduate Student and ECR Lunchtime Workshop, Global Health Emergencies and the Medical Humanities
• Reflective Evaluation Training Session
• "Story Tellers and their Gifts" - 2022 Foundation Lecture
• Roe Rajah
• Oxford's Forgotten Stories
• 1918 Allotment Project Recordings
• The Alternative Queen's Speech: an opera in the making
• POSTPONED | Book Presentation | Trace and Aura. The Recurring Lives of St. Ambrose
• Conversation with Maylis de Kerangal
• Immigration to Innovation
• Oxford Comics Network | Call for Graduate Convenors
• Oxford Comics Network: Call for Graduate Convenors
• A mathematical journey through scales - Martin Hairer
• Researching Global Heritage Policy: how cultural organisations can contribute to the 17 Sustainable Development Goals
• Image & Identity: Call for Contributors
• Oxford Comics Network - Call for Graduate Convenors
• Performing the Past: Modern Opera and Ancient Egypt
• Songs for a Young King: Responses to the Tutankhamun Archive
• Singing Masterclass with Anthony Roth Costanzo
• Tutankhamun: Excavating the Archive
• The Alternative Queen's Speech: an opera in the making
• Vesuvius 22
• Vesuvius 22 | Interdisciplinary one-day conference
• John Pfumojena in Concert with Judith Valerie Engel
• Image & Identity: views from Ceylon and Oxfordshire in early colonial photographs
• Lunchtime Talks: Stories through Photographs with Shalini Amerasinghe Ganendra
• Sumedha Chakravarthy
• Book at Lunchtime: The City of Babylon
• Princeton University Press Lectures in European Culture and History 2019
• 2022-23: Disruptive Dialogues: The Legacy of Dambudzo Marechera in Harare and Oxford
• The Girl In The Dog
• John Falsetto: Masterclass Series
• Library Lates: Excavating the Egyptians
• Vacancy: Networks and Programmes Officer
• Nicholas Owen
• Joshua Jaswon Octet
• Egypt Season
• Incoming Heritage Partnerships Coordinator: Dr Rachel Delman
• Oxford Mathematics Public Lecture | The million-dollar shuffle: symmetry and complexity - Colva Roney-Dougal
• Call for Students! Ashmolean: After Hours – Pharoah Friday
• Still Breathing 2022
• Exploring the value of collaborating with theatres
• Clash - Film Screening, with Talk & Performance
• The Night of Counting the Years - Film Screening & Performance
• The Mummy (1932) - Film Screening
• Romanticism under the Volcano
• Oxford Medieval Mystery Plays 2023
• The Sound of History | Filming the Life of J.H. Kwabena Nketia
• Workshop ‘Cultures of Use and Reuse. Towards a Terminological and Methodological Framework of Reframing and Recycling’
• Middle High German Lecture Series
• Queer Intersections Oxford | Winners of the Undergraduate and Postgraduate Essay Prizes 2022
• Carolin Gluchowski
• The Doom Patrol and the Heroism of Strangeness
• 'Writing Technologies' Study Day
• African Languages, Literatures and Cultures Network
• Dr Tinashe Mushakavanhu
• Dr Rachel Taylor
• Dr Dorothée Boulanger
• Professor Elleke Boehmer
• Highclere Castle Festival Weekend
• 2022 Princeton University Press Lectures 1: Libraries of the Mind
• Meerut (1931): Anti-imperialism, Agitprop, and the Workers’ Theatre Movement
• 2022 Princeton University Press Lectures 2: The Dark Matter of Literature
• 2022 Princeton University Press Lectures 3: The World Library, or Beyond World Literature
• Methods and Work in Progress Seminar in Practical and Medical Ethics
• Methods and Work in Progress Seminar in Practical and Medical Ethics
• Methods and Work in Progress Seminar in Practical and Medical Ethics
• Methods and Work in Progress Seminar in Practical and Medical Ethics
• The climate and migration nexus: what role for the humanities?
• POSTPONED | Peter Davidson reading from his new collection, Arctic Elegies
• War, Words, and Wonder in Wytham Woods
• Peter Davidson reading from his new poetry collection, Artic Elegies
• Shobana Jeyasingh Dance "Clorinda Agonistes"
• New St Cross Special Ethics Seminar | Dr Josh Rottman
• New St Cross Special Ethics Seminar | Dr Edmond Awad
• On Queer Intimacies
• Stories through Photographs with Shalini Amerasinghe Ganendra
• Voices of Collection and Early Photographs
• Workshop with Prof. Ardis Butterfield | Song and Lyric
• Call for Papers: Memorial Symposium for Nigel F. Palmer
• Paris-Oxford Partnership: Visiting Fellowship Programme 2022/23
• Queer Intersections Oxford | Research Lunch
• Queer Intersections Oxford | Social Event
• Watch: John Pfumojena Performance | Pitt Rivers Museum
• Queer Intersections Oxford | Research Lunch
• Dr Cécile Bishop
• Dr Sebastian Klinger
• Prof Sally Shuttleworth
• Home Away From Home: Roundtable Discussion
• A Tapestry of Homes: A Reading
• Reimagining Performance Network Reading Group | Introductory Meeting
• Verbatim Theatre: Documentary drama in times of geopolitical crisis
• The Future of Drama: Contemporary theatre manifestos
• The Mousetrap: Detective drama and the legacy of Agatha Christie
• National Theatre Home Watch Party: End-of-term discussion and social
• Krikor Momdjian on ‘Missing, Remembering, and Revival’
• Dr. Gizem Tongo on ‘Disowning the Past'
• Tsovinar Kuiumchian on "Rethinking traumatic silence..."
• Silence and Visuality Seminars on Armenian Art & History
• Welcome Session | Race and Resistance
• Sound, Race, Class, and Oxford
• Dissident Histories
• Theory, Method, and Praxis
• No More Exclusions
• Freshwater Poetics in the Caribbean: Postcard Pasts, Dread Futures
• Radical Reasoning
• POSTPONED | Aftermath: Preti Taneja in conversation
• Race and Resistance Programme Event
• New Network Scheme Michaelmas Term 2022
• Sampling the City: Shiva Feshareki Live at the Sheldonian
• New Network Scheme Hilary Term 2023
• Book At Lunchtime: All Men Must Die
• Book At Lunchtime: Paris and the Parasite
• OCCT TT 2022 - Week 8 Updates
• Paris-Oxford Partnership
• Javett-UP BRIDGE Fellowship Programme in association with the University of Oxford
• The AfOx-TORCH Fellowship Programme
• Who Took These? | Panel Discussion
• Who Took These? | Closing Panel Discussion
• Who Took These? | Photography Exhibition
• Reading Childhood: Funded PhD Opportunity with the National Trust
• OCCT HT 2022 - Week 7 Updates
• OCCT HT 2022 - Week 8 Updates
• OCCT TT 2022 -Week 0 Updates
• OCCT TT 2022 - Week 1 Updates
• OCCT TT 2022 - Week 2 Updates
• OCCT TT 2022 - Week 3 Updates
• OCCT TT 2022 - Week 4 Updates
• OCCT TT 2022 - Week 5 Updates
• Oleksandr Mykhed: The Language of War
• Sacred trash: the paradox of ritual objectification in Yorùbá orature
• Photography as participatory politics: feminist anti-racism in Rhodes Must Fall
• Paris Oxford Partnership: Early Career Researcher Partnership Programme 2022/2023
• Breakfast Launch: The African Languages, Literatures and Cultures TORCH Network (AfCultures)
• The Gothic Tower at Wimpole: Knowledge Exchange
• 'The Dyer's Hand': Literature and Translation Conference
• Ukrainian Literature and Culture: Virtual Residencies
• The silences of the ‘‘Great Tradition’’: Counter-hegemonic narratives in Yoomi Laataa?
• Library Lates: Sensational Books
• Medical Humanities work-in-progress workshop for DPhils
• The ethnoGRAPHIC Book Club
• The ethnoGRAPHIC Book Club
• POSTPONED | The ethnoGRAPHIC Book Club
• Laura Bergin
• Reimagining Performance Podcast Launch
• 'Channels of Digital Scholarship' Seminar
• 2022-23 | Finding Our Way
• Heritage Internships
• Oxford Comics Network events in MT2022
• Call for Students | RMF Photo Competition
• Lunchtime Talk: Professor William Marx in Conversation with Professor Ann Jefferson
• Gallery | Who Took These? Photography Exhibition
• Art and Design Research Micro-Internship at Hidden Objects Oxford
• Hindsight Research Micro-Internship at Lloyd’s Register Foundation
• Heritage Research Micro-Internships with the Charterhouse, London, and the Oxford University Heritage Network
• Rare Books Micro-internship at the Bodleian Libraries
• Policy and Communications Micro-Internship at the Heritage Alliance
• Environmental Sustainability Micro-Internship at The Story Museum
• Heritage and Archive Research Micro-Internship at Toynbee Hall (MIP)
• Curatorial Research Micro-Internship with the University of Oxford and National Trust Partnership
• Mr B: George Balanchine's 20th Century
• Sleep, Light, Architecture
• Screening of Stella (1955)
• French Slogan Design Contest
• Creative Fusion of Languages and Science in Teaching Conference
• Kab Tak: A Hindi Poem Brought to Life
• Medical Humanities ECR & DPhil Writing Group
• Tu Hai Meri Fantasy
• Medical Humanities ECR & DPhil Writing Group
• Medical Humanities ECR & DPhil Writing Group
• POSTPONED | Medical Humanities ECR & DPhil Writing Group
• IMAGE & IDENTITY @ MOX
• TORCH Pitching Workshop | 2022
• Oxford-Berlin Research Partnership: Seedfunding for Research Collaborations
• Oxford Mathematics Public Lecture
• Into Silence: Unquiet Silence
• Discussion Group - Michaelmas Term 2022 | Readings
• Dr Alessandra Aloisi
• Prof Russell Foster
• 2023 - 2024 | TORCH Knowledge Exchange Fellowship
• 2023 - 2024 | TORCH Knowledge Exchange Innovation Fund (Trinity Term)
• OMS Lecture: Prof. Ardis Butterfield (Yale), ‘Do We Mean Lyric or Song?’
• A Narrative Approach to Early Chinese Buddhist Prose
• Even if I lose everything
• That Part Feeling: The Universe of Part
• Arvo Part Centre: An open meeting place for creativity
• Medieval Matters: Week 0 MT 2022
• Medieval Matters: Week 1 MT 2022
• Medieval Matters: Week 3 MT 2022
• Medieval Matters: Week 4 MT 2022
• Medieval Matters: Week 2 MT 2022
• Materiality-driven Digital Approaches to Music Museum Artefacts: from Spectro-imaging and CT Scans, to Photogrammetry
• POSTPONED | Making the Renaissance Public: Location based interpretation of early modern urban space
• An Introduction to Computer Vision and Multimodal Learning for the Digital Humanities
• The BRIDGE Fellowship Programme: Visiting Fellowship at the Javett Art Centre at the University of Pretoria
• The Egypt Season: Pharaoh Friday Ashmolean Museum 18 November 5pm-8pm
• The King Tut Collective; Pharaoh Friday 18 November Ashmolean Museum
• ‘Embodiment Onstage’ Roundtable
• Public & Community Engagement with Research Funding 2022-23
• Queer Intersections Oxford | Research Lunch 3
• Humanities Cultural Programme - Visiting Fellowship Call (Hilary 2023)
• Humanities Cultural Programme - Student Fund Call (Hilary Term 2023)
• Grave Good Exhibition
• Medical and Digital Humanities | Lunchtime Workshop
• Strella (2009) - Film Screening
• Luise Morawetz
• Critical Energy Humanities: Experiments in Environmental Humanities
• Women and War in Ukrainian New Drama
• Medieval Matters: Week 5 MT 2022
• Medieval Matters: Week 6 MT 2022
• Horses and the National Trust
• Create Approaches to Visible Translation
• Queer Graphics: Fumetti LGBTQIA+ Italiani
• Art Show | Boundary Project Oxford
• Medieval Matters: Week 7 MT 2022
• Ethics in AI Workshop | AI and Judgement
• Oxford Medieval Graduate Conference 2023
• Medical Humanities ECR & DPhil Writing Group
• Book at Lunchtime
• Shaping Destiny welcomes new Project Officer
• Dr Rachael Hodge
• Medieval Matters: Week 8 MT 2022
• Vacancy: Environmental Humanities Programme Coordinator
• Eternity123
• Shaping Destiny Body Politic Sharing Day
• The King Tut Collective Exhibition
• The Future of Heritage
• Ethics in AI Colloquium | Do We Need New Human Rights for the Digital Era?
• King Tut Collective Exhibition
• Video Recording: Sleep, Light, Architecture
• TORCH Welcomes Érico Nogueira as Global South Visiting Professor 2022 2023
• Call for Papers | Comics and/as Resistance
• Oxford Mathematics Public Lecture | Anyone for a mince pi? Mathematical modelling of festive foods - Helen Wilson
• POSTPONED | Comics Craftivism – feminist handmade comics in a Swedish context
• POSTPONED | Oxford Comics Symposium
• Medical Humanities ECR & DPhil Writing Group
• Book at Lunchtime: After Clarice; Reading Lispector's Legacy in the Twenty-First Century
• Is There a Modern Indian Literature?
• Érico Nogueira
• King Tut Collective Exhibition
• Book At Lunchtime: One Hit Wonders
• Unlocking the potential for community decision-making on technology future
• GRAVEGOOD Exhibition Celebration Event
• Polish Studies Working Group
• Giles Bergel
• Match Match: Combatting Pay Opacity on Digital Labour Platforms
• Work-in-Progress Colloquium - Michaelmas Term 2022
• Image & Identity: views from Ceylon and Oxfordshire in early colonial photographs
• Book Launch | Fiction as History. Resistance and Complicities in Postcolonial Angolan Literature
• Dr Elizabeth Ewart
• ‘Of All These Bounds, even from This Line to This’
• What is Globe Performance Practice
• Copy of Unlocking the potential for community decision-making on technology future
• Book At Lunchtime: Becoming Beauvoir: A Life.
• The Sting
• Book at Lunchtime: Guru to the World; The Life and Legacy of Vivekananda
• Trust in the Premodern World
• TORCH Interdisciplinary Futures Hilary 2023 Funding Call
• The ethnoGRAPHIC Book Club
• The ethnoGRAPHIC Book Club
• Julia Antal
• 2022-23 | Exploring the Public Legitimacy of the Church of England
• David Bennett DPhil Candidate
• Professor Joshua Hordern
• Bishop Graham Tomlin
• 2022-23 | Uncovering Histories of Childhood within the National Trust
• TORCH Director
• 2022-23 | Mithraic Groves and Gothic Towers: Reuniting the Lost Literary Legacies of Wrest and Wimpole
• 2022-23 | Staging the Restoration Spectacular
• 2022-23 | The Open String Cello
• 2021-23 | My Name is Laura Kieler: The True Story of Ibsen's A Doll's House
• 2022-23 | Creative Story Exchange
• 2022-23 | Rachmaninov Song at Wigmore Hall
• 2022-23 | Out of the Archive onto the Stage: the Soviet Avant-Garde and its Reception in Britain
• 2022-23 | Multi-media Arts and Performance in the (long) Weimar Republic
• 2022-23 | Music Egypt (Performance)
• Dr Siân Pooley
• Dr Gillian Lamb
• Lucy Armstrong-Blair
• Dr Vazken Khatchig Davidian on Out of Sight, Out of Mind
• Jacqueline Otagburuagu, Our Patient Documentarian
• Environmental Humanities Lunchtime Seminars Term Card HT2023
• John Clare and the Natural History of Fear
• In light of papyri: ancient sources for a new analysis on climate variability
• POSTPONED | Decentering the human in climate change theatre
• Feeding Anglo-Saxon England. The Bioarchaeology of an “Agricultural Revolution”
• Environmental Humanities Lunchtime Seminars Term Card HT2023
• Holocaust Memorial Day 27/1
• Comics and/as Resistance Project
• 2022-23 | Reading the Room: Accessing books in heritage spaces
• Medieval Matters: Reminder to Submit your Medieval Booklet Entries!
• Oxford Islamic Studies Network
• Endemicity: The Contours of Epidemics
• Psalms Through the Centuries, Volume Three
• Taking the Psalms Online
• Conversations on the Psalms
• Istro-Romanian Linguistic Community in Croatia
• Istro-Romanians: Linguistic Heritage in Online Conversations
• ISTROX Exhibition Brochure
• FAM: An Original Hip-Hop Drama
• Jugni: The Female Firefly
• Improving Foreign Language proficiency in the UK
• Humanities Cultural Programme Senior Coordinator
• 2022-23 | Epoch
• 2022-23 | Ed Gaughan: Words and Music WIP (Work in Progress)
• 2022-23 | Human X: portraying mental health amongst stateless forced migrants
• Global Black Women’s Writing: Experimental Subjectivities | Workshop 1
• Global Black Women’s Writing: Experimental Subjectivities | Workshop 2
• Global Black Women’s Writing: Experimental Subjectivities | Workshop 3
• Global Black Women’s Writing: Experimental Subjectivities | Workshop 4
• Ethics in AI Colloquium - Generative Ethics and the New Bing
• Women and War in Ukrainian New Drama | Blog post
• Blog & Reviews: Edinburgh Fringe Festival 2022
• Translation Beyond University: Student Careers Talk and Q&A
• Oxford Literary Festival - Translation Slam
• Student Discussion Group: "Translating Vertiginously"
• Nissan Seminar - Translating Where the Wild Ladies Are: A conversation on feminist solidarity and the modern-day legacy of ghost stories
• Oxford Interfaith Forum
• Bodleian Libraries Public Engagement on Psalms for Self-Reflection
• Psalms Discussion: Sue Gillingham, Malcolm Guite and Roger Wagner
• Malcolm Guite, Roger Wagner and Professor Susan Gillingham discuss Psalms 42&43
• Malcolm Guite and Roger Wagner with Susan Gillingham. Conversations on the psalms. Psalm 38
• PSALMS in Interfaith Contexts
• Childhood and Youth Studies Network
• Catherine Sloan
• New TORCH Network: 'Childhood and Youth Studies Network' (CYS)
• Book at Lunchtime; Hilary Term 2023
• Comics at the Oxford Story Museum
• Curatorial Research Micro-internship
• Oleksandr Mykhed: Ukrainian culture during the full scale invasion
• ‘Histories of Childhood at the National Trust’ Placement
• Rhiannon Jones
• Radical Reasoning
• Have we learned from Grenfell?
• Dissident Histories
• Kids of Colour - Roxy Legane
• Thesis Presentations (Undergraduate)
• Hong Kong and the Coloniality of British Citizenship - Michaela Benson
• Black (British) diasporic media junglist history - Julia Toppin
• Thesis Presentations (DPHIL)
• Discussion Group: Democracy, Self-Determination and Workers’ Control
• Medieval Matters: Week 1 HT 2023
• British Socialism and the Soviet Union: Talk by Professor Kevin Morgan
• Curatorial Research Micro-Internship:
• Education Research Micro-Internship; With Historic Houses
• Seminar with Farida Makar on "Researching Histories of Progressive Education in Egypt"
• Vacancy: Childhood and Youth Studies Network Co-ordinator
• Discussion Group - Trinity Term 2022 | Readings
• TORCH Book at Lunchtime; After Clarice: Reading Lispector's Legacy in the Twenty-First Century
• Medical Humanities ECR & DPhil Writing Group
• Medical Humanities ECR & DPhil Writing Group
• Medical Humanities ECR & DPhil Writing Group
• Medical Humanities ECR & DPhil Writing Group
• Medical Humanities ECR & DPhil Writing Group
• Medical Humanities ECR & DPhil Writing Group
• John Harle Saxophone Workshop
• In Concert With The John Harle Saxophone Quartet
• Gothic for Girls in British Comics
• Reading Group: Lived Islam
• EPOCH 2023 TORCH Knowledge Exchange
• Reading Group: Lived Islam 2
• Reading Group: Lived Islam 3
• Reading Group: Lived Islam 4
• Graduate ‘Work-in-Progress’ Event 
• Medical Humanities ECR & DPhil Writing Group
• Medical Humanities ECR & DPhil Writing Group
• Call for Papers | New Directions in African Humanities: Graduate and Early Career Researcher Conference
• Indigenous Economics changes economic theory at basic levels
• Paris-Oxford Partnership
• The philosophy of sleep between paradoxes and thought experiments
• This Thing We Call Art - Season Two
• Medieval Matters: Week 2 HT 2023
• Translating Objects from the Ashmolean's Japanese Collection
• Discussion Group: Islamic Philosophy and Mysticism 1
• Discussion Group: Islamic Philosophy and Mysticism 2
• Discussion Group: Islamic Philosophy and Mysticism 3
• Islamic Studies WIP Colloquium
• The legal personhood of rivers: Environmental justice meets indigenous worldviews
• Jane Castree
• Reading Group – Childhood and Youth Studies with Intersectional Humanities
• Climate, Race Science and the Age of Consent in the League of Nations
• Book Launch: The Secret Death
• POSTPONED: Scent Heritage and Sensory Mining: How to Develop an Olfactory Gaze for (Digital) Heritage Collections
• Predatory Economies: The Sanema and The Socialist State in Contemporary Amazonia
• Undergraduate and Graduate Student Networking Event
• Reading session on Queering African Archives
• The Relation of Literature and Learning to Social Hierarchy in Early Modern Europe
• The Relation of Literature and Learning to Social Hierarchy in Early Modern Europe
• The Relation of Literature and Learning to Social Hierarchy in Early Modern Europe
• Discussion Group - Hilary Term 2023 | Readings
• Einstein Visiting Fellowships, Berlin University Alliance (BUA) / Oxford
• Oxford-Berlin Research Partnership: Flexible Funds
• Networking for Networks
• Medieval Matters: Week 3 HT 2023
• The Relation of Literature and Learning to Social Hierarchy in Early Modern Europe
• Reading Group – Intersectional Humanities
• Watch: Shiva Feshareki - Live at the Sheldonian Highlights Video
• Book At Lunchtime: After Clarice.
• Bodleian Student Editions: Editing workshops
• Jesuits and the Natural World
• William Marx
• Colonial Niger Delta and Intra-Regional Conflict in Selected Nigerian Plays
• Clare Denton
• Smart Casual: A New Musical (premiere)
• TORCH Critical-Thinking Communities Funding Call Hilary Term 2023
• New Network Scheme Trinity Term 2023
• Ethics in AI Colloquium - AI in the Law or AI in the Place of Law?
• The Comics Network at the Story Museum
• Birth: Perspectives in Feminist Philosophy
• Past Critical-Thinking Communities
• 100% Alive
• The Psychic Detective
• John Howard Griffin: Black Like me
• David E.H. Jones: In Perpetual Motion
• Ashmolean One World Family Festival
• The White Rose Resistance
• Malcolm Guite, Roger Wagner and Susan Gillingham discuss Psalm 46
• Medieval Matters: Week 4 HT 2023
• Locating Japanese Translation with TORCH HCP Visiting Fellow Polly Barton
• Phil Dines
• POSTPONED | Sources for Childhood and Youth Studies
• Patrick Morris
• Phenomenology of the Flicker
• Polly Barton
• Carey Young
• 2022-23 | Dialogues in Mystical Culture: Mysticism in Action in Modern Western Society
• Brecht on Love and War
• Conversational Learning
• Music and Artificial Intelligence: Mimic or Muse?
• Intersectional Humanities and Wadham Socialist Reading Group Teach Out
• The Storyteller as Performer: Exploring the praxis of a contemporary reteller of traditional tales
• Oxford Mathematics Public Lecture | Cascading Principles - Conrad Shawcross and James Sparks with Fatos Ustek
• Psalms through the Centuries
• Selfish Road
• Book Launch: The Secret Death
• Workshop 1 - Global Black Women’s Writing: Experimental Subjectivities
• Workshop 2 | Black Women’s Writing: Experimental Subjectivities
• The Sound in Silence
• Medieval Matters: Week 5 HT 2023
• Houses of Politicians: A Toolkit for Heritage Professionals 
• Theatre and the Archive
• Dr Nicholas Perkins
• Dionne Freeman
• "I feel therefore I am". BBC Radio 4 Podcast Series. February 2023
• Launch of Houses of Politicians: A Toolkit for Heritage Professionals
• Eating in the Oil Sands
• Recording | The legal personhood of rivers: Environmental justice meets indigenous worldviews
• Dragademia: Show & Tell
• Postcolonial Studies in East Central Europe
• Castalian String Quartet
• Feminist Thinking Graduate Conference 2023
• A Bold Stroke for a Wife
• Theodor Borrmann
• " Nature's engines: Powering Life "
• Medieval Matters: Week 6 HT 2023
• The Fake (Fake) Artist
• Workshop | Voice Projection & Staging Medieval Mystery Plays
• History, Memory and Archives: Contemporary Lens-Based Art from the Democratic Republic of Congo
• Reanimating Tibet in the Museum
• Session One | Viral Realism, Junk & Anarchy
• Session Two | Viral Luck
• Late-Medieval German Love Songs | Concert and Talk
• Innovating in Environmental & Landscape Archaeology
• Book at Lunchtime: Becoming Beauvoir
• And Then We Danced (2019) - Film Screening
• Omai, or a Trip around the World
• Recording | Indigenous Economics changes economic theory at basic levels
• Dr Jennifer Wong: A Personal History of Home
• Research Lunch with Queer Intersections Oxford
• Research Lunch with Queer Intersections Oxford
• Medieval Matters: Week 7 HT 2023
• Collaboration Reigns at Polly Barton’s Translation Masterclass
• Session Three | Into the Virosphere with Povinelli
• Ashmolean After Hours: Pharaoh Friday Highlights
• Intersectional Humanities Reading Group
• Wangari Maathai’s environmental Afrofuturist imaginary in Wanuri Kahiu’s Pumzi
• Bahasa dan Budaya Enggano | The Enggano Language and Culture
• Lehnwörter | A Double Bill on Etymology
• Recording: Workshop 3 | Black Women’s Writing: Experimental Subjectivities
• Fantasy Futures: Imagining Immersive Innovation
• Medieval Matters: Week 8 HT 2023
• Call for Papers | Medical Humanities PG-ECR Workshop
• Book at Lunchtime: Reformation, Resistance and Reason of State
• Discover TORCH: Short films
• Carey Young in conversation
• Carey Young: Vision and Justice Symposium
• Carey Young Exhibition: Appearance
• Call for Papers: Women and War Workshop
• Medical Humanities PG-ECR Workshop
• Hidden Figures: Informal Archives and the Making of Medical Worlds in Africa
• Recording | Sacred trash: the paradox of ritual objectification in Yorùbá orature
• Recording | Book Launch; Fiction as History. Resistance and Complicities in Postcolonial Angolan Literature
• Epidemics, inequality and poverty: from the Black Death to the Spanish Flu
• Humanities Cultural Programme
• John Pfumojena in Concert with Judith Valerie Engel
• Book at Lunchtime: Why Modern Manuscripts Matter
• Excavating Public Collections: Uncovering the National Trust’s Ancient Greek Vases
• Book at Lunchtime: Natural General Intelligence
• Book at Lunchtime: Compassion in Healthcare: Pilgrimage, Practice and Civic Life
• Holding Sway: Sustainability and the Photomedia of Seaweeds
• Book at Lunchtime in Trinity Term
• Princeton University Press Lectures in European Culture and History 1: Libraries of the Mind
• Princeton University Press Lectures in European Culture and History 2: The Dark Matter of Literature
• Princeton University Press Lectures in European Culture and History 3: The World Library, or, Beyond World Literature
• OPEN Seed Fund 2023
• Rachel Hindmarsh
• Environmental Humanities Opportunity for Graduates and ECRs
• First Javett-UP BRIDGE Fellow Announced
• Conversation with Djaïli Amadou Amal
• Recording | History, Memory and Archives: Contemporary Lens-Based Art from the Democratic Republic of Congo
• Recording | Gothic for Girls in British Comics
• Transparent | Film Screening
• The Woodcutter
• The Woodcutter
• The Woodcutter
• Humanities Cultural Programme appoints Executive Producer and Head of Audiences
• Vesuvius and its context, from local knowledge to international science
• Micro-internships at TORCH
• Where will our collective Fantasy Futures lead us?
• Carey Young: Appearance review – the faces of female justice
• The economic and political consequences of colonialism in Puerto Rico
• Man Crow | Caribbean Stories
• Exhibition: Pathfinders, Enablers & Matriarchs: Untold Histories of Ordinary Women in Postcolonial Ghana
• Exhibition: Identity, Belonging & Change: A Historical Portrait of Everyday Life in Sudan
• Blue Bird | Caribbean Stories
• Tiger Fat | Caribbean Stories
• Notes on Craft Series | Dr Abeera Khan in Conversation
• Prof Peter Davidson
• Workshop 4 | Black Women’s Writing: Experimental Subjectivities
• Makers of Knowledge: The Craft of Mathematical Instruments in Early Modern England
• Knowledge Exchange Funding - Find out more
• The Oxford Sound Album
• 2023 – 2024 | TORCH - Brookes Creative Industries Collaboration
• Language and Education Reading Group
• Narrative Intervention & Regional Dynamics in Southern Africa
• Past, Present, and Future of Historical Linguistics: a Roundtable
• ALL-NIGHT EPIC
• Adam Possener
• Bliss Ashley
• Christoph Enzel
• Eleanor Fineston-Robertson
• Eli Zuzovsky
• Hugo Max
• Isabel Woodings (GSMD)
• Jake Landau
• Roza Herwig (GSMD)
• Tom McGowan (GSMD)
• Will Inscoe (GSMD)
• Zack Di Lello
• R18 Collective
• Brecht on Love and War
• Medical Humanities ECR/DPhil writing “boot-camp”
• Feminist Thinking Seminar Series 2023: LGB without the T
• Interrupted Images: Remembering | Recordando a Nicolás Guillén Landrián
• Discussion group: Russian Theatre in Britain, 1926: Komisarjevsky’s Chekhov season and Huntly Carter’s ‘Labour theatre’
• Discussion Group - Trinity Term 2023 | Readings
• Dementia Oxfordshire Festival of Arts and Crafts
• Artful Intelligence Season
• Textiles Research at Tyntesfield
• David Taylor
• 2023 - 2024 | Brookes - TORCH Creative Industries Collaboration
• Music as Petroculture and the Sound of Just Transition
• Discussing Scarcity: A History from the Origins of Capitalism to the Climate Crisis
• TORCH Environmental Humanities Lunchtime Seminars TT2023
• The Promise of Multispecies Justice
• Thomas Merton reading Rachel Carson, or, the politics of race and ecology in the 1960s
• Tinned Tuna and Polar Bears: Challenges of Representing Climate Change on Stage
• The socio-cultural Role of 3D technologies in rebuilding Sense of Place
• How Might We Do Microhistory After The Digital Turn?
• Early Modern Sensory Encounters EMSE 2023
• Making the Renaissance Public: Location based interpretation of early modern urban space
• The Revival of Huntly Carter: Workshop Performance
• 2022 | Dr Ahmed Hamden
• 2022 | Dr Madhlozi Moyo
• 2022 | Dr Nelson Mlambo
• Welcoming the AfOx-TORCH Fellows for 2022/23
• Notes on Craft Series | Italian Edition
• Documenting A’ingae: an isolate language at the Andes-Amazon interface
• Dance Music, Wakefulness, and Embodied Rhythm
• Contemporary Visual Mapping Workshop
• In the Rehearsal Room with Aphra Behn
• Childhood and Youth Studies Network Seminar with Nicole King
• Feeling good / feeling bad: Environmental affects of childhood
• Childhood and Youth Studies Network Seminar with Ashwiny Kistnareddy
• Roundtable: Energy and Extractivism
• Oxford Inside Out – Call for contributions open now
• POSTPONED | Genderwashing Meets Girl Power: The transnational politics of corporate-NGO partnerships for girls’ education
• The Woodcutter, or The Three Wishes
• War and Peace | Twentieth-Century Responses from the Global South
• War and Peace | Twentieth-Century Responses from the Global South
• The Emperor of the Moon
• Blenheim Palace: The Archives of an Architect
• Creative Industries Festival: Disruptive Dialogues: the Creative Legacies of Dambudzo Marechera
• A Creative Workshop with the Queen’s College Translation Exchange at the Ashmolean Museum
• Still Breathing - Performance, Q&A
• Belonging
• Creative Industries Festival
• A (Speculative) History of (Colonial) Reparations
• Dominika Kolenda
• Edmund Adonis (GSMD)
• Luke Byrne (GSMD)
• Will Inscoe (GSMD)
• ‘Ex Machina’: AI, Film and Movement
• Call for students and researchers! Everything is Connected Season 2023
• Rethinking Soviet and Post-Soviet Research
• HONG KONG AND THE COLONIALITY OF BRITISH CITIZENSHIP – MICHAELA BENSON
• RADICAL ART IN ANTI-COLONIAL LONDON - ONYEKA 16WE
• POPULAR POSITIVISM, RISK SOCIETY, AND NECROPOLITICS - ANN-MARIE DEBRAH
• CONTRACT TO CLOSET – NATHANIEL ADAM TOBIAS COLEMAN
• RADICAL REASONING
• DISSIDENT HISTORIES
• Reading Group in the Anthropology of Islam
• Islamic Studies Co-Working Community | Week 3
• 2022 - 2023 | Dr Louise Esher
• Translating Zuzanna Ginczanka with Alex Braslavsky and Dr Kasia Szymańska
• Digital Innovation in Archaeology
• Towards Obliterature | A Female Text of Hong Kong
• Reading Group: Édouard Louis
• 2022 - 2023 | Professor Marina Benedetti
• A contrastive view of gender-inclusive strategies in French and English
• Aphra Behn, The Emperor of the Moon
• VEGANISM FOR CONSISTENT PRO-LIBERATION - NORMAN RILEY
• Race and Resistance Programme event
• Elizabeth Inchbald, The Massacre
• Joanna Baillie, De Monfort
• Medical Humanities Book at Lunchtime: The Medicalisation of Women’s Ageing
• Decolonial Reading Group
• Decolonial Reading Group | week 2
• Ara Sarafian (Gomidas Institute): Historical Perspectives on Kharpert
• The Churches Conservation Trust (CCT) Micro-internship Opportunity
• Rethinking Soviet & Post-Soviet Research: Networking Reception
• Reading Group in the Anthropology of Islam 3
• Reading Group in the Anthropology of Islam 2
• Reading Group in the Anthropology of Islam 4
• Reading Group in Religious Literature 1
• Reading Group in Religious Literature 2
• Reading Group in Religious Literature 3
• Islamic Studies Co-Working Community | Week 2
• A Terribly Serious Adventure
• Islamic Studies Work-in-Progress Colloquium
• Shaping Destiny Presents
• New Joint Translation Residency at the Queen’s Translation Exchange: Aoko Matsuda and Polly Barton in Oxford, June 2023
• The Translator's Voice
• Medieval Matters: Week 0 TT
• Medieval Matters: Week 1 TT
• Medieval Matters: Week 2 TT
• Disruptive Dialogues: the Creative Legacies of Dambudzo Marechera
• Immers-eXpo: Present and Future of Mixed Reality Research
• Ethics in AI Colloquium - Reflection on the Nature of (Artificial) Intelligence and Creativity
• OUHN Summer Event: Heritage Futures
• Exhibition: Disruptive Dialogues: The Legacies of Dambudzo Marechera
• International Pandemic Sciences Conference 2023
• Reimagining Performance Network – Graduate ‘Work-in-Progress’ Event
• Ancient Anatolia Network
• ‘Our Voices Reached the Sky’: Sonic Memories of the Armenian Genocide
• The Shah, the Synaxarion, and the Seventeenth Century
• POSTPONED: On the other side of silence – in conversation with Hrair Sarkissian
• War and Peace | Literary Responses
• Sensing the Digital/ Digitally Capturing the Senses
• Exhibition 'Archiving the Archive: a Photographic Record' by Bing Ye
• Comparative perspectives on photography in French and British colonial contexts: heritage, research, politics
• BOOK DISCUSSION ‘The Disappearance of Josef Mengele’
• Decolonial Reading Group | week 3
• Decolonial Reading Group | week 5
• Islamic Studies Co-Working Community | Week 4
• Islamic Studies Co-Working Community | Week 5
• Islamic Studies Co-Working Community | Week 6
• Islamic Studies Co-Working Community | Week 7
• Islamic Studies Co-Working Community | Week 8
• Medieval Matters: Week 3 TT
• Passing Judgement: Distinctions, Separations, and Contradictions
• Hooligan Art Community Film Screenings and Q&A Discussion
• BETT 2023: Ed-Tech on the Brink of the AI Revolution
• Stonewalling Our Story
• Fellowship Opportunity: T. A. Barron Fellow in Conservation
• On Translation and Where the Wild Ladies Are
• Estella Tse
• "In Bloom" by Estella Tse
• Notes on Craft | Italian Edition series with Dr Goffredo Polizzi
• Ethics in AI Colloquium - AI Systems, Impacts, and Accountability
• Week 3 Mixer | Introductory Social Event
• Introduction to Hurrian
• The Coronet Theatre & The Norwegian Ibsen Company's production of When We Dead Awaken
• Dr Stephanie Clare on “Beauvoir’s Nonbinary Structure of Feeling”
• Laura Mulvey Discusses Chantal Akerman’s Jeanne Dielman
• Games and Technologies Reading Group
• The Queer Faces of War: Stories of Ukraine
• Philip Bullock
• Laura Kieler and the Liverpool Institute For Performing Arts Event
• Language, Colonialism, and Nationalism
• Medieval Matters: Week 4 TT
• Songs at Six: Beyond Rachmaninov
• Shattered Space: AI, Art and Gender
• Great Russian Culture: Cancelling, Boycotting, Quarantine
• …at an uncertain hour, that agony returns
• AI and Theatre
• Édouard Louis in Conversation with Queer Intersections Oxford
• AI and Dance
• Hurrian Mythology in Hittite Tradition
• New Directions in African Humanities: Graduate and Early Career Researcher Conference
• Hittite Tablets Workshop at the British Museum
• Interactive Map of Marechera's Oxford
• The Disruptive Podcast, Episode 1
• The Disruptive Podcast, Episode 2
• The Disruptive Podcast, Episode 3
• BBC Radio 3: Tinashe Mushakavanhu
• Book at Lunchtime: Live Artefacts - Critical and Creative responses
• Critical Indigenous Studies Network Lunch
• US Federal Policy Impacts on Indigenous Americans
• A Feminist Writer without a Home | Discovering Sophie Gaudier-Brzeska
• Dr Niall Munro
• Music and the Internet of Things: Computing, Creativity, and Sensory Heritage
• War and Peace | Quotidian Responses
• Conversation with Marco B. Bucci
• Climate Change and the Global South
• Pre-Concert Talk | Rachmaninov Song
• Medieval Matters: Week 5 TT
• Special Issue Launch | Gender and Diplomacy in the Early Modern Period
• New Network Scheme Michaelmas Term 2023
• TORCH Critical-Thinking Communities Funding Call Michaelmas Term 2023
• International Engagement Fund Michaelmas Term 2023
• Podcast | Sleep, Light, Architecture: Russell Foster and Ian Ritchie
• Dr Michele Bianconi
• Professor Peter Thonemann
• The Pursuit of Musick | The Taverner Consort at 50
• Vaults Festival
• Beaford Rural Touring
• Brighton Festival
• Ed Gaughan: Words and Music
• Dialect Ideologies and Minority Language Speaker-Hood
• OxMedHum Call for Activities
• Dragademia 2: Show & Tell More!
• Conversation with Alec Trenta
• Conversation with Dari Gatti
• Conversation with Percy Bertolini
• Conversation with Luca De Santis
• Marco B. Bucci - video interview
• Alec Trenta - video interview
• Dari Gatti - video interview
• Percy Bertolini - video interview
• Luca De Santis - video interview
• Professor Philomen Probert
• Dr Christoph Bachhuber
• Medieval Matters: Week 6 TT
• New Voices on Anatolia
• The Artful Intelligence Season
• Seminar in Material Culture and the Historic Built Environment 
• Funding success for Histories of Childhood
• Telling Japanese Ghost Stories: A Creative Workshop
• Humanities & Identities Visiting Professorship 2024 - 2025
• Feminist Praxis in Writing, Translating & Publishing: Talk and Q&A
• Oxford Translation Day 2023: Japanese Translation Workshop
• TORCH welcomes a new Director
• FILM SCREENING: 'Les Années Super-8/The Super-8 Years'
• Screening of ‘Happening’, by Audrey Diwan
• International Colloquium ‘Annie Ernaux: Writing, Politics’
• Exhibition ‘Annie Ernaux, Nobel Laureate: Class, Gender, and Life-Writing’
• Notes on Craft: Italian Edition series with Dr Alberica Bazzoni
• Bunker Cabaret
• BUNKER CABARET
• Researcher Development and Training Terms and Conditions
• Summer Medieval Events
• Dr Alberto Giubilini
• War and Peace | Audio-Visual and Artistic Responses
• The Disruptive Podcast, Episode 4
• Panel on Religion, Poetry and South Asia
• Eben Kirksey
• Imogen Goold
• Dr Suzan Meryem Rosita Kalaycı at Yaddo
• Recording: Dr Stephanie Clare on “Beauvoir’s Nonbinary Structure of Feeling”
• Malcolm Guite, Roger Wagner and Susan Gillingham discuss Psalm 49
• Recording: Birth: Perspectives in Feminist Philosophy
• Queer Intersections Oxford Research Lunch
• End-of-term Social
• Medieval Matters: Week 8 TT
• Estella Tse. In Bloom. Augmented Reality Exhibition
• Concert | Rachmaninov Song
• Bard Music Festival
• Dr Emma Jones
• BUNKER CABARET
• BUNKER CABARET
• BUNKER CABARET
• Language, Education and Inclusivity
• The Oxford Sound Album: how it started
• COMICS AND/AS RESISTANCE CONFERENCE ABSTRACTS and BIOGRAPHIES
• Pink Sabha
• Shaping Destiny and The Parasol Project
• Gifts and Books exhibition
• The Transformation of European Historical Shipyards and Arsenals (EHS&A)
• Maritime Industrial Heritage and the Venice Arsenal
• Festival d'Avignon: Recontres Recherche et Creation
• OUHN Summer event: Heritage Futures
• Malgorzata Dzierzon and 'New Movement Collective'
• Jane Pritchard (V&A) Keynote Lecture
• Race, Resistance and Belonging at Oxford – Copyright and Reuse
• Public Engagement with Research
• Rewatch 'Biocultural Collections, Art and Eco Activism- A Roundtable Discussion'
• Thinking with and alongside Critical Indigenous Scholarship: Call for Contributors
• Pedagogies of Repair: A Collective Conversation
• Call for Papers: Informal spaces and practices of diplomacy, 1750-1850
• A Micro-internship at TORCH
• A student perspective
• Decentering and Digitizing Soviet and Post-Soviet Research International Workshop
• Oral Histories of Childhood
• Revisit | Carey Young: Vision and Justice
• Hurrian Reading Group 3
• National Trust Research Internship
• RAMBERT SCHOOL SUMMER SESSIONS '23
• Oxford Mathematics Public Lecture | Envisioning Imagination
• Queer Intersections Oxford Essay Prizes 2023
• Hurrian Reading Group 2
• Hurrian Reading Group 4
• Hurrian Reading Group 5
• Hurrian Reading Group 6
• Hurrian Reading Group 7
• Hurrian Reading Group 8
• Hurrian Reading Group 9
• Hurrian Reading Group 10
• Hurrian Reading Group 1
• Image Gallery | Comics and/as Resistance Conference
• Disruptive Dialogues: poets respond to Dambduzo Marechera
• Informal spaces and practices of diplomacy, 1750-1850
• Histories of Childhood Heritage Toolkit
• New Histories of Childhood Heritage Toolkit Published
• Video Recording: Dance Music, Wakefulness, and Embodied Rhythm
• The Guardian interview with Professor Russell Foster CBE
• How can sensitive topics be shared publicly?
• Samplers at the National Trust
• British School at Athens
• Andreas Björklund
• Dea Gjinovci
• Discussion Group: Alan Bush, the Soviet Union and Music in Britain in the 1936
• Reading 1: Excerpt from Alan Bush, ‘Planning a Workers’ Music Festival’
• Reading 2: James Findlay Hendry, ‘[Review of] Lady Macbeth of Mzensk’
• Radical Music in Interwar Britain: Workshop Performance
• Humanities Pitching Competition | Training Session | 2023
• Ed Gaughan - Words and Music
• Ed Gaughan: Words and Music WIP (Edinburgh Preview)
• Ed Gaughan - Words and Music
• Theatre and Performance Research Partnerships Manager
• Performance and Play: Family and Culture in the 18th Century
• Fairness and Freedom in Public Health Policy
• Oxford Open Doors 2023
• The Dancing Master
• TORCH Humanities and Identities Scholarship
• Humanities Pitching Competition: Training Session
• The Dancing Master: Leveret concert
• The Dancing Master: Playford Dancing for Beginners
• The Dancing Master: Switched-on Playford
• The Dancing Master: The Playford Ball
• Ethics in AI Colloquium - The Meta Oversight Board and the Self-Regulation of Tech Companies
• Why Apple’s new Vision Pro could revolutionize the immersive market
• Cultural Programme Events Manager
• Forgotten Stories Of Oxford: Tours
• Forgotten Stories Of Oxford: Tours
• Numismatics is for everyone
• The Black Prince at Ightham Mote
• The 2024 BRIDGE Fellowship Programme: Visiting Fellowship at the Javett Art Centre at the University of Pretoria
• Final Report - AI in the News: Reshaping the Information Ecosystem?
• Research Opportunities at the British School at Athens
• Oxford Inside Out 2023
• Misaligned Hope and Faith in Healthcare
• Clinical ethics symposium: Choice and autonomy in obstetrics
• Science Together Project
• The Revival of Huntly Carter: Workshop Performance | Video recording
• Translation and Medical Humanities
• Madeleine Foote
• Holly Cooper
• Oxford Mathematics Public Lecture | Four Ways of Thinking: Statistical, Interactive, Chaotic and Complex
• Ethics in AI Annual Lecture with Alondra Nelson
• Call for Papers | Polish Studies Working Group Postgraduate Workshop
• Call for Papers | Women and Worlds of Learning: From the Medieval to the Modern Day
• East Meets West in 18th-Century Italian Artist’s Letters
• Oxford Open Doors 2023
• TEMENOS: Humanities Light Night
• Book at Lunchtime: Courting India
• Ark-T
• BFI-TORCH Research Partnership
• Uppsala University, Sweden and CIRCUS (Centre for Integrated Research on Culture and Society)
• Business collaboration
• Top Trumps: Accidental Tudor Deaths
• Humanities Pitching Competition | 2023
• Cli-Fi – Everything is Connected (12A)
• Exchanging knowledge: experiments in research communication and film
• More-than-human perspectives on the planet: Workshop Two
• The Disruptive Podcast 5
• Finding Materials for Childhood and Youth Studies at the Bodleian Library
• Genderwashing Meets Girl Power: The transnational politics of corporate-NGO partnerships for girls’ education
• Pedagogy Session: Sources for Childhood and Youth Studies
• Past Affiliated Projects
• Medieval Matters: Is It Nearly 0th Week?
• Critical Polish Studies through the Critical-Thinking Communities Scheme
• TORCH Book at Lunchtime
• Serial Stravinsky Dances: Choreomusical Discoveries with Balanchine
• Sea of Troubles | Film Screening
• Medieval Matters: Welcome Back!
• Workineh Kelbessa
• Homage to Nijinska: Avatâra Ayuso in conversation with Dame Monica Mason
• Yolande Yorke and dancers with John Pennington on Bella Lewitsky
• Rachmaninov Song
• Professor Christine Gerrard
• Oxford Mosaic Accessibility Statement
• Dr Chris Thorogood | Pathless Forest
• Panel Discussion | What is Environmental Humanities?
• The Concept and Practice of Ziyāra in Shia Islam
• Medical Humanities Impact Workshop
• MT 23 | Week 1 Mixer
• In-Conversation with Dr Awino Okech
• Race and Resistance | Black Feminist Methodologies Discussion Group
• Race and Resistance | Black Radical Women Panel
• Race and Resistance Research Hub's Welcome Event
• Race and Resistance | Black Feminist Movements Panel
• Black British Womanhood, Politics and Organising
• Colourism: How Skin Shade Prejudice is Sustained and Reproduced Within Families
• The Race and Resistance Research Hub's MT2023 Term Card has been released
• Big data, ordinary lives: social-historical approaches to British birth cohort data
• 2023 - 2024 | Dr Laura Carter
• Childhood and Youth Book Review Series
• Medieval Matters: Week 1 MT
• Video Production Training Programme
• CANCELLED | Medical Humanities ECR and DPhil Writing Group
• Medical Humanities ECR & DPhil Writing Group
• Medical Humanities ECR & DPhil Writing Group
• Medical Humanities ECR & DPhil Writing Group
• Medical Humanities ECR & DPhil Writing Group
• Medical Humanities ECR & DPhil Writing Group
• Medical Humanities ECR & DPhil Writing Group
• Alberto Giubilini discussing his paper ‘Freedom, diseases and public health restrictions’
• Queer Intersections Oxford | Winners of the Undergraduate and Postgraduate Essay Prizes 2023
• Book at Lunchtime: Conquered
• Humanities and Social Sciences: crises and changes:
• Book at Lunchtime: Courting India
• Activate Interns Develop Creative Projects on Japan, Dante, and AI
• Ethics in AI Colloquium - Why Do We Expect More of Machines Than We Do of Ourselves?
• Medieval Matters: Week 2 MT
• Week 2 Meeting | Research Methods in Language and Education
• Medical Ethics, Law, and Humanities
• Medical Ethics, Law, and Humanities
• Medical Ethics, Law, and Humanities
• Medical Ethics, Law, and Humanities
• Medical Ethics, Law, and Humanities
• Medical Ethics, Law, and Humanities
• CANCELLED | Medical Ethics, Law, and Humanities
• Transatlantic Dialogues
• Disordered Sleep, Past and Present
• Seminar with Charlotte Kelly on the female age of consent in Singapore
• Dr Alexandra Grieve
• What’s next for Virtual Reality and Immersive Experiences?
• Identity, Belonging and Change
• Community of Trees
• Polish Studies Working Group Postgraduate Workshop Schedule
• From Seed Banks to Food Banks
• Medieval Matters: Week 3 TT
• Songmakers in Conversation
• Can Stories Save the World?
• New Network Scheme Hilary Term 2024
• International Engagement Fund Hilary Term 2024
• Language, Power and Pedagogy
• Indigenous Climate Knowledge in Africa and the Need for Global Climate Justice
• Traces of the White Rose
• Archaic Lydia and the Greeks of Asia Minor: new evidence, new implications
• War and Peace | Perspectives from the Global South
• “King of Adana” and “King of Hiyawa”: Political Rhetoric in Iron Age Cilicia
• Thandiwe Wilson
• Fairness and Freedom in Public Health Policy
• Medieval Matters: Week 4 TT
• New Directions in Dance Research: Scholarship and Practice, DANSOX Symposium
• 10 years of Research Engagement at TORCH
• Courting India wins British Academy Book Prize
• Oxford - UdK Berlin: Seedfunding for Creative Collaborations
• Book at Lunchtime: The Gift of Narrative in Medieval England
• Professor Anthony G. Reddie
• Is the existential threat of AI overhyped
• Medieval Matters: Week 5 TT
• Call for Papers | Oxford Medieval Graduate Conference 2024: 'Signs and Scripts'
• Week 6 Meeting | Language, Education and Technology
• Open-Oxford-Cambridge AHRC DTP-funded Collaborative Doctoral Award at Oxford University, in partnership with the National Trust.
• Open-Oxford-Cambridge AHRC DTP-funded Collaborative Doctoral Award at the University of Oxford, in partnership with the London Charterhouse
• Film Screening of Abderrahmane Sissako’s Bamako
• Love your Brain!
• Flourishing
• Medieval Matters: Week 6 TT
• Call for Papers | The Public Country House
• Seminar on Jewish History and Literature in the Graeco-Roman Period Trinity Term Week6
• TORCH Networks: Critical Thinking Communities
• The Language of Kalašma: A New Branch of Anatolian
• 'Love & Lenses' Exhibition
• Week 8 Meeting | Popular Culture in Learning
• Dr Kelechi Anucha
• Medieval Matters: Week 7 TT
• Jessica Kong
• Academic Editor – Electronic Enlightenment
• Temenos: Humanities Light Night
• Vacancy: Medical Humanities Research Hub Coordinator
• Les Noces: New Movement Collective
• Dr Mai Musié
• Book at Lunchtime: Domicide
• Collaborative Ethnographic Working in Mental Health
• Misaligned Hope and Faith in Healthcare
• Book at Lunchtime: Authorship, Activism and Celebrity
• Preparation for Learning and Teaching at Oxford (PLTO)
• Medieval Matters: Week 8 TT
• Paris-Oxford Partnership: Visiting Fellowship Programme 2024
• Medical Ethics, Law, and Humanities
• Misaligned Hope and Faith in Healthcare | Recording
• The Blenheim-Oxford Partnership
• Public Health in China: A Multidisciplinary Workshop
• Medical Humanities ECR & DPhil Writing Group
• Medical Humanities ECR & DPhil Writing Group
• Medical Humanities ECR & DPhil Writing Group
• CANCELLED | Medical Humanities ECR & DPhil Writing Group
• Medical Humanities ECR & DPhil Writing Group
• Medical Humanities ECR & DPhil Writing Group
• Medical Humanities ECR & DPhil Writing Group
• Medical Humanities ECR & DPhil Writing Group
• Research Opportunities at the British School at Athens HT24
• Holocaust Studies Reading Group
• Professor Pablo Mukherjee
• Radical Reasoning
• Race and Resistance | Postgraduate Students Thesis Panel
• Oxford Scandinavian Studies Network
• Poetry in the Medieval World
• Dr Ida Toth
• Holocaust Memorial Day
• Presentation from Masters Student: Jonathan Marrow
• Letter Writing and the Holocaust: Reflections on a Source
• Youth & Gender in Mid-20th Century
• Black Queer Presence Panel
• Call for Papers | The Oxford Scandinavian Studies Network
• Ugo Mondini
• Conversational Learning: One Year Down, One to Go
• James Mallinson
• Jennifer Guest
• Dirk Meyer
• Thinking with and alongside Critical Indigenous Scholarship Conference
• Medieval Women’s Writing
• New Network Scheme Trinity Term 2024
• International Engagement Fund Trinity Term 2024
• Research Opportunities at the British School at Athens TT24
• Medical Humanities
• Video Recording: Disordered Sleep, Past and Present
• Insights from our market analysis of the immersive industries: Five Key Takeaways
• Oxford Latin American Graduate Network
• Book at Lunchtime: The Perils of Interpreting
• The Histories and Politics of Pandemics: Medical Humanities Workshop
• In Conversation with Dr Gail Lewis and Dr Sue Lemos
• Communication, Narratives and Antimicrobial Resistance Workshop
• Retelling the Histories We Know?
• 2024-25 | Sensory Subjectivities: Identities and Alterity in the Early Modern World
• For You - Oxford: Reunion - The Homecoming
• Working with the TORCH team.
• Anatolian Languages and Linguistics Summer School
• Alex Coke
• Sleep, Insomnia and Wellbeing: Historical Perspectives
• Ars Memoriae Reading Group
• Radical Music in Interwar Britain: Workshop Performance recording
• Book at Lunchtime 2024
• Ertegun Futures Seminar: “Archaeology and globalisation: what lessons for the present and future?”
• The Aesthetics of Exclusion: Minorities in Films from the Muslim World
• Race & Resistance | Undergraduate Students Thesis Panel
• Ars Memoriae Reading Group | Session 1
• January 2024 update
• January 2024 update
• Oxford Scandinavian Studies Network | Seminar 1
• Oxford Scandinavian Studies Network | Seminar 2
• Oxford Scandinavian Studies Network | Seminar 3
• Oxford Scandinavian Studies Network | Seminar 4
• The Oxford Scandinavian Studies Network's HT2024 Term Card has been released
• Ars Memoriae Reading Group | Session 2
• Ars Memoriae Reading Group | Session 3
• Ars Memoriae Reading Group | Session 4
• Photography Exhibition | Foto - Historias: Migrantes Y Refugiades en MÉXICO
• Call for Papers | Mapping the Holocaust Workshop
• Research Seminar | The French Psalter of Anne Boleyn
• Research Seminar | God Placed Cloisters on My Hearing
• Research Seminar | Transforming the Material to Curate the Spiritual
• Reading Group | Frau Ava’s Poetry
• Reading Group | The Lais and Fables of Marie de France
• Reading Group | Gwerful Mechain’s Erotic Poetry
• Reading Group | Female Poets in Al-Andalus
• BFI collaboration: After The End
• Beginning at the ‘end’
• Medieval Matters: Week 1 HT 2024
• Dr Venus Bivar
• Discovering the History Paintings of Angelica Kauffman
• Retelling the Histories We Know?
• In Conversation with Dionne Brand
• Conversational Learning Links
• The Race and Resistance Research Hub's HT2024 Term Card has been released
• Books of Hours: A Showcase
• Performance Research Hub
• Curatorial Research Micro-internship
• Gesture: a Three-Day Investigation
• Passing the Planetary Torch: The 1970s Energy Crisis and the Global South
• Blizzard @ The Soho Theatre
• 2023-24: Blizzard
• Marc Brightman and Vanessa Grotti: Towards a methodology for the co-production of transdisciplinary knowledge for the pluriverse
• Unveiling Ecological Grief in Art Review Oxford's Special Edition
• Historical Perspectives on Climate, Disasters and Migration
• Jane Pritchard (V&A): Colour and Costume for Dance: the 'Colour Revolution'
• Alastair Macaulay in conversation with Shobana Jeyasingh
• The Environmental Humanities Research Hub's HT2024 Term Card has been released
• Oxford Latin American Graduate Network HT 2024 Term Card has been released
• Biotechnologies, Artificial Intelligence, and Human Identity
• Love your Brain!
• Professor Karen Leeder's translation longlisted for Dublin Literature Award
• Curatorial Research Internship with English Heritage: Seely & Paget
• Curatorial Internship with The Charterhouse, London
• 2024 Graduate Feminist Thinking Conference: Crossing
• Call for Papers | Doctoral Seminar: Projecting Poetry
• Blenheim Palace: Utilising Archival Material in Conservation
• The Aesthetics of Exclusion: Minorities in Film from the Muslim World HT 2024 Term Card has been released
• The Aesthetics of Exclusion: Minorities in Film from the Muslim World | Session 1
• Medieval Matters: Week 2 HT 2024
• Present at Ark T Hub Days: 2024
• Battleship Potemkin and Drifters: A Celebration of the Historic 1929 Screening
• Discussion Group: Soviet Film and British Documentary Film
• Berlin University of the Arts / Universität der Künste Berlin (UdK Berlin)
• Introduction to The Medieval Poetry Reading Group
• Forms of Medieval Greek Poetry
• Armenian Poetry
• Research Lunch | Archives with Queer Intersections Oxford
• Book at Lunchtime: Young British Poets and Selected Poems of Sergio Raimondi
• Book at Lunchtime: Domicide
• Launch of the Vice-Chancellor’s Awards 2024
• Film Screening | Bacurau
• A Look Inside Tŷ Mawr Wybrnant’s Bible Collection
• Carthusian Monks, Alms-Giving and Care for the Sick at the London Charterhouse
• Medieval Matters: Week 3 HT 2024
• Oxford University Collective for Pastoralist and Nomadic Peoples
• A new Phrygian inscription from Gordion (G-12) and the sociolinguistic situation in Mysia in the early Hellenistic period
• Celebrating a New Partnership Between TORCH and UdK Berlin
• OLAGN Seminar: Sujetos a la deriva: danza, poesía y cruces en el caso Thénon/Scaccheri
• Expressions of Interest: The Oxford-Uppsala Initiative Research Cluster in Culture and Creativity
• Anti-Black Ontologies of the ‘Human’ as a Problem for International Relations
• Discussing Queerness from the South Asian Context
• Call for Papers | Sensory Subjectivities
• 2023 - 2025 | Dr Anuradha Gobin
• The Aesthetics of Exclusion: Minorities in Film from the Muslim World | Session 2
• Rewind with post-show Q&A
• Medieval Matters: Week 4 HT 2024
• The Weidenfeld Lectures 2024 | Old and New Stories: A Writer's Journey
• Second Wave Trans Feminism
• Dimitris Papaioannou in Conversation
• ‘Queer Victorians’ tour of Colour Revolution: Victorian Art, Fashion and Design
• Call for Papers | Graduate Conference: Margins in Latin American Studies
• Dionne Brand: Poetry Reading
• Fakes
• Medical Humanities Workshop on 'Public Health in China'
• Advancements and future directions in queer African studies, Seminar 1
• Advancements and future directions in queer African studies, Seminar 2
• Call for Papers | Medieval Women’s Writing Research Group Conference 2024: Exchanging Words
• Choreographing Kafka
• 2023-24 | Mind, Soul and Trauma
• Medieval Matters: Week 5 HT 2024
• Medieval Women’s Writing Research Group Conference 2024: Exchanging Words
• Readings for the Discussion Group: Soviet Film and British Documentary Film
• "Our children? Sold to the state. They will come back in cans of tuna."
• Spatial Heritage: Engaging Academics & Audiences with 3D tools
• The Aesthetics of Exclusion: Minorities in Film from the Muslim World | Session 3
• Oreet Ashery
• Workshop on Neil Armstrong’s 'Collaborative Ethnographic Working in Mental Health'
• Professor Joshua Hordern
• Professor Francesca Southerden
• C. W. Winter
• Medieval Matters: Week 6 HT 2024
• Rachmaninov Song Series: Pre-Concert Talk
• Kristina Mkhitaryan soprano; Andrey Zhilikhovsky baritone; Michael Foyle violin; Iain Burnside piano
• War & Peace | Perspectives from the Global South
• Pre-Concert Talk: Rachmaninov Song Series
• Maria Motolygina soprano; Alexey Neklyudov tenor; Dmitry Cheblykov bass-baritone; Iain Burnside piano
• Pre-Concert Talk: Rachmaninov Song Series
• Natalia Kutateladze mezzo-soprano; Rodion Pogossov baritone; Iain Burnside piano
• Ed Chan-Stroud
• Jess Wyatt
• April Fakes Day
• April Fakes Day 2024
• Professor Gascia Ouzounian
• Dr Emanuela Vai
• Professor Laura Tunbridge, FBA
• Professor Samantha Sebastian
• Clergy Vicarious Trauma Project Consultation
• Clergy Vicarious Trauma Working Group
• Ancient Anatolia Day
• Book at Lunchtime: Authorship, Activism and Celebrity
• The Histories and Politics of Pandemics Workshop
• Research Lunch | 'Environments' with Queer Intersections Oxford
• OLAGN Reading Group: The Concept of the Margin
• Within the Frame: Recentering the Black Child in the History of American Childhood
• Medieval Matters: Week 7 HT 2024
• Call for Papers | Animals and the Holocaust Workshop
• Call for Papers | Animals and the Holocaust Workshop
• Oxford Medieval Graduate Conference 2024
• Dance Music, Wakefulness and Embodied Rhythm
• Yolande Yorke-Edgell and Yorke Dance Project: IMPRINT
• 25 April 1974: Unfinished Revolutions
• Holocaust Memorial Day Trust Youth Programme
• A conversation with Delovie Kwagala Aka Papa De and Matthew Nwozaku Aka Matthew Blaise
• Women & Online Television in Senegal - Screening of Mistress of a Married Man
• The Aesthetics of Exclusion: Minorities in Film from the Muslim World | Session 4
• After the End BFI/TORCH Researcher
• How the Anthropocene Made Modernity
• Comparative Religion and Indo-European Studies
• Medieval Matters: Week 8 HT 2024
• Call for Papers | Education and Inequity: Perspectives from South Asia
• Post on the BFI blog
• Video Recording: Sleep, Insomnia and Wellbeing: Historical Perspectives
• TORCH | The Oxford Research Centre in the Humanities: Use of cookies on this website
• TORCH Book at Lunchtime: FEMINA
• TORCH Book at Lunchtime: English Food
• Join our April Fakes Day panel
• Decoding the African COVID-19 Paradox: Why was Africa spared from the impact of COVID-19?
• Historic House Childhoods: Uncovering New Heritage Narratives
• Zara Christmas
• Film screening: F for Fake
• Curfew as Form: On the Seven Sages of Rome
• Riddle Me This: On Sovergnity, Sexual Mastery, Gender and Class in Loathly Lady Tales and Riddle Ballads
• Medieval Literature and Esotericism
• The Garret Lexicography Project: Rethinking Samuel Johnson’s House of Words.
• World Sleep Day 2024
• Breach Theatre awarded major grant
• Professor Lynda Mugglestone
• April Fakes Day: Medicines
• April Fakes Day: Tricksters
• April Fakes Day: Documents
• April Fakes Day: A Monster
• Artefacts of a fabricated past
• Video Recording | Advancements and future directions in queer African studies, Seminar 1
• Micro-Internship at TORCH
• International Excellence in the Humanities Programme
• Whose Lie Is it Anyway?
• Professor Erica Charters
• April Fakes Day: Ivory
• Changing Institutions: Common Sense, Complaint and Other Lessons in Legacy
• Falsified medicines
• Fake Gold? Tumbaga
• Odd Affinities: Virginia Woolf's Shadow Genealogies
• In conversation with Professor Anthony Reddie
• Love, Hope, and Neurodiversity
• Radical Reasoning | Neurodiversity & Race in HE
• Intersecting Identities: Race and Queerness in South African Cinema
• Race and Resistance | End of Year Reflections
• Amelia Newsham and 18th century Black British histories
• Video Recording | Advancements and future directions in queer African studies, Seminar 2
• April Fakes Day 2024: The Yoro Waterfall
• Unveiling the Deception: Exploring the Impact of Fakes on Museums
• April Fakes Day 2024: Bust of Queen Nefertiti
• Ethics in AI Lecture - AI, Work, and Democracy
• Ethics in AI Annual Lecture with Professor Joshua Cohen
• Placement Opportunity: Historic Royal Palaces - 'Building the Tudor Palaces'
• Dispelling the myths: the true story of the Windrush Generation
• April Fakes: Bust of Queen Nefertiti
• Notes on Craft: Dr Goffredo Polizzi (CRAAZI Bologna)
• Here and Now vol. II | Book Launch
• An Evening with Frederick Ashton
• Notes on Craft Series: Dr Spiros Chairetis in Conversation with Queer Intersections Oxford
• Time to Get Ready: Opening Reception
• Time to Get Ready: Resistance Through My Lens
• Sensory Subjectivities: The Early Modern Sensory Experiences (EMSE) Conference 2024
• Race and Resistance | Work-In Progress Student Panel
• The Public Country House
• Memories in Motion
• Privacy Notice for the Castle Drogo Wartime Nursery Project Evaluation
• Seeing Dante's Commedia in Print from the Renaissance to Today
• Seeing Dante's Commedia in Print from the Renaissance to Today
• Dr Rebecca Bowen
• Centering Gender Euphoria
• On Palestine - Why Solidarity Matters
• Professor Simon Gilson FBA
• Wuon-Gean Ho
• April Fakes Day 2024
• Malvika Gupta
• Research Seminar with Chandini Jaswal
• Unlocking Perspectives: A Journey through Communication, Narratives, and Antimicrobial Resistance
• Reading Group | Chinese Medieval Women’s Writers
• Reading Group | Arabic and Hebrew Women’s Writers
• Women, Feminism, Oral History, and the Miners' Strike
• Binding the World, Withholding Life. Poetry Books in the Medieval Mediterranean
• I’ll Know It When I Feel It: At the Intersections of Blackness, Asexuality, & Abolition
• Book Launch | Merze Tate
• Place-Based Histories: An Interdisciplinary Workshop for Early Career Researchers
• Poetry Reading by Dario Iza Pilaquinga
• 13 Ways of Looking at AI, Art and Music
• Decoding the African COVID-19 Paradox
• Dr Leah R Clark
• The Launch of the Hsu-Tang Library of Classical Chinese Literature
• Oxfordshire Health Humanities Project
• The Violence of Knowledge: Epistemicide and Decolonial Thinking in Irish Literature of the Anthropocene | Dr Nessa Cronin
• Social Metabolism and Valuation Disputes | Dr Joan Martínez-Alier
• Tagaloa X Tangaroa: Pasifika Popular Music and Climate Justice
• Historical research in the time of the Anthropocene: can climate data help us read the past (and, if so, how)?' with Prof Nicola Di Cosmo
• Seeing Dante's Commedia in Print from the Renaissance to Today: Exhibition Launch
• Oxfordshire Health Humanities Project
• Yuxin Peng
• Urvi Khaitan
• Oxford Health Histories
• Diversifying Medical Education
• Advancing Medical Professionalism
• Infecting Minds
• Environmental Humanities
• Singing and socialism: Rediscovering music in British-Soviet cultural encounters
• Medical Humanities ECR & DPhil Writing Group TT2024
• Medical Humanities ECR & DPhil Writing Group TT2024
• Medical Humanities ECR & DPhil Writing Group TT2024
• Medical Humanities ECR & DPhil Writing Group TT2024
• Medical Humanities ECR & DPhil Writing Group TT2024
• Medical Humanities ECR & DPhil Writing Group TT2024
• Medical Humanities ECR & DPhil Writing Group TT2024
• Medical Humanities ECR & DPhil Writing Group TT2024
• Autotheory? Locating the self in feminist research
• Ed Gaughan: Words and Music
• Kafka's Ape
• Medieval Matters: Week 1 TT 2024
• Ars Memoriae Reading Group | Week 2 TT
• Ars Memoriae Reading Group | Week 4 TT
• Ars Memoriae Reading Group | Week 6 TT
• A Reading with Sally Bayley
• So, where does a story begin? Female Relationships and Memory in Holocaust Graphic Narratives
• Introducing Medieval Japanese Poetic Forms: Sugawara no Michizane’s Poetry
• Neurodiversity Network
• The Wakan Rōeishū (Japanese and Chinese-Style Chanting Collection, c. 1000): Sound and Manuscript
• Japanese Poetry
• The Environmental Humanities Research Hub's TT2024 Term Card has been released
• Book Launch | Dr Gibson Ncube @AfOx fellow
• Shewings of Julian of Norwich: The Hazelnut
• Professor Bernhard Malkmus
• The Carbon Republic: Global Warming and American Political History
• Research Lunch | Bodies
• ReSET: Rethinking Natural Resources
• Pathless Forest: The Quest to Save the World’s Largest Flowers
• Deep Time: Visions of the Earth's Future
• Research Lunch | Activisms
• Careers in Arts & Heritage: Crafting your CV & Creating a Digital Portfolio
• Sounding Ikkyū’s Kyōunshū “Crazy Cloud Anthology
• GAPS 2024: Post/Colonial Environments
• Interview with Chris Thorogood
• NSOTA
• Medieval Matters: Week 2 TT 2024
• #Fake: The Zimbabwe Bird and Cecil Rhodes’ Legacy
• Doing Academic Research Neurodivergently
• Research Seminar | Women’s Writing in Early Medieval Manuscripts from England and Francia
• Research Seminar | The letters of Colette of Corbie
• The Aesthetics of Exclusion: Minorities in Film from the Muslim World
• Tim Middleton
• Rent Cultures Network
• Professor Amy Bogaard
• The Zalpa/Zalpuwa-type of Anatolian toponyms and the geography of Hattian
• On Pedagogies of Travesti Liberation
• Lead a creative writing course
• Dr Alex Vasudevan
• Professor Ushashi Dasgupta
• Dr Daniel Thomas
• Medieval Matters: Week 3 TT 2024
• Alexander the Great in the Land of the Rising Sun
• Oxford Scandinavian Studies Network Workshop
• Writing Norwegian Literary Histories | Exhibition
• BFI collaboration: The Public's Health
• OMF
• Hittite šaraku- and Luwo-Hittite šari(ku)wa-troops
• Dr Siân Grønlie
• Participatory Performance Programme
• Past Medical Humanities events
• Professor Paul Lodge
• Pornographic Provenance & Erotic Reactivations: Archiving Desire in Latin America
• Env Hums related events
• Medieval Matters: Week 4 TT 2024
• CANCELLED | Soma Sara, “Everyone’s Invited”: Reflections on Campaigning against Gender-based Violence.
• Professor Dimitris Papanikolaou
• (Bio)technologies, human identity, and the Medical Humanities
• Creative Multilingualism’s Summer Showcase: Language Diversity in the Digital Age
• The Italian Lauda: Origins, Features, Connections
• Bruegel to Rubens Study Day
• Georgia Lin
• Professor Helen J Swift
• Dr George Manning
• Dr Laura Seymour
• brecht: fragments
• Book at Lunchtime: 11 years of fabulous discussions
• Creative writing course: Valuing The Everyday
• Previous Env Hums events
• Term card: Medical Humanities ECR & DPhil Writing Group TT2024
• Seely & Paget’s ‘Robot Dwelling’ at Cloth Fair in London
• OLAGN Reading Group: Visualizing Loss in Latin America. Biopolitics, Waste, and the Urban Environment
• Bye Bye Binary
• Queer(ing) Italian Masculinities Event Series | Part 1
• Queer(ing) Italian Masculinities Event Series | Part 2
• Margins in Latin American Studies | Graduate Conference
• Affiliations: Towards a Theory of Cross-Temporal Comparison
• Literature and Language Difference Conference
• Communication, Narratives and Antimicrobial Resistance
• Medieval Matters: Week 6 TT 2024
• Quiet Urgency: Disturbing Sonic Ecologies
• The Curatorial Within an Institutional Context
• Global Gender: Pasts, Presents, Futures.
• Film Screening and Discussion of 'Specifications for a Reverse Archaeology'
• Rent Cultures Workshop
• COVID-19 and Africa: Equations, Epistemologies, and Experiences
• Health on Screen: The Public and the Global
• Medieval Matters: Week 5 TT 2024
• Dr Emanuela Vai
• Professor Geraldine A. Johnson
• Past Performance Research events
• Performance projects
• Chansoneta, ar t’en vai’ Troubadour Melodies in Communities of Song
• Fighter, Leader, Patron, King: al-Buḥturī’s Poems for Ṣāliḥ ibn Waṣīf
• Casting Prose from Medieval Poetry in the Seventeenth Century
• Voices of Resistance: Building Memory through the Struggles of the Collectives of the Families of Disappeared Persons in Guanajuato, Mexico.
• Gardens of Paradise?
• The Impact of Generative AI on the Digital Humanities: Disruption in Research and Education
• Twelve Conversations about Kafka
• Burning Down the House
• Oxford Translation Day 2024
• Medieval Matters: Week 7 TT 2024
• Medieval Matters: Week 8 TT 2024
• QIO Social: Create, Craft, Chat
• A Creative Transformation
• IF at the RSC
• Tom Kuhn's exhibition in The Guardian!
• The Queer Armenian Library
• Community Public Health Workshop | Oxfordshire Health Humanities Project
• Voices of Resistance: Building Memory through the Struggles of the Collectives of the Families of Disappeared Persons in Guanajuato, Mexico.
• Environmental Humanities Postgraduate Writing Group | Week 1
• Environmental Humanities Postgraduate Writing Group | Week 3
• Environmental Humanities Postgraduate Writing Group | Week 5
• Environmental Humanities Postgraduate Writing Group | Week 7
• Investigating the Collaging Techniques of Mary Delany
• ‘Looking for Dante’ (2024). Film by Wuon-Gean Ho
• Video Recording | Changing Institutions: Common Sense, Complaint and Other Lessons in Legacy
• The Oxford Medieval Mystery Plays 2025
• Letters for Palestinian Childhoods Exhibition
• Placement Opportunity | Blenheim Palace
• Robes & Latin: Or, How to Get Kicked Out
• Peter Darrell Rocks!
• Material Legacies of Empire
• QIO’s Summer Collage Exhibition 2024
• Fantasy Futures: Guardians of Oxford
• Key Stage Three Teaching Resource Pack for the ‘Letters for Palestinian Childhoods’ Exhibition
• Hear from New College's first AfOx Visiting Fellow
• Video Recording | Anti-Black Ontologies of the ‘Human’ as a Problem for International Relations
• Exhibition Launch: Letters for Palestinian Childhoods
• International Engagement Fund Michaelmas Term 2024
• Old Occitan Literature Workshop: Learning a Medieval Language in Community
• New Network Scheme Michaelmas Term 2024
• Global Visiting Professorship 2025 - 2026
• Ancient Anatolia Day
• What is TORCH?
• Jonathan Walls: LuwianType Package
• The Byzantine paraphrases of Gregory of Nazianzus’ poems Understandings and Misunderstandings
• Book Launch | Interrogating Injustices
• Interrogating Injustices - Seminar on Reparations
• The TORCH Network Poetry in the Medieval World after Two Terms of Activity
• CaribOx: The Caribbean Oxford Initiative
• CaribOx Visiting Fellowship Scheme 2025
• Video Recording: Sleep, Insomnia and Wellbeing: Historical Perspectives
• CaribOx Travel Grants 2025
• Podcast | Sleep, Insomnia and Wellbeing: Historical Perspectives
• Dance Music, Wakefulness, and Embodied Rhythm - Podcast Part 3
• Dance Music, Wakefulness, and Embodied Rhythm - Podcast Part 1
• Dance Music, Wakefulness, and Embodied Rhythm - Podcast Part 2
• Dance Music, Wakefulness, and Embodied Rhythm - Podcast Part 4
• Seeing Dante’s Commedia in Print from the Renaissance to Today: The Taylorian Collections
• Looking for Dante: Exploring the Divine Comedy in Print from the 15th Century to Today
• ‘Looking for Dante’ Special Collections Exhibition: Guest Book Comments
• Exhibition ‘Desks, Drudgery, and the Dictionary’ opens at Dr Johnson’s House in London
• Help Expand the Oxford Scandinavian Studies Network!
• TORCH Critical-Thinking Communities Funding Call Michaelmas Term 2024
• University of Oxford & Berlin University of the Arts
• Apply now: Performance Research Hub: events programme 2024-25
• Dr Alice Parrinello
• Report on Animals and the Holocaust Workshop
• Creative writing course at Ark T
• Call for Submissions | QIO Essay Prizes 2024
• Queer Intersections Oxford | Call for New Co-Convenors
• 2023 - 2024 | Dr Gibson Ncube
• 2023 - 2024 | Professor Alebachew Belay Birru
• 2023 - 2024 | Dr Tolulope Osayomi
• Reality check- Duplicity and disinformation?
• Vacancy: International Officer (Maternity Cover) 2024
• Public and Community Engagement with Research (PCER) Fund
• Repression and Rebellion: Abstract Art at the National Trust
• Shereece Linton-Ramsay
• The 2025 BRIDGE Fellowship Programme: Visiting Fellowship at the Javett Art Centre at the University of Pretoria
• COVID-19 and Africa: Equations, Epistemologies, and Experiences
• At The Movies: An Account of ‘Health on Screen’
• Complaints and Restriction – Food culture at the London Charterhouse
• The London Charterhouse: "Rude and irregular" or a hub of healthy ageing?
• Seely and Paget: Restoring the London Charterhouse
• Oxford – UdK Berlin Seed Funding for Creative Collaborations
• Vacancy: CaribOx Programme Officer
• Dr Eleri Anona Watson
• A Flat Place
• Medieval Studies Academic Mentor and Communications Officer
• Vacancy | Medieval Studies Academic Mentor and Communications Officer
• CaribOx Information Session: Visiting Fellowship and Travel Grant scheme
• The Boundaries of Humanity Reading Group
• The Boundaries of Humanity Reading Group
• From Philosophy of m/Madness to m/Mad Philosophy
• Race and Resistance | Alternative Oxford Walking Tour
• CANCELLED | Digital Currents, Creations, and Collaborations with Dr. Francesca Sobande
• ‘Like Lockdown Never Happened: Music and Culture during COVID’
• Imagining Revolutionary Humanism and Worlds Otherwise
• Writing & Meditation
• Writing & Meditation
• Writing & Meditation
• CANCELLED | Writing & Meditation
• CANCELLED | Writing & Meditation
• Writing & Meditation
• Writing & Meditation
• From ‘Unchilding’ to ‘Childcide’: Palestinian Childhood under Settler-Colonialism
• Reaching new audiences: Trade Publishing in Humanities
• Announcing the 2024 Javett-UP BRIDGE Fellow: Dr Georgia Nasseh
• Welcoming the AfOx-TORCH Visiting Fellows, 2023 - 2024
• Book at Lunchtime: From Tudor to Stuart
• Digital Spaces & Creative Methodologies Panel
• Blackness, Creativity & Subjectivity Panel
• Ukraine: Music in Wartime
• Collisions: AIMC 2024
• Machine Self: AIMC 2024
• Club Night: AIMC 2024
• Love and Lenses: Photographic Couples, Gender Relationships, and Transatlantic Networks in the Long Nineteenth Century
• Fouzia Farooq Ahmed
• Hope & Uncertainty: How We Talk about Ecological Catastrophe
• Oxford Open Doors 2024
• Philosophy and Poetics Interdisciplinary Conference
• Book at Lunchtime: The Life of Nuns
• Research Opportunities at the British School at Athens MT24
• Book at Lunchtime: Wartime Shakespeare, Shakespeare's Tercentenary
• Oxford-Uppsala Culture & Creativity Research Cluster
• Making Soils Visible: Being with Muck and Memory
• TORCH Book at Lunchtime: FEMINA
• TORCH welcomes new members to Management Committee
• A Raisin in the Sun - Rent Cultures Network
• Black History Month: 100 Years On
• The Race and Resistance Research Hub's MT2024 Term Card has been released
• The Royal Shakespeare Company launches international research project to explore the future of creative practice
• Environmental Humanities Reading Group - Collaboration with EEHN
• Moon Charania | Archive of Tongues
• Medieval Matters in September 2024
• From COVID-19 to MPox: Lessons from the Humanities?
• Humanising the Global Response to MPox: Lessons from COVID-19 and the Humanities?
• Open-Oxford-Cambridge AHRC DTP-funded Collaborative Doctoral Award at University of Oxford, in partnership with English Heritage.
• Medical Humanities Early Career and DPhil Writing Group MT2024
• Radical Reasoning - Digital Spaces and Creative Methodologies
• Jeux - a Creative Writing Workshop Inspired by 17th Century Games
• How a new moving image conservation research laboratory will help safeguard our cultural heritage
• Light without Sun or Moon. The poetry of Kabīr
• One’s Own Eye Cannot Be Seen. The Poetry of Bihari
• How to play the Game of Love. The poetry of Gurū Nānak
• Methodologies of Commensuration. Poetry, History, and Knowledge
• Poetic Frames in Early Medieval Manuscripts. Forms and Functions
• Using Story Completion to Understand Gen Z’s Religious and Spiritual Role Models
• Magic and Language in Images from the Alexander Romance
• How to Be You: Say Goodbye to Should, Would and Could so that You Can
• Pandemic Preparedness: Why the Humanities and Social Sciences Matter
• Heritage at Oxford: From our own correspondents
• IHR Workshop: Using Archival Research in the Heritage Sector
• Call for Actors, Directors, Costume Makers, and Musicians!
• Sir John Gardner Wilkinson and the Dolaucothi Gold Mines
• Sir John Gardner Wilkinson and the Dolaucothi Gold Mines
• The Caribbean Oxford Initiative
• Right Here, Right Now: Climate Change in Brazil
• Underworlds / Underwater
• The Art of Dying
• Death Cafe
• A Brief History of Death
• A Quiet Revolution in Theatre
• Arunima Cheruvathoor
• “Oxford gave Africa a Voice”
• TORCH welcomes new International Officer
• Adventures in Consciousness
• 1st Session of the Medieval Women’s Writing Research Seminar MT2024
• The Environmental Humanities Research Hub's MT2024 Term Card has been released
• Medieval Matters: Week 0 MT 2024
• Panel Discussion with Taiwanese Translators
• Discussion Group: Cosmology, Ecology, Memory: New Comparative Perspectives on Ingeborg Bachmann
• Discussion Group: Dialect in Translation
• AI, Decoloniality and Creative Poetry Translation: The First Symposium
• Fiction and Other Minds: Contingent Minds: Companions, Proxies and Nobodies in Literary Writing
• Notes on Craft Series: Dr Dorothée Boulanger in conversation
• Cell – Julian of Norwich
• APGRD term card: Michaelmas '24
• Medieval Matters: Week 1 MT 2024
• In Conversation on Laura Seymour’s Book, Shakespeare and Neurodiversity
• Making Soils Visible: Being with Muck and Memory
• Medieval Matters: Week 2 MT 2024
• Research Seminar | Embroidery as alternative writing: Philomela's tongue
• Everyday Oxford: Exhibition opening
• TORCH Research Showcase 2024
• Cyborg: A Documentary
• New perspectives, new possibilities
• CANCELLED | Begum Jahanara and the Exchange of Letters During the War of Succession in Mughal India
• AI, Genomics, and the 21st Century Physician
• Romantic Cello and Fortepiano Music by Women Composers
• Ars Memoriae Reading Groups | Michaelmas Term 2024 - Week 4
• Ars Memoriae Reading Groups | Michaelmas Term 2024 - Week 3
• Ars Memoriae Reading Groups | Michaelmas Term 2024 - Week 8
• Everyday Oxford
• Nissan Seminar: Tanaka Denjirō VII - A Kabuki Music Performance
• Oxford China Reading Group
• OxCRG Michaelmas Term Card 2024
• (Bio)technology and What Makes Us Human
• Medieval Matters: Week 3 MT 2024
• Welcoming the Inaugural Recipients of the CaribOx Visiting Fellowships and Travel Grant
• Performance Research Hub: Networking Event
• The Past, Present and Future of Medical Education
• The Politics of Memory: The Reimagination of Medieval India
• Locating Silences: The Status and Agency of Women in the Delhi Sultanate
• Reading Group with the University of Toronto: “Underworlds/Underwater”
• Hurrian mythology in a Hittite political context
• Medieval Matters: Week 4 MT 2024
• The Outlawed Workers: In conversation with the English Collective of Prostitutes
• Call for Papers | Oxford Medieval Graduate Conference 2025: Rituals and Ceremonies
• Chat with an Expert | Rachel Delman (Heritage Partnerships Coordinator): Medieval Women's Stories in Heritage
• What is Consciousness?
• Gender Persecution in Iran
• Welcoming 2024-25 Global Visiting Professor - Professor Fouzia Farooq
• Literary Realism in the Early Years of the HIV/AIDS Epidemic
• Andrew Holleran, HIV/AIDS Fiction, and the Forms Melancholia Takes
• 2025 Race and Resistance Research Hub Conference Announcement
• Call for Papers are Now Open for the Race & Resistance 2025 Conference
• Return of the Female Voice: The Role of Women in Myanmar's Ongoing Resistance
• Unruly Visions
• Critical Food Studies Network
• Medieval Matters: Week 5 MT 2024
• Heritage Pathway trip: Bath Assembly Room & Georgian Bath
• 2024-25 | Reconstructing the 1936 BSA Exhibition using the Ashmolean’s Sir Arthur Evans Archive
• Workshop on the Study of Pre-War Archaeological Exhibitions using Archival Materials
• Awards for Performance Research Hub funding, 2024-25
• Invitation to a Lecture given by Prof Dr Hermann Parzinger
• Antarctica: More - Than - Human Stories
• Plot Holes: exhibition opening
• Immortal Flowers Always Bloom. Medieval and Contemporary Poetry in Dialogue
• Medieval Matters: Week 6 MT 2024
• Hittite and Digital Studies
• Critical Food Studies Research Seminar
• Critical Food Studies Reading Group
• Unruly Visions: Art, Activism and Intersectionality in East Asia
• New podcast from Dr Chantelle Lewis
• Misaligned Hope and Conviction in Health Care