Britain and the Soviet Union: Early Cultural Encounters

About
satanic ballet 1922 jpglarge

This network was funded from 2022 to 2024.

 

This network has been formed to examine responses to the Soviet Union in the first decade after its formation in 1922, one hundred years ago this year. The recent Russian invasion of Ukraine prompts us to examine the history and the legacy of the relationship between Britain and the nations that made up the Soviet Union. The foundation of the Soviet Union had immense political significance in Britain, not only for people in the British Isles, but also people subjected to British imperial rule across the globe. This network will attend in particular to the way that political significance was expressed in culture: what was the cultural impact of the Soviet Union in the British Empire, and how well were the distinct cultures of the Soviet Union’s nations understood? Our aim is to address these questions through interdisciplinary discussion and to establish a project of recovery. The relevant primary source materials from the period are not easily accessible: few of the journals are digitised, British agit-prop plays were rarely scripted, ballet choreography was not recorded, music was only sporadically reviewed, and films were censored. A central task for the network will be to examine how local, national, imperial, and international power was and is coded into cultural forms, and how those forms were translated as they moved across the globe.

Founding members of the network came from the disciplines of English Literature, History, Music, Politics, and Slavonic Studies, and we welcomed participants from across the University and beyond. Each term we gathered for a lunchtime discussion group linked to an event on a particular theme: dance, imperialism, socialism, music, theatre, film. Readings for the discussion groups were normally circulated in advance, but everyone was welcome to attend, whether they have read the materials or not.

 

If you were interested in joining the Network, attending our discussion groups and events, you could contact Rebecca Beasley on rebecca.beasley@queens.ox.ac.uk.

Most of our events were free to attend, but donations to support those suffering from the war in Ukraine were welcome:

The Ukraine Conflict Appeal Fund: The University has established a fund to support students and academics affected by the ongoing crisis. The Fund will support up to 20 undergraduates and 20 postgraduates though a Studentship scheme for the 2022-23 academic year.

The British Red Cross Ukraine Appeal

The UNHCR Ukraine appeal

The UN Crisis Relief’s Ukraine Humanitarian Fund

The UK Government’s Homes for Ukraine programme

The Ukrainian Institute

 

Our logo is Aleksandra Ekster's Satanic Ballet (1922)

People

Convenors: 

Rebecca Beasley

Joanna Bullivant

Philip Ross Bullock

Nicholas Owen

David Priestland

Members:

Gabriela Minden

Post-Award Member – Exeter College

 

 

George Regkoukos

Social Networks Historian and Sociolinguist

george.regkoukos@ell.ox.ac.uk

 

 

James Davis

DPhil Candidate

james.davis@balliol.ox.ac.uk

 

 

Julie Curtis

Professor of Russian Literature and Fellow of Wolfson College

Faculty of Medieval and Modern Languages

julie.curtis@wolfson.ox.ac.uk

 

 

Leo Geyer

Composer, Conductor and Presenter

 

 

Marinu Leccia

DPhil Candidate in Musicology

marinu.leccia@music.ox.ac.uk

 

 

Susan Jones

Tutorial Fellow in English

Faculty of English

susan.jones@ell.ox.ac.uk

Events
Past Events
News
Blog
Resources
Opportunities