The Emotion of Removal

Publicity image for 'The Emotion of Removal' event. The background is the Pitt Rivers Museum and the faces of the speakers are in red boxes.

Part of the Humanities Cultural Programme, one of the founding stones for the
future  Stephen A. Schwarzman Centre for the Humanities

 


Join freelance curator, Jon Sleigh, and a panel of engagement specialists to consider what happens to the space left behind at the Pitt Rivers Museum now that the Tsantsas (shrunken heads) have been removed from public view. This will be an open conversation on space, access and opportunities when racist narratives are removed and what could take their place.


 

 

https://www.youtube.com/embed/_riCZ4seTzM

 

Speakers

Liam Wiseman (he/him)

Liam Wiseman (he/him) is a Senior Relationship Manager for Arts Council England, working on funding innovative and unique cultural projects. Over the last few years, he has worked in a number of high-profile cultural organisations, such as Exeter Cathedral, Bristol Old Vic and Stonehenge World Heritage Site. He is a Fellow of the Royal Society of the Arts and was a participant in the 2019 Clore Emerging Leaders cohort. He has a particular interest in decolonising the museums sector, and is part of the Decolonisation Working Group with the Museums Association.

Ashley Almeida (he/him)

Ashley Almeida (he/him) is a museums and heritage professional with over a decade of experience from volunteering and working in the sector. He specialises in learning and has worked with a number of audiences to facilitate learning opportunities including schools, families and young people. Ashley is a member of Museum Detox and a huge advocate for greater inclusion and representation within museums. He has worked with a number of institutions including the National Trust, MOLA (Museum of London Archaeology) and currently at the British Museum focussing on youth engagement.

Jon Sleigh (he/him)

Jon Sleigh (he/him) is a Learning Officer, Learning Curator, and art history writer. He works nationally freelance as a specialist in engagement with a diverse portfolio of arts institutions, museums and heritage sites across the UK. Clients include the National Portrait Gallery, The National Gallery, The Government Art Collection (DCMS) The National Archives, Historic Royal Palaces, Art Fund, The V and A and the Arts Council Collection. Prior to this Jon worked for Birmingham Museums Trust / The Arts Collection in round one of the acclaimed ACE National Partners Program. He produces, delivers, and consults on collections engagement. Jon has built a national reputation for innovation, applied ethics and delivery of projects reflecting inclusive futures. He has a passion for challenging and underrepresented narratives in art – co-producing with communities to bringing their lived experience to artworks for advocacy.

Laura Van Broekhoven (she/her)

Laura Van Broekhoven is the Director of the Pitt Rivers Museum, Oxford. She holds a Professorial Fellowship at Linacre College, and is associated with the School of Anthropology and Museum Ethnography at Oxford. Previously she led the curatorial department of the National Museum of World Cultures (Amsterdam, Leiden and Berg en Dal) and was a lecturer in archaeology, museum studies and indigenous heritage at the Faculty of Archaeology at Leiden University. She currently serves on numerous advisory boards and panels. Laura's current research interests include repatriation, redress and pluriversality.  The work being developed at the Pitt Rivers Museum focuses on equity, co-production and reflexive inquiry. Her regional academic research has focused on collaborative collection research with Amazonian (Surinam and Brazil) indigenous peoples, Yokot’an (Maya) oral history, Mixtec indigenous market systems, and Nicaraguan indigenous resistance in colonial times.

Angela Billings