Humanities Cultural Programme Archive (2019-2023)
Between 2019-2023, TORCH set-up and led the Humanities Cultural Programme (HCP).
At its heart, HCP was created in collaboration with researchers and cultural partners, including performers, artists, film-makers and musicians.
This page represents the archive of the events, projects and Fellowships from the HCP 2019-2023.
The Cultural Programme is now a separate team in the Humanities Division at the University of Oxford.
TORCH and the Cultural Programme are now based in the
Stephen A. Schwarzman Centre for the Humanities.
The Cultural Programme curated 6 seasons.
Previous Projects 2019-2023
Humanities Cultural Programme Projects 2019-2023
The Humanities Cultural Programme curated over 50 projects when part of TORCH
The Silk Roads Project with Katie Melua
A History of Ordinary People in Africa
Bunker Cabaret
Castor et Pollux: Rameau's Rising Stars
Disruptive Dialogues: The Legacy of Dambudzo Marechera in Harare and Oxford
Dyslexia at Oxford
A (Speculative) History of (Colonial) Reparations
LANDSCHAFT
Oxford Castle at 950 years - son et lumiere
1918 Allotment Project
Talking Memory
The Shakespeare Music of Guy Wolfenden
Song Connections in the 21st Oxford Lieder Festival - Friendship in Song - An Intimate Art
Ukrainian Literature and Culture: Virtual Residencies
Oxford's Forgotten Stories
Diversity and the British String Quartet
#OxOnSong
(Re) Acting Romanticism: Disability and Women Writers
Acting Outside the Box
Andromeda
Breathworks
Dancing with Apollo
Dante in Oxford 2021
Dr Samantha Ege International Women's Day Lecture-Recital
Elliptical Reading
EMPRES: Sampling the City with Shiva Feshareki
Greek Tragedy: Masterclasses on Film
Intimacies after Valloton
A Sanskrit play in Sanskrit
Looking Beyond
Making Madame Bovary's Wedding Cake
Medea
Moon Viewing Project
Oxford Holocaust Memorial Events Series
Oxford Lieder Festival
Oxford Schools Intercultural Exchange
Pixelating the River
Queer Rural Questions
Song Futures: Cheryl Frances Hoad
Syria and Silence
Syrian Voices
The Chrysalis Project
The Dancing Master
The Gentlewoman
Thirty Works Thirty Days
Tide Salon
Van Gogh
Vehicles Opera
John Pfumojena Performance
Voices from the Past
Women in Craft
Women, Memory and Transmission
Visiting Fellowships 2019-2023
Estella Tse
Katie Melua
John Pfumojena
Katie Mitchell
John Harle
Farah Karim-Cooper
Shiva Feshareki
Anthony Roth Costanzo
Lolita Chakrabati
Jennifer Wong
Polly Barton
Carey Young
Castle of our Skins
Khaled Kaddal
Tom Hammick
Humanities Cultural Programme Visiting Fellowships 2019-2023
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The Humanities Cultural Programme was delighted to welcome Estella Tse, the renowned Virtual / Augmented Reality Creative Director & Artist. Based in Oakland, CA, Estella integrates emerging VR/AR technologies and visual storytelling into a new art form. Estella has been an artist-in-residence with Google, Adobe, Cartoon Network Studios, performs and speaks internationally. She strives to inspire new ways to connect, educate, and build empathy with her work in creative innovation. Her work has been featured on Forbes, CNet, The Australian, and more. VR Reel: https://estella.link/vrartreel Social Media: @estellatse |
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Over the 2021/22 academic year, Katie Melua joins us as a Humanities Cultural Programme Visiting Fellow. Katie Melua will collaborate with a select group of students and faculty from Oxford University and Oxford community organisations to create an original musical story inspired by Professor Peter Frankopan’s best-selling book, The Silk Roads. This unique songs-based project will be presented at Oxford’s Sheldonian Theatre on Thursday 28 April 2022. Katie Melua says: “I believe that songs are one of the most potent carriers of culture, human experience, and story-telling. I have forever felt that universities are the source of cutting-edge thinking and cultural development, but rarely do I see the two playgrounds of musical artistry and academic study come together. I have practices and theories learnt over the years that I’m excited to share with these young creatives, and I’m also looking forward to learning from them and being challenged by them. I have great respect for traditional forms, which we’ll look at and explore alongside newer ways of composing. We’ll explore where words meet music, the sound design of lyrical composition, and how to weave great stories into the form. As an immigrant moving from Georgia to the UK at a young age, I have a deep respect for how culture moves across land, time, and space, and have turned to Professor Peter Frankopan’s The Silk Road as a source of inspiration for this very unique journey with the students and faculty of Oxford University.” Katie Melua is one of Britain's most successful musical artists, having sold in excess of 11 million albums and received over 56 platinum awards. The 36-year old is originally from Tbilisi, Georgia and moved to the UK at a young age where she studied at the acclaimed Brit School of Performing Arts. |
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John Pfumojena joined the Humanities Cultural Programme as Visiting Fellow for 2022/23. Elected Visiting Fellow at Exeter College, Oxford University for 2023/24. John is a distinguished Zimbabwean Composer, Theatre Director, accomplished Actor and Researcher with music published by Warner Chappell Music (Warner Music Group). Research Interests John Pfumojena’s research interests are anchored within Intercultural Collaboration in the creative arts, with a focus on the intersection of music, theatre, and cultural diversity. Mr. Pfumojena delves into the dimension of decolonizing the pedagogical landscape, primarily within the domains of music and drama training and education. His ground-breaking approach, integrates the oral and improvisational traditions of Southern Africa with modern performance practice and technology, thereby serving as both stimulus and foundation for the evolution of an inclusive, collaborative, modernistic music and theatre sphere. John Pfumojena’s academic inquiries encompass the exploration of material culture with a specific focus on the representation of Zimbabwean Mbira instruments within the confines of museum spaces. The intersection of research and practice emblematic of his multifaceted contributions to academic and creative realms |
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